Category: running away

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The Long Way Back

Yesterday was the anniversary of one of my most vividly-remembered days described in ‘Single to Sirkeci’, when I arrived at Port Camargue. Earlier in the week I was remembering Prague, and it all set me thinking about ‘The Long Way Back’, and whether I’m ever going to finish it. I’ve been thinking about it for years – or, more accurately, I’ve been avoiding thinking about it. At first I used to start each year with the resolution that: ‘this is the year I’ll finish and publish it!’, but gradually I got over that, and recently I have been trying to learn to let it go, along with all my other failures.

I spent about six months, from autumn 2017 to spring 2018, trying to make something of it. It started with the ‘rump’ of around forty thousand words describing the return half of the journey from Istanbul back to England, which I’d chopped from the sixth draft of ‘Single to Sirkeci’. Prior to deciding to split the manuscript, I’d spent a couple of years on the herculean task of trying to edit the 200k word first draft down by half, and after brushing off multiple suggestions of chopping it into two books, and stalling at 140k, I gave in to the inevitable.

When I published ‘S2S’ in early 2017, the plan for ‘The Long Way Back’ was to combine the material I had on the return journey with a briefer description of what had happened after my return; my time in Prague; my moving to Southsea; and some reflections on lessons learned from the ‘life journey’ (if I could think of any) – I even wrote an introduction and blurb to that effect, which I must dig out some time when I need a good laugh at the ironies of over-ambition.

Giving myself six months to deal with cancer and chemo, I started in September 2017 to go through blog posts from the time between returning ‘home’ at the start of August 2012, and departing for Prague in May 2013. Rather than the planned précis, I found myself editing a tale of disappointment, depression and yearning, as I struggled to come to terms with life – while, in the present, also struggling to come to terms with moving on from cancer. This resulted in a further fourteen thousand words to add to the forty, and I hadn’t even started on Prague – which, when I went back to it, was also a saga of depression and disappointment, although alleviated in places just by the fact of being in Prague. Then there was the year after, living back with my ex (working title: ‘Madwoman in the Attic’), mystery illness, moving to Southsea – and then what?

For a while I toyed with the idea of turning Prague into a third volume, and spent some time trying to find three–syllable words starting with either ‘B’ or ‘R’ to make a catchy title: ‘Bohemian Something-or-other’ but with no luck.

Then I just stopped. I just stopped writing.

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Vyšehrad

The other evening when I was cooking dinner, Radio 4 Extra was on in the background, playing ‘Soul Music’ – a programme which you can only imagine being made by the BBC. Each episode takes a piece of music which has a ‘powerful emotional impact’, with a handful of speakers talking about it and what it means to them. It is a wonderfully eclectic programme, and the musical pieces come from everywhere: ‘Life on Mars’, ‘Once in a Lifetime’, ‘I Wonder as I Wander’, ‘Sunshine on Leith’ (I’ve never heard of that one), ‘Lean on Me’ and ‘Dock of the Bay’ plucked from a list on the website.

This week it was a classical piece which at first I didn’t recognise and wasn’t paying much attention to, when I heard a voice saying something about a hill which was supposed to be the site of the original castle, rather than the current castle further down the river on the other side, but this was just part of the foundation myth of the city… and it dawned on me that they were talking about Prague. Then it cut to a piece of music which I definitely recognised, but couldn’t have told you the name or composer, and I heard the words: ‘Vltava’ and I knew before I heard it that the site they were talking about was Vyšehrad.

Vyšehrad was one of my favourite walking places when I wanted to avoid the tourist crowds. It was directly across the river Vltava from my flat, something that I only realised when I was there and looking back to my side of the river managed to pick out the funny little church across the road from me. But to get there I had to take one tram to the interchange at Novy Smichov, near the big Tesco, and then change to get across the river bridge, get off and either catch another tram back up the river or walk along that side. Once, not so long ago, I could have told you all the tram numbers, but I don’t remember now.

But I have to tell you first that the music was by Smetana, one of the three great classical Czech composers, the other two being Dvořák and Janáček. Smetana was the only one I’d never heard of before I went to Prague. ‘Vyšehrad’ and ‘Vltava’, I learned from ‘Soul Music’, are two of six ‘symphonic poems’ that make up a patriotic symphonic cycle called ‘Má vlast’ (‘My Fatherland’), inspired by the history, legends and landscapes of Bohemia.

I have seen his grave in the cemetery on Vyšehrad, overlooking the vineyards reaching down the castle mound towards the river. I wrote at least one blog post about it, but on a blog which is now defunct (though I still have the content somewhere). I was walking there on a Sunday afternoon in February, seven years ago, when I read the text from my daughter that brought me home to England by the next Wednesday…

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Tackling the… Whatever

Some days when I start writing without knowing what to say, it develops, and by the end I feel as though I’ve written something interesting – or at least not too shameful. Then there are days like yesterday when I start but stop half way through because I’m not getting anywhere and, honestly, I just can’t be arsed.

There are many mornings when I start off wondering what I’m going to write and my head is so full of worry and fear about things that no one but me could possibly think were worth being worried or fearful over, but the worry and fear are there anyway, so do I write about them? I am trying to stop beating myself up over this, but it’s become apparent that it isn’t really just the ‘beating up’ that’s the issue, it’s the fact that the feelings are there anyway, it’s the things that I have to do, and the things that I fail to do, and the flotsam that swirls on the dark churning maelstrom of memory.

Planning and organisation are anathema to the dyspraxic brain, because while the attention is fixed on one thing, action or requirement and trying to assemble the others required to precede and follow it, the rest of the mind-stream is charging off into completely different paths, cul de sacs and labyrinths. ‘Write it down!’ I hear you cry, but any attempt to do that initiates mind-block and stasis – a Mexican stand-off while the focussed brain tries to remember what it was thinking of in the first place.

The only way to make things stick is through rote learning and repetition, so the same things are run through over and over again. ‘Planning’ consists of reminding oneself multiple times that ‘something’ needs to be done before a certain date, which induces panic that it will be forgotten, or done incorrectly, or will take a lot longer than the time allowed, and ‘writing down’ becomes a substitute for action.

In situations like this, ‘self care’ can only mean ignoring all that and doing something pleasantly mindless (or mindful) while all that other stuff goes to hell in a hand basket. Which famous author said: ‘I love deadlines, I love the swooshing noise they make as they pass by’? Can you remember? No, neither can I.

Incidentally, the Word grammar checker wants me to change that last ‘I’ to ‘Me’. Grammar checker, in this instance you are wrong, so wrong. How about if I turn it into a question? Can I? See, you can’t object to that, can you?

Why do I even leave the grammar checker turned on? Because it’s the default, and I can’t be arsed to change it, so I just ignore it because I have more confidence in my own understanding than in its – except sometimes I can’t see what it’s objecting to, so I follow the explanation and have a good laugh at its incompetence.

The routine is: write 500 words. And so I have.

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Murmuration

This morning in bed I listened to a radio play, ‘Murmuration’, which I’d downloaded without reading the description, so I didn’t know what to expect. It was about a man who lived alone in a flat and heard voices in his head – various characters with different personalities – aggressive, childlike, and one a bombastic circus ringmaster – who told him who he was and what he should do. At one point he is taken to hospital and given drugs which silence the voices but also make him feel numb all the time, taking away the pain, sadness and anger but also positive emotions like joy, enthusiasm and hope, which reminded me of my experience with Amitryptyline.

This is not quite what I mean when I say I hear words in my head, or have arguments with myself. Despite all the stuff about Belinda, Melinda, Cassandra and Cat-By-Herself, or about gremlins, I know all that is metaphorical, and at all times I am just me, myself. Admittedly, at different times my thoughts – and the words in my head – manifest in different kinds of behaviour, and I don’t have any control over that, I can’t choose who I am going to be at any particular time. I wish I could. I think about the times when I thought I could ‘reinvent’ myself, focus on one of those aspects (usually Melinda) and let her have her head – when I was doing my PhD, or after I left my husband, or went travelling, or moved here – my ‘running away’ times, in other words. In many ways they were when I was at my ‘happiest’, because even though I still had bad patches within that, I had hope that somehow I was moving towards a sunlit plateau where the world was full of joy and light.

Yeah, I know, embarrassingly unrealistic.

The play was described as ‘darkly comic and heart-warming’ (I read the description afterwards) and had a sweet, hopeful ending, as the man makes friends with a neighbour who draws him out of himself and out of his flat into the world outside.

The writer had worked with MIND and with people who hear voices in this way while developing the play, and also played the pivotal role of the neighbour. The description says:

‘A diagnosis of voice hearing has long been stigmatised in western culture, but in recent years there’s been a new approach that helps hearers to understand who their voices are and where they come from.’

It made me think about how strange the workings of the human mind are, how little we really know about what goes on in others’ minds, or our own, come to that. How much of what we experience is down to underlying conditions like dyspraxia and autism, how much is triggered by early childhood experiences and trauma, how do these interact and continue to interact and develop through our experiences of relating to other people as we pass through life? Who among us is ‘normal’, after all?

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Tired

Why can cats sleep for so much of the time and I sleep for so little?

Why do I lie in bed for so long in the mornings even though I don’t get back to sleep and I know that lying awake in bed for two hours isn’t going to make me happier, in fact quite the reverse?

Yesterday morning I made up my mind that this morning I wouldn’t lie in bed, but would get up and go to the beach to watch the sunrise, and I could have done it, I was awake in plenty of time and it wasn’t raining, but still I didn’t, I just lay there thinking about it and then got up just before seven and did the usual stuff and felt angry with myself. Well, I did listen to half an hour of radio, but even after that, I still had plenty of time to get up and go if I’d made myself do it.

They say two hours of deep sleep is the minimum you need to stay healthy, and I’ve been getting an average of 90 minutes over the two years I’ve been able to monitor it My fit-bit broke towards the end of last year, and I’ve lost all that historical data, but I got a new one this month which shows my average overall sleep for the last few weeks is six and a half hours, including an hour and a half of deep sleep, which is about the same as it was before.

I am tired – permanently tired – is all I’m trying to say, but I think most people who know me understand that already, I’ve moaned enough about it down the years. I’m tired and I look through tired eyes, and I have no energy or enthusiasm to do anything at all, but I hate myself for sitting and doing nothing and I wonder, if this is the endgame of my life, what then? Of course, there’s no reason to assume that this is the ‘endgame’, but I can’t see the future, I don’t know what it holds or what it potentially could hold, or how I could influence it in any way, or how I would even want it to be if it’s not going to be more of the same. All that running away has brought me here – I don’t mean geographically (I’m happy with that) but psycho-emotionally, I am the same person I kept running away from. Geographically I think I’ve found as good a place as I could have hoped for, but on those other terms I am as stuck as ever I was. All those things that were going to make me a different person, change my feelings about myself and allow me to grasp my destiny – children, PhD, leaving my husband, travelling across Europe, writing a book, moving to the south coast – haven’t made a scrap of difference to the sense that I’m as much a disaster as I always was.

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Looking for Love

Recently I realised that this year marks ten years since the last time I fell ‘in lurve’. It started in February, and was finished at the end of July, when the other party’s (supposedly) estranged wife decided she wanted him back, and he went.

A friend had tried to warn me quite early on (towards the end of April, when I was beginning to believe I’d finally met a man who genuinely cared about me) not to ‘…get involved in someone else’s train wreck…’, but of course, I was the fool who went rushing in. I’d been on my own for two years, I was tired of chatting to men online, meeting them once and convincing myself that they were really nice, interesting guys who were worth getting to know, only to find that they disappeared without a word or made it obvious that all they wanted from me was sex. Yes, I knew that he was jumping straight into a new relationship, and that that was dangerous, but I’d had my time in the wilderness, and I was sure that if I just gave him time and space to see how well we fitted together…

Well, if I ever meet that woman, I will thank her from the bottom of my heart, because if we’d stayed together, I wouldn’t have caught the Eurostar nine years ago today and gone travelling, never have lived in Prague, never have moved to Southsea… Of course, at that time, I wasn’t expecting it to be the last romantic relationship of my life. I thought maybe I’d been trying too hard, I should stop looking for love, I should just give up and wait for it to happen naturally – I was a free spirit, I would take my pleasure wherever it came my way, I would live the Bohemian life I’d always dreamt of, and some day, I’d fall in love again.

I won’t say I can count the number of times men have ‘come on’ to me in those years on the fingers of one hand – I can count them on my thumbs. The first was the old boy on the bus in Rome (‘Single to Sirkeci’, p165). The other was in my first summer in Southsea, one Friday afternoon in a pub overlooking the harbour, as I was settling myself with a pint of cider, and waiting for my fish and chips, when a creepy middle-aged man plonked himself down at my table with the words: ‘I don’t mind sharing if you don’t!’. (In case you’re wondering, there were plenty of empty tables, and I removed myself to one straight away).

For a few years, I still hankered after the fantasy of finding love – or at least, occasional male company. I used to wonder: what’s so awful about me that no one wants me? Is it my looks, personality, intellect, expectations too high, or too low? Is it just bad luck – or maybe good luck – that I’m the way I am?

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Alternative Reality

On Facebook recently, somebody shared a question on the lines of:

‘If you had the choice of going back to when you were ten but with the knowledge you have now, or $50k and fifteen years into the future, what would you do?’

My reaction was: it might be interesting to see what the world’s like by 2026, but why would I want to go back to the age of ten and live through all that shit again? What use would the accumulated wisdom of half a century be to a ten-year-old girl?

Anyway, what would I do differently? Skip the first marriage, obviously – but not the second, because of the children. And it was my first husband who pointed out to me the job advert which led me to Bedford and ultimately to Hubby 2. On the other hand, if I knew then what I know now, I could look out for that job in the early summer of 1975 and apply for it anyway. I could apply for that degree course in maths and linguistics that was in the list of degrees I looked at in 1971, instead of the one in economics and statistics in Southampton. I’ve often thought that might have been an interesting path to take – I can’t remember which university it was, but I’d be in a different place, with different people, my student life could have been completely different. And I could still have applied for that job in Bedford – assuming the rest of the world was still running on more or less the same tracks.

There was a film in the 1980s, called ‘Peggy Sue got Married’ in which a suburban American housewife (played, I think, by Kathleen Turner), disappointed with her cheating husband (ditto Nicholas Cage) and teenage children, is sent back in time to her high school days. In the climactic scene (spoiler alert), when she is trying to explain to her childhood sweetheart and would-be fiancé (the aforementioned cheating husband) why she doesn’t want to marry him, and how she knows for sure that he will be unfaithful, she pulls off the locket round her neck and shows him the pictures of their son and daughter as babies to prove the truth of her time-travelling tale.

‘But they’re us’ the puzzled lad replies. ‘Our moms must’ve given you those photos of us as babies.’

Cue big moment of realisation. She looks at the babies, and looks into his eyes, and says, breathily (in a young version of Kathleen Turner’s voice):

‘You’re right, they are us, they’re you and me!’

Or words to that effect – it must be over thirty years since I watched that film. I don’t remember how it ends – probably she awakes from a coma because it was all part of a concussion dream, or whatever, with her loving husband and children around her bed, and realises how lucky she is to have them all.

But no, I couldn’t write my children’s father out of my story.

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Lost Photos

Today my computer informs me that:

There is insufficient memory or disk space. Word cannot display the requested font.

As far as I’m aware, I haven’t ‘requested’ any special font, I’ve just opened Word as I do every morning. I close the message, and the usual one about my cloud storage being full. The blank page appears in ‘draft’ format – the right-most of the format icons on the bottom tool bar. I click on the left-hand icon, which is apparently called ‘print view’, and the page appears in the normal format. This is the second time this has happened lately.

I check, just in case, on File Explorer, and note that my hard drive has 718 GB free out of 918 GB – in other words, oodles of spare capacity. I should really do something about the cloud space though, delete some more photos from Google photos, but it will only fill up again – it’s been like this since at least before I got my current phone, which regularly reminds me how many weeks it is since it’s been able to backup to the cloud – well over two years’ worth, if I remember correctly.

Speaking of which, I mentioned the other day that it was surprising that my rotating desk top photos didn’t include any from the last part of my journey. I decided to correct that, and had a look in the ‘Europe 2012’ file on my external hard drive, when I had a shock. This drive holds the contents of the old hard drive of my original laptop, made for me before I went travelling by an IT guy (met through those networking breakfasts) who advised me on a replacement laptop. He offered to take the old laptop off my hands and put the drive into a casing for an external hard drive, so I could keep all the data from the original laptop, and also use it as a backup drive. When I was travelling I backed up my photos, notes and blog posts onto it, and I still have it attached to my current PC, which is where I found the desk tops file. The shock came when I realised I didn’t have any folders at all for the later places: my last few days in Norway, then Hamburg, Amsterdam and Brussels. Nor did I have any backups of the ones taken in the following years including all the ones I took when I lived in Prague.

Those photos should all be on the laptop I used in those years, until the beginning of 2015, just before I moved here, when I got a new one (the one I spilt coffee over and replaced with this PC in 2017). Fortunately I still have that laptop which I took travelling, the one I call my Old, Old laptop. I’ve seen it – and had it working – in the last year. I’ve been looking for it for two days (well, on and off). It must be in this study somewhere…

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Calendar Puzzles

Imbolc, Candlemas, Ground Hog Day… my hatred of January used to extend to February too, but now I’m more relaxed about them both. February is the month when I: moved into my first flat (2009); ran away to Europe (2012); came back from Prague (2014); started chemo (2017)… I could go back further into previous lives and remember: broke off my engagement (1975); had a miscarriage (1985); lost my Dad (1999)… 1996 wasn’t that great either, for reasons I won’t go into, and no doubt I could dig out other disasters if I thought some more, but at least for this century 2009 and 2012 were positive, and 2017 was too, if not particularly pleasant at the time (actually 1975 was positive too, but the mistake was that I didn’t stick with that decision).

February… well we all know it’s the shortest month and the only one that has different numbers of days depending on the year (but still stays the shortest). Why, when the calendar was being designed, wasn’t it given a couple of extra days, taken from, say August and December, to make seven 30-day months and only five 31-days, or six of each in Leap Year? Even better, why not alternate them by making February, April, June, August, October and December 30 days , with the Leap Day added at the end of December? Aha, that rings a bell now, isn’t it the case that March used to be the first month, which would make February the last month, which would at least make sense of Leap Day being then?

The Celtic quarter days are at the beginnings of February, May, August and November, which are not exactly mid-way between the equinoxes and solstices, but do correspond to the beginnings of calendar months – isn’t this something to do with the adjustments that had to be made to the calendar to deal with the fact that somewhere in the middle of the last millennium it was noticed that the seasons had moved since Julius Caesar’s time because the solar year isn’t exactly 365-and-a-quarter days long, and hence we don’t need a Leap Year exactly every four years, but more like 97 years out of 400? Every time I start asking these calendar questions I know I could just look them up on Wikipedia, but I’m not Wikipedia and I like to raise the questions and make everybody else as confused as I am.

I’m also puzzled by the fact that according to some sources Imbolc/Candlemas is on the first of February, while others say it’s the second. Why worry about things which have their roots back in times when few people were literate anyway, and they were probably decided – quite arbitrarily –  by various factions of various religions, and not in some boring, rational unified way?

But why is Groundhog Day now so closely linked with time repeating itself? Is it just down to the Bill Murray film, and why did the writers decide to do that?

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Life Writing

When I was travelling, I wrote erratically, and never felt I had very much to say. When I got back to England, and tried editing it all into a book, I realised that although I had far more material than I’d thought – more than enough for two books, even by the fourth edit – what I had wouldn’t make a coherent book. It was a series of anecdotes and reflections, some more or less interesting than others, but it had no real narrative, no dramatic tension, no resolution, no plot. It was held together only by the sequence of events and places I moved through; it was a journey, but it wasn’t a Hero’s Journey (or even a Heroine’s).

It is similar in that way to this and the other blogs and journals I’ve written down the years. I’ve wondered casually whether what I’m writing is the basis for an autobiography – or at least, memoirs – but it would be a very scrappy one, because there are large and significant portions of my life – like living in Dallas, or when I was doing my PhD – when I wrote very little, and others, like now, when little happens but I write about it quite intensively. The same happened when I was travelling – there are places I went to which, when I went through my notes and blogs, I found I’d written hardly anything about at the time, but when I was writing the first draft, it was quite recent in time, so I managed to scrape something together, often using my photos as aides memoires, and picking up additional information from the internet. Towards the end (of both the travelling and the writing) there are places (such as Kristiansund, Oslo, Hamburg and Amsterdam) that I skimmed through with very little attention and interest, but these are mainly in the still-unpublished second half, The Long Way Back.

Interestingly (perhaps), since I’ve had the selected photos rotating on my desktop, I’ve noticed there are also very few from the last weeks included in the sequence – not because I didn’t take any then, but because I never bothered to go through them, select them, edit for size and add them to the folder. On the other hand, there’s a preponderance of Brussels, Paris, Brittany and San Sebastian, the first places on the itinerary.

January comes to an end today. I used to hate this time of year, but that was when I set a lot of store by Christmas, and found the new year always an anticlimax. Now I find that this can be quite a hopeful time – even though it usually has the worst weather of the year, at least the light is slowly coming back. A daffodil opened in my forecourt a couple of days ago, but was immediately so battered and droopy it hardly deserved a photo. I can confirm that this has been the coldest and gloomiest beginning in the four years I’ve been crocheting weather blankets.