Category: Wild Thing

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Creative Spirit

I was going to walk down to the knitting shop today, but… looking out the window, I don’t think I’ll bother. This is a bit much even for me with my oh-we-often-get-snow-flurries-at-the-beginning-of-April smugness – not that we’ve got actual snow here, just freezing rain, but still, it’s a bit much. I wasn’t planning to buy more yarn (still working my way through the stash) but could do with a 5.5mm circular needle to replace the one I’ve been using, which is on the verge of breaking, but over the weekend I’ve started two more top-down jumpers (one knitted, one crochet) to go with the two I’ve got that I can’t make progress on (one because of the needle breaking and the other because of lack of the right yarn). Three of them are knitted, the latest one (started Saturday evening, pulled down and restarted yesterday) is an experiment to see if it’s possible to use the same general top-down approach but with crochet, and if it works will use up a load of yarn which I’ve had for about a year and have tried to start various projects which I’ve later abandoned.

Do I want/need/will I wear all these jumpers? Probably not, but that’s not the point.

I was going to write about creativity – I half started yesterday, at the end of ranting about something, I can’t remember what. If I’m making something, or thinking about something to try – it doesn’t much matter what – I can sort of keep my head above water – as long as I keep my expectations low, and don’t think that what I make will be wonderful when it’s finished, of course, but when it’s done, it can be pushed to the back of a cupboard and forgotten about – or, in the case of writing, in the back of some folder on my hard drive, or shared on Facebook, or even better, Twitter, where I have 200 ‘followers’ but none who ever respond to anything I share (that’s an exaggeration, I’ve had two ‘likes’ in the last two years, both from people I used to know personally but haven’t seen in years).

For most of my life I haven’t considered myself at all ‘creative’ – except for this half-arsed idea that I might have been a ‘writer’ if I’d ever worked at it, but even then I was always conscious that I didn’t have the guts, talent or chutzpah to stick at it and make it work as a career. When I read ‘Women Who Run With the Wolves’ last year, I came across the idea of the ‘creative spirit’ which is crushed out of young children if they don’t get the chance to use it. This resonated with me, as I thought about my fear of judgement, of what I make never being good enough, of the ludicrous hubris of ever thinking I was ‘good enough’ at anything, the ‘who do you think you are?’ arrogance of that whole idea, and the ridicule that followed from it.

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Poetic Rage

Maybe I won’t write today, not let it out of my head.

There’s a nice rhythm to that, I thought, as I was getting out of the shower (and thinking: I can’t be arsed, why do I even bother?) Two lines, seven syllables each. Where are the stresses? First, fourth and last syllable of the first line: MAYbe I WON’T write toDAY – Tum, ta, ta, tum ta, ta, like a waltz, three-four time, then a final TUM and a pause for breath.

What about the second line? I fiddled with that a bit as I repeated it in my head. It had started as ‘I’ll not’ or maybe ‘I won’t’ (I can’t exactly remember), but I didn’t like the unstressed first syllable, and I counted syllables on my fingers and realised that if I dropped it, the rhythm was exactly the same again: ‘NOT let it OUT of my HEAD’, but I didn’t like the ‘not’ at the start of the line, it seemed clumsy like that, but how about ‘won’t’ again? ‘WON’T let it OUT of my HEAD’? Now I have repetition of the second stressed syllable of the first line as the first word of the second line, and I like that, I like it a lot.

I am thinking like a poet, and when asked, as I have been in the past ‘What makes it a poem rather than anything else?’ I can say: the rhythm, of course, but also the brevity, because it expresses something in a very short space – I hope so, anyway, I hope it gives you a flavour of how I’m feeling this morning, even if I don’t write another word all day.

I notice that all the words are monosyllabic, except for the first and last words of the first line, and the stresses are at the start and end of each line, with another one bang in the middle. They’re not iambic stresses, not alternating, they have those two quick syllables in between, which is what creates the three-four rhythm, and somehow makes the stressed words harder and the whole thing more staccato, full of pent-up energy, rage, frustration and… another word which flashed into my head and has now gone – resentment, yes, I think that’s it. Resentment that I have set myself this task of writing every day and I can’t be arsed, I really can’t, I have nothing to say, nothing to write about except all this… rage, frustration and resentment.

I don’t want to let it out of my head – or rather, I want it all gone, but I don’t want to have to sit in front of the computer and let it out, because I don’t want to do anything any more, I can’t find the enthusiasm and motivation to carry on doing the things I do every day. But do I want to share it? What else is there in my head right now? What am I going to do with the rest of my life?

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Dichotomy and Transitions

Thinking of what to write today, and how to carry on with the thread of the last few days, it occurred to me that the two examples I gave as people noticing a ‘transition’ from ‘Belinda’ to Melinda’ were from my twenties and thirties. Not only that, but it might seem that both refer to a single period of change – which isn’t correct, because the conversation where I was warned ‘not to go back into my shell’ happened long before my first meeting with the other person, so I’d obviously slipped right back into my shell by that time – just as I did between the networking and the travelling.

Which might sound as though I see ‘Belinda’ in a negative light, and ‘coming out of my shell’ as progress, when actually I’m coming to recognise that both of them are so integral to my personality that I need to embrace them both.

The other thought that struck me was that these days, and for the last several years, the issues I have are largely concerned with ‘transitions’ in the other direction, when people who think they know ‘me’ are surprised by encountering Belinda – the ‘this isn’t like you! This isn’t who you are at all!’ reaction that I get when I share my self doubt, fear and sense of inadequacy. Though now I come to think of it, that’s not recent at all – it’s been an undercurrent that’s been there for decades, at least as far back as my mid-thirties.

It seems that a pattern is now starting to form: timid Belinda dominated in my childhood, when Melinda, or the Wild Spirit described in ‘Women Who Run With the Wolves’ (incidentally, I think the author should have made more effort to find a synonym for ‘Run’ which starts with a W) was systematically crushed and squeezed out on the grounds that A) ‘good girls’ didn’t behave that way; and B) her aspirations weren’t realistic for such a mousy little nonentity (here I can’t help thinking of Janis Ian’s song: ‘I learned the truth at seventeen/That love was meant for beauty queens…’).

Melinda (and I’m annoyed with myself that I’ve slipped back into using that dichotomy, but it is very convenient) crept out cautiously when I slipped out from under the parental yoke and ran away to the comparative freedom of university, where ‘A’ was no longer being so closely monitored, though I was still often stymied by ‘B’. Then I got married and started work, and found myself staring down the barrel of adult life…

I’ve just got into my stride, and the word limit is looming. And I still haven’t answered the question I asked two days ago: ‘Do I control my thoughts, or do my thoughts control me?’ I think the answer is quite clear – it’s my thoughts which are in charge, and there isn’t a great deal I can do to bring them into line, any more than I can give precedence to either Belinda or Melinda.

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Existential Choices

…I wanted stay in the flat in the Art Nouveau building with its courtyard and rickety lift, stroll to the café for breakfast every morning, and then along the river to the tram stop and ride somewhere, maybe across the bridge and up the hill to Buda Castle, and look down on the city. Walk down through the gardens of Gellért Hill, maybe go to the baths (I never did that) or walk back into Pest across the Elisabeth Bridge, rummage through the flea market and find a café to sip coffee Viennoise or hot chocolate, maybe even a glass of sweet white wine with my cake…

After I started that sentence yesterday, I kept thinking of the lines from Joni Mitchell’s  ‘A Free Man in Paris’:

‘…If I had my way, I’d walk out that door and
wander down the Champs Elysée,
going from café to cabaret…’

From ‘A Free Man in Paris’ by Joni Mitchell

Then I had to play the song, and after rummaging through the box of cassettes in the study, I found it in the sideboard drawer, right under the music centre, first place I should have looked.

Ah well. I never went to any cabarets, but I did sit in a lot of cafes.

Three weeks after leaving Budapest, I walked up the complex of white ramps to the roof of the Opera House overlooking Oslo harbour, thinking again about the future, and ‘home’, about the need to make a living, and the responsibilities of selling and buying houses – and about the weight of the past, the ‘stuff’ still waiting for me in the old house, which would need to be sorted out and disposed of and/or moved to… some indeterminate future place. In another three weeks I would be back in England, and then what? I was going back to live with my daughter, and I knew there was £20k waiting for me in the bank from the balance of what I’d had from Ex-Hubby before I left England, that should keep me for a while, until the house was sold, and/or I could find (against all past experience) a job, and in the meantime I could write, and one day maybe start to make a living from that? But buying a house would mean committing to one place, and the thought of all the stuff from the attic and elsewhere banged around in my head, a burden dragged around behind me like Mother Courage’s cart.  What about going back to Budapest and living and writing there, then what would happen to the stuff, I couldn’t take it with me, so where would it go? If the house sale went through in the next twelve months, say, it would all have to be resolved

Once again, there were existential choices to be made, and the whole point of running away was to escape them and come back with new ideas and fresh opportunities, a new path to follow, but inside nothing had changed, and I felt no closer to finding my future.

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Other Attics

My routine was disrupted yesterday: I was awake half the night then fell back to sleep when I should’ve been thinking about getting up, and slept through till eight, lay in bed till half past then got up and went to the shop, and when I got back I decided it was too late to write.

This morning, I’ve been looking at my desktop photos again. One came up that I didn’t recognise, it was of graffiti that read: ‘time you ENJOY wasting was not wasted’. I was trying to work out where it came from, I saw the date was 18 June, and thought maybe it was Copenhagen, then realised it was far too early for that because I was in Berlin on the summer solstice (when it poured with rain and I spent the whole day in the museums), so it must have been before then – I think it might have been Prague, though I haven’t checked yet. But if so it was probably the John Lennon graffiti wall, which surprised me because I remember looking for that the following year, when I was living there. I guess I must have passed it the first time without knowing anything about it. My memories of those few days I when I passed through Prague are a bit hazy, overwhelmed by later memories.

I will jump back into the Madwoman/Attic story now because I’ve described the beginning and the end without saying much about the times in between. Let’s start with Budapest, where I stayed for two weeks in a studio apartment a ten minute walk from the Pest bank of the Danube. That’s when I had the idea of going back, living there for a while, writing and maybe giving English conversation classes. Looking in the window of an estate agent’s near the flat, I worked out that I could buy somewhere similar (or a little bigger) for about £40k. Because, at the back of my mind was this awareness that at some point, the old house would be sold, and I would have my share of the proceeds, which would allow me to buy my own place, a proper home for myself, with no worries about where the rent was going to come from. It was a ‘some day, one day…’ fantasy, but it was also a reality, that one day I would be in that position – in fact, according to the divorce settlement, it should be happening very soon, within a matter of months. But the flip-side of that was that it would mean an end to my wanderings, and I wasn’t ready for that just yet – in fact, would I ever be? Ready for it? I couldn’t imagine that, how it would work, where I would be by then – I didn’t want to think about it.

I wanted to stay in the flat in the Art Nouveau building with its courtyard and rickety lift, stroll to the café for breakfast every morning, and then along the river…

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Dreams and Achievements

In the process of digging out the poem I shared a couple of days ago (titled ‘I Had a Dream’ and posted when I was in Berlin in 2012, about my fears and dread of having to come back to England with nothing resolved and no plans for what to do next), I read the comments in response to it from other bloggers. This was one:

hmm, sounds a bit pessimistic. Maybe it depends on how well formed our dreams are when we go after them, how high our expectations are. If we do not know why we have the dream, then when we go after it we do not know what to do when we “achieve” it, and do we even recognise achievement?

no idea really, not sure I have consciously gone after a dream.

22 June 2012

I was irritated when I read it, thinking that the poster didn’t seem to have much empathy, and wondering what kind of life it is if you never ‘… consciously go after a dream…’ I probably felt much the same at the time, because I hadn’t bothered to reply. But reading it again now, what did she say?

  1. How well formed was my dream? To go travelling across Europe, overland (no flying), visiting various places, staying with friends in some of them and ‘…hopefully making new ones along the way…’ (which, not surprisingly, never happened).
  2. Why did I have the dream? A whole complex mess of reasons I suppose, but fundamentally because I was unhappy with the person I was and the life I was living, and thought that by this massive act of ‘running away’ I would ‘…turn my life around…’ – a phrase I initially included in the blurb to Single to Sirkeci but later removed because it didn’t work out the way I hoped. And what way was that? By finding a new man, or a new place, or a new purpose in my life.
  3. Did I know what to do when I’d ‘achieved’ it? No
  4. Did I even recognise it as an achievement? No.

So, it pains me to admit it, but I can’t really argue with the things she said. I couldn’t explain why I had that particular dream; initially it wasn’t very ‘well formed’, although it became clearer once I’d started to ‘make it real’; I didn’t know what I’d achieved or what to do afterwards – although the same person later gave me a great phrase when I was closer to returning, and she said I would be ready to ‘…hit the ground running…’ and my reaction was ‘…or like a lead balloon…’ so that ‘Hitting the Ground’ became a title for the blog I wrote after my return.

But I did enjoy the experience – sometimes. And I did write the book – eventually (but only published the first part). Travelling and writing about it – or staying in the same place and writing about it. That’s what I’m still doing.

And hoping. That’s what’s important.

PS The featured image is a screenshot of what came up on Firefox when I opened it to post this. I recognised it instantly, because I’ve been there and taken multiple versions of the same view: it’s the Old Bridge (Stari Most) in Mostar, Bosnia/Herzegovina, which I would never have visited if I hadn’t followed my ‘dream’.

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Not Writing, but Blogging

Where does this stuff come from? I sit down with a vague idea and the words come out in a completely different direction – like starting from a conversation about the role of fate and chance in an individual life and going off on one about Isaac Asimov and the fates of galaxies (not to mention Planet Earth).

Lately much of my time is being taken up with obsessing over getting this jumper finished – so much so that I haven’t even touched the weather blanket for a week. And a fair amount of that time, of course, is taken up with untangling wool, although yesterday I felt as though there was a better balance, and that I made reasonable progress (admittedly it was a less complicated part of the design). In fact it even feels as though I may be approaching the end – although I still have to do the sleeves, which always take longer than expected. I’ve made a start on one of them (when the body got too stressful) and I’ve decided to incorporate small candy canes into the pattern to relieve the boredom.

I still have moments (or even hours) of panic that she’s not going to like it. But then I think – too late to go back now, I might as well just keep on the way I’m going, knowing that whatever my daughter’s opinion, I’ll be embarrassed by it when it’s done. She asked for it, I tell myself, and she knows well enough it will probably turn out to be a mess.

But I’ve decided to stop worrying about the quality of the things I make (which goes for my writing too, which is why I’m still writing this blog). Also I heard on the radio the other day that only ten of Emily Dickinson’s poems were published in her lifetime, but almost 1800 were discovered by her sister after her death. What does it matter?

This takes me back again to ‘Women Who Run With the Wolves’, and the idea of the poetic imagination, or Wild Spirit, (or whatever you want to call it) being stolen or given away or strangled at birth. Looking back over my life – which I still haven’t delved into in depth – has shown me how much I’ve repressed, denied, pushed away, belittled that side of myself, while simultaneously longing for it. So I’ve decided just to do what I can without thinking too much about it or expecting anything from it. Lockdown helps, of course – as it did in the spring: I feel a lot less stressed and more content when I don’t have to go out and interact with other people. That’s something else Dickinson is famous for – it’s said she rarely left her bedroom –at least I have a whole house to myself.

Despite longing for the life of a wild bohemian, I never had the nerve or the opportunities. I’ve always been more Emily Dickinson than Bloomsbury – and at least it requires a lot less energy.  

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Fail Better

Dropping the bucket down in to the well and seeing what comes up, as I do most days, a bit of this, some of that, maybe the odd scrap of inspiration, quite a lot of repetition. My online avatar, theoretically accessible to thousands, in practice viewed by very few – is it, as online personas supposedly are, pure fabrication, or is it truer to who I am than the perceptions of those who think they know me in Real Life? I show and tell so much on here that I would struggle to explain face to face, but realised many years ago that this is a safe space where few venture to look.

In trying to look at myself and my life with attention but without judgement, in trying to discover and welcome my Wild Thing, I look back over all the times I have run away, and the people, situations and commitments I have run away from. According to Clarissa Pinkola Estés, there is not one single descent into the underworld, the wild forests of the psyche, one lesson to be uncovered, learnt and brought to light, but layers beneath layers.

From all my runnings away, I have never returned voluntarily. Although once or twice it might seem that I chose to turn back (thinking specifically of returning from the USA to the house my husband and I had left four years earlier), the situation I returned to was always different from the one I left (or at least, I was different – in that case, I was now a mother with two small children, and no longer a professional career woman) and in each case it was only a matter of time before I ran away again (except arguably the most recent, but of course it could still happen – only time will tell).

What am I trying to say? That reading Pinkola Estés’ book is leading me to reflect on all those times I have leapt into the unknown, the choices I made (which were largely my own, though some also involved my husband), and see them as… well, maybe answering the call of the Wild Woman?

Last week, I read a piece where she suggested drawing up a time-line of life-events and at the time I dismissed the idea, but then I wrote about my first running-away – in fact the first two – going away to university and then accepting the first (actually, the only) man who asked me to marry him.

I have a tendency to look back on my life as a string of failures: failed marriages, failed (or abandoned) careers, dreams that were fulfilled but then turned to dust and ashes. But perhaps there were lessons learnt, things gained which weren’t recognised because they weren’t what I thought I was looking for? Most of those runnings-away were thrilling, at least in the early days, even though I eventually came to the conclusion that wherever I went, I could never ‘run away from myself’.

Fail again. Fail better.

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Here We Go Round Again

So far this week: last yoga class before lockdown; last tai chi class before lockdown; last trip out in the van before lockdown. I mentioned last week about my yoga teacher being homeless and having to cancel classes – the next day she sent a text to say that someone had offered her a lift, then came the lockdown announcement, so there was a class on Monday evening, and ditto the tai chi yesterday morning, after which I picked up my camper van from the garage and drove to Queen Elizabeth Country Park on the A3 near Petersfield, and had a walk among the trees and a picnic. I love taking the van there, because there are car parks spread among the trees, often empty (on weekdays when I usually go), so although you can’t actually camp, you can get some of the feeling for a few hours.

The weather has turned dry and sunny but noticeably colder than it was, and today looks to be about the same, with a clear blue sky. I really should get out and do some tidying up in the garden, I tried cutting the hedge on Monday but the trimmer kept cutting out. Because it stopped and later started again, it had to be a loose wire. I took apart the connector that joins it where I cut through the cable in the spring, unscrewed the little screwy things inside, couldn’t see anything obviously loose, then got into a horrible dyspraxic muddle trying to put it back together and gave up for the day.

I read some more of ‘Women Who Run With the Wolves’, this time about creative blocks. The author suggests the usual things: keep trying, don’t self-edit, do a little every day, expect to fail, but keep going anyway. This is what I’ve been doing forever. Back to the old question of whether it matters that it never gets me anywhere? Apparently, it doesn’t. Either one day a miracle will happen and I’ll suddenly start writing something worthwhile, or I’ll be gone and someone will come along and wipe my hard drive and that will be that.

Last week I read the poem about the ‘Wild Thing’ to my therapist, and she said I should try to get it published. I haven’t done anything about it. Strictly speaking, I think posting it on here counts as publication, which disqualifies it from most competitions anyway.

I’ve been thinking about Daniel Defoe’s ‘Journal of the Plague Year’. I think this definitely counts as a ‘plague year’, but I don’t think this journal of mine is in the same class.

My current yoga teacher once said that destiny is what has to happen, but fate is what you make happen (or words to that effect). She is not having a great year, even worse than most of us. But she has faith in the fundamental goodness of the world, and I envy her for that. Today, I fear for the fate of us all.

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Running With Wolves

The deeper I get into the book I’ve been reading, ‘Women Who Run With the Wolves’, and the more I relate it to my life, the more I can see how broken and bent my life has been. I know how melodramatic this sounds, I can hear the voices telling me all that stuff: how lucky I am to have had such a (materially) comfortable life; that I should stop whining and practise gratitude; that I should stop reading books that make me unhappy; that I should stop thinking so much and simply be.

I was never cut out to be a nice, good, well behaved girl, but I tried, I really did. Some of my struggles in that regard were clearly related to my dyspraxia, interpreted as clumsiness, untidiness, laziness, carelessness, not listening, not paying attention, all those traits of the ‘difficult’ child. I wasn’t deliberately ‘naughty’, in fact I tried very hard to avoid it, which still holds to this day – needing to know the ‘rules’ so I can stay on the right side of them always, never causing trouble, never making waves – except that doesn’t always work, isn’t always possible, there were/are/will always be times when through carelessness etc I overstep the mark, or get trapped in a situation where to please someone upsets someone else and so I keep falling over my own feet (metaphorically as well as literally) and bringing down judgement on myself, which is why, as you must know by now, it’s easier for everyone if I just keep away from other people as much as I can.

The book, written about thirty years ago, is a Jungian analysis, illustrated by myths and fairy tales from all cultures, about how girls and women are socialised into conforming to culturally required feminine norms and roles. The author’s main thesis is that by trying to live up to those norms and roles, many women suppress their creative spirit, or ‘wild nature’. I gave up on it the first time I tried to read it, two years ago, because her writing style irritated me and it seemed related to New Age ‘Goddess’ cults, which feel a bit whacky to me. Now I’ve persevered I’m more impressed by the psychology behind it, and anyway, it was recommended by my therapist, and I have great respect for her academic credentials.

And, as you can probably guess from that description, the idea of the ‘wild nature’, the alternative female archetype and alter ego of the creative spirit, whose suppression can cause great harm and distress in women’s lives, struck a mighty chord for me. Hence the posts over the last few days about the Wild Thing who lives caged inside of me: self-destructive, resentful and raging as any caged beast has the right to be, but only ‘evil’ if seen from a specific, limited perspective.

I sat down to write almost in tears because I didn’t think I could find the words to express this. But it happened anyway.