Category: self-analysis

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Day 18 – Istanbul

I saw a photograph today,
of a sandstone palace,
frosted with blue and white tiles.
And I thought of Istanbul,
though I knew it couldn’t be.

‘Germany’ I guessed,
‘another of Mad King Ludwig’s confections’
(I’ve been caught out like that before).
But no, it was Seville, and I thought
‘Aha, Moorish influences!’
and ‘I must go there one day,
to southern Spain.’

But oh, Istanbul,
beautiful, dirty, noisy city of my dreams.
Byzantium, city of Constantine,
with your minarets and domes, gardens and palaces,
cats, magpies and wonderful cafes,
sunshine and storms and clinging fogs,
and best of all, your waterways,
ships and ferries and fishermen on Galata Bridge.

The taste of that fresh fish sandwich,
bought from the boat, where I watched them fry it
over a brazier by the water’s edge.
Or the tea I poured from a double pot,
the russet colour, clear as the glass I sipped it from
as fragrant as the roses in Gülhane Park
a sensual delight, sweet as the pastries
in Hafiz Mustafa’s.

Perhaps one day I’ll find
my way back to you,
(though somehow I know I won’t)
but you’ll always be there
in my heart.

Linda Rushby 18 April 2020
Gulhane Park, Istanbul May 2012

http://damson-tree.co.uk/travel/?cat=39

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Dilemma

Because I thought up a poem (of more than four lines) first thing yesterday, I ducked out of writing anything else for the rest of the day. I guess that’s cheating really, but it’s not the first time I’ve done it. Today I’m clueless as regards poetry, but we’ll see how the day develops. I write spontaneously or not at all. If there isn’t that voice in my head telling me what to write, it’s all much too stressful. Of course, when I start writing, I often get into a flow, but usually what flows out is more of the same; hard to spot the gold dust, however fine the sieve.

Last week I sent the link for my blog to my therapist (we’d discussed it the week before and I asked if she’d mind or if it would be professionally inappropriate). It made our weekly Skype session a bit odd, as we started talking about poetry and writing in general and bizarrely I felt a bit awkward. She said she liked my poetry, but the rest not so much, because of the way I write about myself – which I found quite surprising, because I thought I’d been remarkably chipper recently. She commented that she could understand why my friends get exasperated with me over it, but that’s inevitable, isn’t it? When I write I’m writing about the real me, the person I am inside, the person I live with first thing in the morning and last thing at night, the woman I wake up in bed with at four in the morning, not the fantasy Melinda or Cassandra they have in their heads, so of course they’re not going to like this woman with all her self-loathing and insecurities – she’s hardly an attractive person. Isn’t that why I write about it? Because I can explain who I am without being shouted down and told not to say those things, like my brother reducing me to tears in a curry house or the ‘friend’ who rang when I was very depressed and then hung up the phone because she didn’t want to hear me talking about how I felt.

The therapist wants me to stop judging myself but how is that even possible? How can I think honestly about myself and the things I do and the thoughts I have without making implicit judgements – the language doesn’t exist. I can say: ‘I know I’m lazy, disorganised, chaotic, forgetful – most of that is down to dyspraxia, and I accept that that is who I am and I can’t change’ – but I can’t say any of those things are not true. Are there any words to describe those characteristics of my personality that don’t carry some negative charge? There have always been two choices: to become a better person, or to accept who I am and say it doesn’t matter. This is the dilemma which has torn me apart psychologically and emotionally all my life, and still does.

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Passing Time

I was standing in the street in my dressing gown, it was 10.45 and I wondered how come I had slept in so late.

Then I was in bed looking at the clock, and it was 5.17, and I realised I had been dreaming. I was reassured, because that made so much more sense.

Thinking of what to write every day is difficult (except when it isn’t, when it just pops up) but the writing itself is easy.

The days go by so fast, even though I do hardly anything, one day after another, hard to tell the difference. The longer it stays like this, the less I feel inclined to interact with people. Life is so much easier this way. I think it will be a shock when external things start up again. I’ll have to make decisions then, do I make myself go out or do I carry on as I have been doing?

Over the last couple of years, people have said to me: ‘You do such a lot!’ and I’ve thought: no, I don’t, not really. When I listed all the external things I did each day: Monday: swimming, writers, yoga; Tuesday: tai chi; Wednesday: coffee (sometimes) etc etc it might sound like a lot, but it was just me, making myself go out, trying to make myself be sociable because I thought that was what I needed. But I wasn’t DOING anything – I would meet ‘the writers’ in the library, but I would never actually write anything. Now I am staying home and writing, but still I’m not actually writing ‘anything’, just spewing out words. Passing time, revelling in the dullness and emptiness of my life. Sometimes crocheting or weaving, but not to make anything – I’ve unravelled this latest cardigan so many times that by the time it’s finished I’ll probably have made it twice, then it will just go in the wardrobe and I’ll never wear it. The weaving and the weather blanket, both completely pointless (though I’ve promised this year’s weather blanket to my daughter, and I gave last year’s to my son). But the point is in the process of the making – it passes the time and makes me happy. And then there’s killer su doku – can’t even pretend that achieves anything.

The same goes (in spades) for the writing, of course. I’m quite impressed that I’ve kept it going for as long as I have – though in the past I’ve done it for years – why did I give it up? Maybe partly because it takes up a huge amount of time, that’s why the mornings go so fast, and afternoons are always filled up with the radio, so that’s the day gone. It’s interesting, though, to reflect that it’s not these things that make me stressed. I’m calmer and happier now, and that’s because I’m doing these things by myself – these pointless, meaningless things – and I don’t feel like I have to make myself go out and be with people.

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The Guilt-Gremlin

The wind has come back. No breakfast in the garden today. It was always the height of foolishness to think that summer might be on its way before the middle of April. Lovely week to be on the river though. Yes, wouldn’t it, but it didn’t happen – deal with it.

Sometimes over the last few days I’ve been feeling guilty about rushing inside for 3 o’clock, to spend an hour sitting in the front room listening to drama on the radio and crocheting, rather than being out in the gorgeous sunshine. Ah yes, guilt. I’ve been thinking about that a lot lately, as well.

In the past, I’ve often been asked if I was raised Catholic – occasionally, Jewish – because of my intense relationship with guilt. A few days ago I blogged about how I’m enjoying the lockdown, and later felt pangs at admitting that I was happy in such awful times when so many people are suffering in so many ways. Yet a few days earlier, I experienced guilt because I was feeling so sorry for myself over my missed holiday and non-event of a birthday, when so many people were having it so much worse than I was- enough with the self-pity, count your blessings, be grateful etc etc.

Guilt gets you like that. I’ve always known it, but don’t think I’ve ever seen it so starkly before. There is literally no way I can ever win that argument: if I’m happy, that’s bad; if I’m miserable, that’s bad too. The only way I could defeat the guilt-gremlin would be by putting myself out there on the front line and martyring myself for the sake of others – though then, you might have to question my motives – and I’d probably get it all wrong and make things worse, so there’s the perfect excuse for sitting on my backside and not doing anything.

I’ve heard Buddhist thinkers say that compassion must start with oneself – that until you can love yourself unconditionally, you aren’t in any position to share the light of compassion with the rest of the world. I can’t see my mother having any truck with that argument. Until everyone else’s actual and emotional needs have been met, there’s no question of looking out for yourself. But how can you ever tell? You need an instinct to know what’s best for everyone else (even before they know themselves), and act on it at all times. That’s what being a good person means – you can’t relax and think about yourself until you’ve checked how every action on your part might affect others. And if you’re generally a dreamy, thinky person, not overly sensitive to reading other people’s minds and moods, social interaction becomes a minefield. Where next to stick your foot where it’s not wanted, and prepare to deal with the consequences when they blow up in your face? (See, appropriate metaphor, not just a cliché).

But I’m being unfair on my mother. Can’t go blaming her for my failings.

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Easter Sunday

I wrote a poem yesterday evening, and announced it on Facebook. But now I don’t know if I want to share it – it’s a bit personal.

Seems a waste, though, if it means I have to write another one today.

I haven’t done my yoga etc half hour yet, because when I got up I thought I had something to say and if I didn’t say it, it would annoy me because I’d forget what it was and have to think of something else. So here I am.

It’s just that I was thinking: have I done this long enough to prove that I can do it? Have I done it long enough to prove that there’s no point? I suppose it kills the time – but then time passes anyway, whether I do anything or not – it has no regard for human intentions. Now I remember that when I was downstairs feeding the cat and getting a cup of water – or rather, after that -I forgot to bring the washing basket up from the kitchen.

When you write a journal, is it/should it be about momentous things which have happened, or just whatever rubbish pops into your head at the time of writing? The latter is easier, and sometimes it throw up some surprises. That’s my excuse, if I need one.

I need excuses for everything I do. I feel pressure to justify my actions, even though, realistically, I know that no one cares or is interested. My life trundles along its predictable daily paths, and if it wasn’t for social media, no one would know – or probably care. That’s significant, that I think my actions and thoughts are of no interest to anyone. I am anonymous and invisible, even more so at the moment. If anything happened to me, I wonder who would be the first to notice, how they would notice, how long it would take, and what would they, or even could they, do about it?

My main concern is what would happen to my poor little cat. Anyone else concerned can look after themselves, but I worry about her, trapped here alone and starving. Perhaps she would finally be brave enough to go out through the cat flap, and once out there, she’d probably be a lot tougher and more resourceful than I give her credit for. They’re like that, aren’t they, cats? Someone would find her and maybe take her to a vet, where they’d scan her and get my details from her chip, and try and contact me. Maybe that’s when they’d realise I wasn’t responding, and call the police, and they’d come round and find me? Or maybe not, in these times, when everyone has more important things to worry about than a stray cat – or a stray woman, come to that. One more or less in the grand scheme of things. Who knows what might happen? And I didn’t write about moths. Maybe I should keep that one for tomorrow now.

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Day 9 – A Strange Road

I stepped onto a strange road
and oh, the excitement of knowing
the not-knowingness of the world.

The future an empty page.
The adventures I planned,
and those that I hadn’t.
The paths that I travelled,
the places I saw,
the people whose paths
crossed with mine.

Then one day I stopped,
and looked around
and saw there was no one
who made me their centre,
their lodestar, their true heart.

I have known
the devotion of children
the whispers of lovers
the kindness of friends,
and I’m grateful for these.

But only one person
can fill my void
and I must learn
to be that one.

Linda Rushby 9 April 2020

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On My Desk

Difficult to write with a cat where the keyboard should be. Fortunately it’s a wireless keyboard.

Does mean I’m sitting very awkwardly. If I sit with my knees under the desk and keyboard on it to one side, I have to twist my lower back to reach it. Not good. If I move my chair so I’m directly in front of the spare bit of desk, my knees are hitting the desk drawers and I have to stretch forward which also puts a strain on my back, and I have to reach over the keyboard when I need to use the mouse, which is awkward. I’ve tried with the keyboard on my knees, but that’s also awkward and I can’t look at the screen at the same time.

In trying to take a photo of this situation, I noticed the mess on my desk. What on earth is the end roller of my old Dyson vacuum cleaner doing here? Box of tissues (fair enough); empty cassette box (who knows what happened to the cassette?); CD box containing – a CD which – yes! – does match the title on the outside of the box (Neil Young’s ‘Harvest’); copy of ‘Tea With Douglas’ which I was using for reference in my last book design job; two empty (used) jiffy bags in different sizes; copy of ‘The Culture of Contentment’ by John Kenneth Galbraith, which I was also using for reference (for the same job, on the order of the front matter for a non-fiction book); a dozen recordable CDs, some with backup data from years ago, some blank, all on a spike; a note book; a Black and Decker Dustbuster on its charging stand (which is here because I’m supposed to use it for picking up dry cat litter off the bathroom floor, and this is the nearest place I can plug it in which isn’t on the floor where it’s liable to get tripped over); a ceramic pot with a large capital ‘B’ on the side and ‘RUSH’ inside the bottom bulge of the B, which is intended to hold toothbrushes, but I bought it because if you think about it could be a pun on my name, and I intended to use it for pens but it contains only a green CD writer pen whose felt tip is fuzzy, dried up and unusuable, an orange gel pen (probably also dried up) and a pencil with a hand carved and decorated end like a cute penguin; stack of four 5 cm diameter semi-clear pastel coloured round plastic boxes containing small stationery items (on closer inspection, two hold buttons, one pins and one miscellaneous including staples, picture hooks, screws, drawing pins, freezer bag ties, a green magnet from a notice board and a small metal plate with East Asian characters which appears to have come off the back of something); three coasters and a coffee cup.

And a cat. Except that she has now woken up, jumped down and walked off in a huff.

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Raw poetry

Not a haiku today, just something that popped into my head – partly inspired by a photo of myself on Facebook from seven years ago, which I hadn’t seen before.

That’s how it goes, I think of something, and then I write it down (or not). I don’t really put any work into it. It just happens (or it doesn’t). So sometimes I share it, and sometimes I don’t.

I suspect there will be a lot of this stuff this month (unless I give up). I was trying to remember the word for oil when it’s first extracted, before they refine it, then it came to me: ‘crude’. I don’t think ‘Crude poetry’ conveys quite the right meaning, so I’ll stick with ‘raw’.

NaPoWriMo 2 (No title)

Nearly a grandmother,
wasn’t I too old
to start again?

Why do I go back,
Endlessly filleting
the years that were?

I’ll never change the past,
The present’s hard enough

Sunny days beside one river,
or another.
Mornings on a beach.
What’s here is now,
Another spring.

Linda Rushby 2 April 2020
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All for what?

Lambeth Bridge from Millbank, London

I didn’t go to the beach to photograph the sunrise, though I was awake in time to get there.

Instead I lay in bed, as I do, thinking.

And then it was seven o’clock, and then it was eight o’clock, and I was still lying there. And I thought how pointless everything is, and wouldn’t it be better to just let go, let everything go and stop trying to find reasons to stay alive?

All these stupid tasks I’ve been setting myself, like doing yoga and tai chi and meditation in my spare room, and writing 500 words. All for what? To make me think I’m doing something worthwhile with my days? All that self-bullying that I usually put into getting myself to leave the house I’m now focussing on creating a ‘structure’ for my life (though not on housework, no, never on that). And I resent it just as much, and find reasons for telling myself how pointless it all is, nobody’s making me do it but myself, so why shouldn’t I just lie in bed all day hating myself and feeling miserable, because that feels like the easiest and most natural thing in the world. After all, it’s what I’ve been doing for as long as I can remember, why change the habits of a lifetime? And now there’s no one to judge me for it but myself (and anyone who happens to read this, of course).

Someone said in a private message last week that I ‘torture’ myself. Well, why not? Maybe I deserve it. Maybe it’s all I know how to do.

While I was sitting on my cushion I thought about being on Millbank, upriver from Tate Britain, leaning on the wall and looking at the river and the new spring shoots on the plane trees, unfurling between the bobbles of last year’s seeds. I feel as though I have been there many times on lovely spring days taking photographs in the sunshine, and later crossing Vauxhall Bridge and going to the café which I can never remember the name of, but it’s also an antique showroom, and sitting outside drinking coffee surrounded by quirky statuary and old garden equipment, hiding from the noise and stink of buses. I’ve been going there for years, but I know it was still there last summer (maybe not the next time I go though, if there is a next time).

Hiding and running away are two sides of the same coin – yes, yes, I know, I know, I repeat myself, keep churning out the same old nonsense time after time. So why can’t I repeat the ‘good’ stuff? How the f*ck do I know? I don’t have control over what pops into my head. It’s all just bollox anyway, whatever I say.

I was planning to venture out again when I run out of milk – which will probably be today, or maybe I can stretch it out till tomorrow. Fact is, I don’t really want to any more.

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Paradoxes

If nobody reads what I write, have I been wasting my time?

Question which arose from a comment I received yesterday, pointing out that I keep repeating myself, suggesting that maybe I should try writing things that other people might find interesting, and offering an idea of how to do that. I replied that it was an excellent idea and he should try it, but I might just decide not share my writing any more.

I also realised that someone who was commenting earlier in the week telling me how wonderful I am might just have been taking the piss, and I got quite angry, not so much at him but at myself for not noticing at the time and responding in a suitably cutting fashion. Gremlins again – Gremlin 2 getting angry because Gremlin 1 didn’t step in and sort him out. Or maybe it did, and that’s why I didn’t hear a peep out of him yesterday.

Oh, the paradoxes of wanting people to take notice and then getting annoyed when they do. Or, probably more accurately, wanting to be anonymous and invisible and then being disappointed when they don’t notice.

Well, here I am again, shouting into the void. It is paradoxical though, I admit that. Why write about my deepest thoughts and feelings and then share it where it can potentially be read by anyone in the world (or anyone with internet access)? My usual answer is that I never expect anyone to read it, so it doesn’t matter, but then why bother at all, why not leave it where no one can read it but me? There’s a long and respectable history for that kind of writing.

I guess I keep coming back to this because there was a time when the people I met and the things that I shared in a blogging space had consequences in the real world which genuinely did change my life in fundamental ways. Of course, I have no way of knowing how my life would have been if I hadn’t met those people and done those things, but I can be sure, for example, that I wouldn’t be living where I live now – and that has made all the difference to the future I was anticipating, say, fifteen years ago – though there might have been other alternatives that would have turned out ‘better’, who knows?

So I am here, and I’m writing still/again, and maybe it’s because somewhere inside me I’m still looking for that flash, that transformation into another self, the portal into another world, the rabbit hole or wardrobe that will flip the dimensions, the two roads diverging in a yellow wood, the Crystal Space where all is potential and decisions must be made blindly, the ‘fast running rivers of choice and chance’ (David Crosby, ‘Delta’). The micro-choices that we make every day that can affect our lives and those of others – as the current situation reminds us only too well. Life is fragile. Writing is important.