Category: acceptance

Posted on

NaPoWriMo Time Again

My heart yearns for
the Dream Place,
the Crystal Space…

Linda Rushby 5 April 2021

I was in poetic mood earlier, in my yoga/tai chi/meditation time, with one of those moments of understanding who I am, and what I should be doing, which has faded somewhat now, as they always do, before I was able to get to the computer and capture what needed to be caught, but I will try.

This is the third year I’ve attempted NaPoWriMo (National Poetry Writing Month). I started in 2018, with haikus, because that seemed like the easy way (although I know that writing a good haiku is not something to be flippant about). I was so happy with the results that I had an idea about creating a hand-made book – I’d been on a bookbinding course and bought a bookbinding kit, and was going to lino print an image for the cover – but the only image I came up with was a forlorn daffodil, and I got frustrated and disheartened and never even opened the parcel with the bookbinding kit and gave up before I got started. Maybe one day.

The next year I didn’t even attempt the poetry challenge, but then last year I did, with no plan or ideas, I managed to turn out something for every day of the month, a motley collection of uneven quality. I have always said that poems come to me or they don’t, and I can’t make them happen, but one of my favourites, ‘Beachcomber’, came out of a challenge I was set to write a poem a day for five days on Facebook in summer 2015, the first summer after I moved to Southsea.

This year I wasn’t going to bother, but on the first day I wrote a very short poem, and posted it, not here but on another blog to which I sometimes contribute. That poem, entitled ‘Web’, is about the idea of a web of connections, not the electronic ‘world wide web’ so much as an older and more general sense of interactions between events, actions and people, which relates to my interest in systems thinking, the basis of my PhD, and the idea of ‘Crystal Space’ which I have played with for some years. Writing it out gave me the idea of pulling one of the threads in a web and seeing where it led – would it just attract the attention of some monstrous spider, or might it take me somewhere interesting? So the next poem was about Ariadne’s thread, and each day since some image or reference from the day before has triggered the next poem.

So far it seems to have led me back into my lifelong interest in Greek mythology, which is of course a very fertile seam for poetry. Each day’s poem is very short, but by the second day I had the idea that they might build into something interesting. On the other hand, I might just give up one day, but how will I know unless I try?

Posted on

Ducks in a Row

I am not two different people, or three or four, or however many I might have said at different times. Just want to make that clear. I am not Linda H OR Linda R; or Belinda, Melinda, Cassandra, Cat by Herself; I am both, all of them, or possibly even none, but in the end I am still me. When I switched on my PC this morning, Microsoft welcomed me as Linda H, while my laptop knows me as Linda R, but it’s just a matter of context. To family, Facebook, Twitter, close friends and acquaintances I’ve met since I moved to Southsea, I am R, but to most of officialdom (Portsmouth City Council, HMRC, DWP, DVLA, banks etc) and most people I know from Bedford days, I am still H – there is even a very small number of people I’m still in touch with who knew me from when I was ‘R’ before, forty years ago now.

I didn’t set out to write about my identity today, in fact I was intending to pull together some threads which I was thinking and writing about last week – so here goes. I was talking about card-making, and all the different items and processes involved in it that make it so unsuitable for anyone with dyspraxia and hence so stressful. Every time, I start intending to be more organised and keep a lid on the chaos, but it never works out that way.

But I was thinking about it as a microcosm of my life. There are things that need doing, and I have to think and decide about what’s the best order to do them in, and how I’m going to do them, and what I need to do them with, and by the time I’ve made a decision on any of those things, I’ve forgotten what I decided about the previous ones, and so I go round and round in circles.

I have spent a lifetime thinking that there are answers to these questions and that I should be able to get on top of them, that if I try just a bit harder I can make everything fall into place, and my life will become so much easier. Now I’m coming to accept that all the planning and to-do lists in the world are never going to change me, or change the way things are. There’s a saying going the rounds on Facebook (is ‘meme’ the correct word for that sort of thing?) which I’ve seen a couple of times: ‘Not only are my ducks not all in a row, I don’t even know where my ducks are!’ I’m not even sure whether I’ve got any ducks in the first place.

I sit in my chaos thinking about how to resolve it, and never manage to break out of those circles. Except sometimes I get an idea about one specific thing – like my google drive – and keep looking for an answer, however many times I fall down

Posted on

Problems of Affluence

Just been to Sainsbury’s to buy hot cross buns, because I realised last night I hadn’t got any – haven’t had any this year – and today is the day when it’s okay to have them for breakfast. I wanted those, and little prawns to go in my salmon en croute for dinner (but they only had king prawns, which won’t work, so it’ll be salmon, mushrooms and parsley en croute), and eggs and smoked salmon for breakfast one day over the weekend, and maple syrup to have with waffles another day, and chocolate for Sunday because I realised I hadn’t had any since I finished the Christmas leftovers – which has been quite a few weeks, but not necessarily the whole of Lent – actually, forget I said that, because I just remembered I had some chocolate truffles for Mother’s Day.

None of that would have been possible in my childhood, because the shops would have been shut on Good Friday, as well as Easter Monday and, of course, Easter Sunday, just like every other Sunday. (Actually, I have a feeling they might still be shut on Easter Sunday, but not sure about that.) I remember one year, when I must have been well into my teens, because I went into town on my own on Easter Saturday, and my Mum had asked me to pick up a loaf of bread, and everywhere I went was sold out, from which I learned the lesson to make sure you’ve got plenty of bread for Easter weekend, until the world moved on and made that obsolete. I was quite annoyed when the shops started opening on Good Friday, even though I wasn’t a Christian, because what’s the point of traditions if you’re going to ignore the fundamentals in that way?

Now I’m more relaxed, and anyway, I make my own bread. But when I was shopping earlier in the week, and planning today’s dinner, I bought cream for the sauce filling and was thinking what else I needed for today (except the hot cross buns, obviously) and it struck me – I always have fish on Good Friday, but making it so fancy is definitely observing the letter not the spirit of the tradition – salmon en croute is not exactly fasting. On the other hand, I guess it’s pretty tame compared with what the Renaissance popes might have had, so why should I worry?

That’s when I started thinking about Sunday as well, and chocolate, and my birthday, which is next week – the second one I’ve had in lockdown. Last year I didn’t plan anything special, but when the day came I went to Tesco and bought a cake and a bottle of prosecco, then ordered a Chinese takeaway for dinner. Tomorrow is my takeaway day (alternate Saturdays), but the question is, do I skip it this week and leave it till my birthday? Hadn’t thought about that. Seems daft to have two within a week of each other. Decisions, decisions – the problems of affluence

Posted on

Making Stuff

If you should happen to see me sitting and apparently doing nothing, I can pretty much guarantee that I won’t be ‘resting’. My mind will still be whirling around, jumping from one thought to the next and doubling back on itself without ever reaching any conclusions. I might be re-running an ancient conversation in my head, thinking of what I could have said differently to prove my point irrefutably, or composing a poem or a blog post, but most likely I will be thinking about what I should be doing instead of sitting there and thinking. This was brought home to me yesterday when I was facing the state of my kitchen table in the wake of a week spent (intermittently) making two birthday cards.

The process of making cards, while both creative and fun, is also quite stressful, and the clearing up afterwards even more so. It involves a lot of processes, with lots of bits of equipment and materials, some of them very small, others which are messy (glue and ink), and great potential for things getting lost, spilt, sticking to each other, hiding behind each other etc. As well as that, the creative process itself, the design of the thing, from sitting down with a mental connection such as: ‘Laura – tea and cakes’, ‘Chris – fishing’, ‘Simon- robots and/or dinosaurs’ (my 34 year-old son, by he way, though it could equally be my 5 year-old grandson), assembly of any materials relevant to that topic and trying to come up with something significantly different from last year’s effort is quite taxing in and of itself. Because I’m making them to give to other people – this has really only just occurred to me – it’s a lot more stressful than starting a jumper or blanket or whatever in knitting or crochet, when I know that it doesn’t matter what a pig’s ear I make of it, because no one has to see it but me.

Now, that is an interesting though. Making cards always implies the intention of creating something to give to someone else. Perhaps I should spend some time on using stamps, cutting dies and paper just for the fun of the process without producing anything which might be seen and/or judged by anyone else? When I started doing this craft, I was going to classes and workshops, where I was just making for the sake of it – I have stacks of cards made at those events hidden away in the cupboard, which I wouldn’t dream of giving to anyone else.

This is not what I started to write about – but I think it is a valuable insight, and it applies to lots of things I do – including writing this blog. I can do it because I know it is just for myself, although theoretically it could be read by anyone, very few people ever actually do read it, and so it doesn’t matter, there’s no requirement for it to reach a certain standard of quality, it is just itself.

Posted on

Everything in the Garden…

I’ve already been to the Co-op today. I managed to avoid going all last week, because I stocked up the week before when I was having visitors for the weekend. And by using up supplies of longlife and evaporated milk, and Elmlea (which I’d bought to put on trifle – for my visitors – till I went to the shops again and managed to get real fresh cream); taking dinners from the freezer backlog of all those ‘chef’s surprise’ slow-cooker meals which have been building up; and a take away curry delivery on Saturday, I held out without needing to go until today. Saturday’s dinner in the slow cooker will be belly pork with cannellini beans, celery, red pepper, carrots and maybe sweet potatoes cooked in cider, because too many of the ‘chef’s surprises’ seem to have sauces based on tinned tomatoes, and I fancied a more radical change.

I have been getting discouraged about a lot of things lately – mainly the garden. My Facebook memories keep showing all the lovely things which were in flower at this time last year. Someone said to me the other day that my garden is ‘blooming’, but he was judging it from Facebook, where I have posted pictures of every single flower I’ve seen so far – sometimes several pictures of the same one, over a number of days, as I’m still trying to post a photo every day. The actual total of flowers so far has been: one yellow and three white daffodils on the forecourt, and in the back garden one blue hyacinth and a handful of mini daffodils; two hellebores (one single and, more recently, one double flower), a few blossoms on the rosemary which were only visible if you looked very carefully and a couple of yellow celandines under the camellia (which I only just remembered). The rest is a desert of weeds, rotting planks and general junk currently in transit between the sheds. Is this disaster down to the hot, dry summer last year, or a total lack of interest and attention? I assume most likely a combination of the two.

It’s the curse of social media. However honest I try to be about my general worthlessness and self loathing, it seems that people want to keep seeing me in a more positive light. Which is very frustrating – but on the other hand, if they could see me more clearly, they wouldn’t want to be my friends anyway. And then I’d feel even worse.

I honestly don’t know how to shake off these feelings, and more and more it seems that there isn’t any escape. The effort required feels overwhelming, but so is the effort to pretend to be what I’m not: brave, positive, upbeat, hopeful, happy etc. Feelings always take control over intentions to change, to find a better way to be.

I almost didn’t write today. Perhaps it would be better if I didn’t throw all this out into the void. But I usually feel better afterwards

Posted on

Eating Elephants

This is what happened yesterday: it felt as though writing my 500 word post in the morning was the most significant thing I did all day. Some days are just like that. Around midday it got quite sunny, and I went out and pulled a few more bits off the old shed, in the process breaking the chisel for the second time, so that now there isn’t really enough of it left to get behind the planks and lever them off, which is what I’ve been doing up till now. It was an old chisel anyway, which I found in the shed when I was emptying it out, presumably left behind by the previous owner. After it broke I decided that was a sign that I could stop for the day – I’d been there for about an hour, I guess.

I keep picking away at it, not the most efficient way of doing it, I know, but I do as much as I can stand and then leave it in the hope that eventually it will get done (like the bookshelves which have, unsurprisingly, now filled up with clutter in the absence of me tackling them in an organised manner). The front and half a side (of the shed, that is) have now gone, leaving a shell which looks as though any self-respecting storm will blow it away, except that, remarkably for this time of year, we have had no strong winds for the last week. I’d quite like it if the back (left hand side in the photo above) could stay standing as there is no fence behind it, just a small wall, but that’s probably too much to hope for. Eventually, the new shed will go along that boundary, but I need to get rid of the old one first. In the mean time, half of the stuff that came out of it is still in the garden or the kitchen (depending on how hygienic I considered it to be) waiting for the new shed to be moved to its final position, along with the accumulating debris of the old one.

In the afternoon, I made some small progress on the jumper I’ve been knitting (still not sure about the design, which I keep having to re-do), then the yarn cake fell apart (as they tend to do when approaching the end) and descended into an impenetrable tangle, which I spent half the evening trying to sort out till I fell asleep over it on the sofa. I also started on a new crochet pattern for a blanket, which requires working with three cakes at once – what could possibly go wrong with that? The plan is to convert three of the many cakes I bought online last year into a blanket which will be of no use to anyone and shoved somewhere in the spare room if it ever gets completed.

Well, baby steps, hare and tortoise, eating an elephant, etc. And another 500 words bites the dust.

Posted on

The Long Way Back

Yesterday was the anniversary of one of my most vividly-remembered days described in ‘Single to Sirkeci’, when I arrived at Port Camargue. Earlier in the week I was remembering Prague, and it all set me thinking about ‘The Long Way Back’, and whether I’m ever going to finish it. I’ve been thinking about it for years – or, more accurately, I’ve been avoiding thinking about it. At first I used to start each year with the resolution that: ‘this is the year I’ll finish and publish it!’, but gradually I got over that, and recently I have been trying to learn to let it go, along with all my other failures.

I spent about six months, from autumn 2017 to spring 2018, trying to make something of it. It started with the ‘rump’ of around forty thousand words describing the return half of the journey from Istanbul back to England, which I’d chopped from the sixth draft of ‘Single to Sirkeci’. Prior to deciding to split the manuscript, I’d spent a couple of years on the herculean task of trying to edit the 200k word first draft down by half, and after brushing off multiple suggestions of chopping it into two books, and stalling at 140k, I gave in to the inevitable.

When I published ‘S2S’ in early 2017, the plan for ‘The Long Way Back’ was to combine the material I had on the return journey with a briefer description of what had happened after my return; my time in Prague; my moving to Southsea; and some reflections on lessons learned from the ‘life journey’ (if I could think of any) – I even wrote an introduction and blurb to that effect, which I must dig out some time when I need a good laugh at the ironies of over-ambition.

Giving myself six months to deal with cancer and chemo, I started in September 2017 to go through blog posts from the time between returning ‘home’ at the start of August 2012, and departing for Prague in May 2013. Rather than the planned précis, I found myself editing a tale of disappointment, depression and yearning, as I struggled to come to terms with life – while, in the present, also struggling to come to terms with moving on from cancer. This resulted in a further fourteen thousand words to add to the forty, and I hadn’t even started on Prague – which, when I went back to it, was also a saga of depression and disappointment, although alleviated in places just by the fact of being in Prague. Then there was the year after, living back with my ex (working title: ‘Madwoman in the Attic’), mystery illness, moving to Southsea – and then what?

For a while I toyed with the idea of turning Prague into a third volume, and spent some time trying to find three–syllable words starting with either ‘B’ or ‘R’ to make a catchy title: ‘Bohemian Something-or-other’ but with no luck.

Then I just stopped. I just stopped writing.

Posted on

Desultory Equinox

Yesterday I was thinking about Prague – in fact it has been in my mind on and off for the last few days. Often, when I was there, I used to question why I was there, and what I was doing. If I could have found a compelling reason to stay, I think I would have, but my presence always felt anomalous; I wasn’t a tourist, but nor did I ever become a resident, nor even an ‘ex-pat’, just this invisible woman who slipped around the city with no-one really noticing whether I was there or not – except possibly my landlord, when he made his monthly visits to collect the rent (in cash). In the end, coming back to be near my daughter and granddaughter and make some efforts towards selling the old house and ‘moving on with my life’ had to take priority

Those same questions keep coming up lately: Why am I here? and What am I doing? At least now I have some answers which make sense superficially: I’m just another retiree who’s decided to come and live near the sea, buy a house, make this place my home. After six years, the deeper questions don’t seem quite so compelling – I’m retired, with a comfortable pension, and the sale of a large family home enabled me to buy my little Edwardian mid-terrace outright, so why shouldn’t I be here as much as anywhere else? It’s a lot more congenial than either of the two places where I’ve spent most of my life.

This lockdown has felt harder than the one which started this time last year, but I think I’ve become ‘harder’ too, more settled with being at home on my own – most of the time. But if you asked me – if I ask myself – what I’ve been up to, what I do with my time, I’m hard pushed to come up with an answer that makes any kind of sense. I’ve got my editing job, which I’m doing two chapters at a time as the client sends them to me, and each chapter takes about an hour; I do my half hour of exercise and write my 500 words most days; I listen to the radio; crochet my blanket (which also takes about an hour each day) and mess about with other craft projects in a desultory way. Since I finished the blue fair isle jumper, I’ve picked up another top-down jumper, in different yarn on a bigger needle, which I started and abandoned about six months ago. Because it’s a ‘cake’ style yarn, with long stretches of colours blending into each other, I decided to do a design on the front with different stitches, rather than different yarns, but I’ve tried one idea, pulled it back and tried another, and that isn’t going very well either.

But this is just a temporary setback – isn’t it? Something will happen soon. That’s the way it goes, I’ll break some more bits off the old shed and keep going.

Posted on

Vyšehrad

The other evening when I was cooking dinner, Radio 4 Extra was on in the background, playing ‘Soul Music’ – a programme which you can only imagine being made by the BBC. Each episode takes a piece of music which has a ‘powerful emotional impact’, with a handful of speakers talking about it and what it means to them. It is a wonderfully eclectic programme, and the musical pieces come from everywhere: ‘Life on Mars’, ‘Once in a Lifetime’, ‘I Wonder as I Wander’, ‘Sunshine on Leith’ (I’ve never heard of that one), ‘Lean on Me’ and ‘Dock of the Bay’ plucked from a list on the website.

This week it was a classical piece which at first I didn’t recognise and wasn’t paying much attention to, when I heard a voice saying something about a hill which was supposed to be the site of the original castle, rather than the current castle further down the river on the other side, but this was just part of the foundation myth of the city… and it dawned on me that they were talking about Prague. Then it cut to a piece of music which I definitely recognised, but couldn’t have told you the name or composer, and I heard the words: ‘Vltava’ and I knew before I heard it that the site they were talking about was Vyšehrad.

Vyšehrad was one of my favourite walking places when I wanted to avoid the tourist crowds. It was directly across the river Vltava from my flat, something that I only realised when I was there and looking back to my side of the river managed to pick out the funny little church across the road from me. But to get there I had to take one tram to the interchange at Novy Smichov, near the big Tesco, and then change to get across the river bridge, get off and either catch another tram back up the river or walk along that side. Once, not so long ago, I could have told you all the tram numbers, but I don’t remember now.

But I have to tell you first that the music was by Smetana, one of the three great classical Czech composers, the other two being Dvořák and Janáček. Smetana was the only one I’d never heard of before I went to Prague. ‘Vyšehrad’ and ‘Vltava’, I learned from ‘Soul Music’, are two of six ‘symphonic poems’ that make up a patriotic symphonic cycle called ‘Má vlast’ (‘My Fatherland’), inspired by the history, legends and landscapes of Bohemia.

I have seen his grave in the cemetery on Vyšehrad, overlooking the vineyards reaching down the castle mound towards the river. I wrote at least one blog post about it, but on a blog which is now defunct (though I still have the content somewhere). I was walking there on a Sunday afternoon in February, seven years ago, when I read the text from my daughter that brought me home to England by the next Wednesday…

Posted on

Any Dream Will Do

Yesterday the high temperature in Southsea was 15°C (or 59°F if you live in the USA or the twentieth century). This makes today a doubly exciting day for the weather blanket: a new colour (green) as well as the 17th of the month, which means the beginning of a new row, an extension of the border, and a new colour (lilac) in the border. The green is slightly strange, because there’s a very limited range in the green/blue range of the new yarn I’m using this year, so that will be interesting to see.

I dreamt last night and woke up at around half past six with no recollection of what I’d been dreaming about, just the knowledge that I had been dreaming, and that it might have been quite exciting. I always hope that one day I will dream the perfect plot for a novel (or even short story) and that it will still be just as good in daylight. My unfinished novel was triggered by a dream over thirty years ago, and the (sort of) finished-but-crap one I wrote in the 1970s-90s came, as far as I can remember, from a combination of a dream and a picture of hills in the bedroom of the flat I was living in at the time. Who came over that hill? That was the start, and the answer was: men on horseback, but why were they there? It took me twenty years to finish that one.

Why can’t I finish anything? I have – I think – two unfinished cardigans and another one which didn’t fit when I finished it and I was planning to pull it down and re-use the yarn, but I don’t know where it is. There may be more – there’s a square from the back of one that I started and then abandoned – I think I decided the hook was too small, and I started again with a larger hook and different yarn and I did finish that one, then unravelled some of the first one to do the variegated fair isle pattern on the jumper which I finished last week.

This morning, I thought about this and wondered: does it matter, really, that I keep starting things and not finishing them? I picked up one of the unfinished cardis in the bedroom – I’d started one sleeve, but only did a little, and I’m wondering whether it works as a waistcoat, and if so, whether it would be better with a cap sleeve (as it has on one side) or no sleeve (as it has on the other), or should I finish both sleeves? Any way would produce a garment of sorts which I might wear one day, or possibly not.

Why do I start new things? Is it because I get bored easily? Or because starting something new is always a lot more interesting and fun than finishing something else? Because I run out of ideas – that’s what normally happens with writing – or have too many new ones?