Rising and Retiring

While the cassette recorder is on my desk, there’s even less space than usual for Miko to squeeze into. Which makes typing even more than usually awkward. At least I have my reading glasses today.

Yesterday evening I was writing an email to an old friend and listening to music, and I got to thinking about the south of France, the scents of flowers and herbs, and the little shops in out of the way towns selling unbranded local soaps and colognes; the paintings of Van Gogh (partly because of the jigsaw I was doing earlier that morning when it was pouring with rain here); the woods around the retreat centre in Limousin where I stayed six years ago. I started putting together bits and pieces for a poem, including kittens playing in a pile of nets in the harbour at Sorrento (different country, I know, but same sea). Then into the music stream popped a young Joan Baez singing ‘Plaisir d’Amour’ and I thought ‘oh, how appropriate!’ but I’d already sent the email by then.

Why is it that I often feel quite peaceful and comfortable with the world in the evenings, but then almost always feel miserable when I wake up? No, it’s not related to alcohol consumption – I’ve thought of that. Someone once told me that what you think when you wake up relates to what you were thinking when you fell asleep, so make sure you’re always thinking happy thoughts before you drop off, but this is clearly nonsense. How can you know exactly the point you will be falling asleep before it happens, let alone control your thoughts in preparation? What would happen if you were lying there thinking: ‘Right, am I asleep yet? No? Better think of something happy then. How long can I keep this up for? How long do I need to keep it up for? Has it happened yet? How long am I going to have to keep up these happy thoughts? What if I drop off just when I’m getting frustrated or stressed?’ etc etc. You’d never actually fall asleep – unless this is just because, as I keep forgetting, my brain is weird and doesn’t act in the same way as normal people who can control that stuff?

I’ve been told: ‘You’re obviously not a morning person’, but that’s not true, I’m better if I get up in the mornings, I hate lying in late and losing half the day. But it’s like everything else, I have to motivate myself to do it, the activity, the process of getting out of bed, it’s not even that I particularly dislike it when I do it. Sometimes I even talk myself through it: ‘right, duvet off, one foot on the floor, sit on the bed, second foot on the floor, brace yourself with hands on the mattress, push down and straighten legs’. It’s the gap between thought and action that stretches out and out, as though thinking is a substitute for doing. 

Old Songs

Can’t find my reading glasses. I had them in bed, because I was reading for a while, I remember that. Now I can’t find them anywhere around the bed, or in the kitchen, or the spare room where I did my exercise. Not even in my dressing gown pocket, because I didn’t wear my dressing gown this morning. I can write okay with my varifocals as long as I don’t have to look at the screen – I just stare down at the keyboard.

I’ve thought once or twice recently about writing – proper writing, not this daily drivel. If nothing else, I suppose, I should finish off ‘The Long Way Back’. The first part – the return journey from Istanbul – is written and edited, and it feels as though I’ve cheated those kind people who have gone to the trouble of reading ‘Single to Sirkeci’ to leave it all dangling. My idea was to pad that out with an account of trying to piece my life together afterwards, hopefully coming to a positive conclusion and some lessons learnt. And so far I’ve edited enough material together to get me to May 2013, when I left for Prague. At one point I even thought I might turn it into three books, with a Prague instalment as well. But so many years have passed now – another three even since I published S2S – and so little changes, I’ve ‘learned’ so few life lessons from those experiences, my heart sinks at the thought. When I tried reading the blog posts from the Prague times, and realised how depressing that all was, it wasn’t something I wanted to revisit.

What about the famous thirty-years-in-progress fantasy novel? Or rather, fifteen years, from 1990 to 2005, because I haven’t touched it since then. It ground to a halt in October 2005, when I started a creative writing course and, coincidentally, started blogging, though I’ve never been able to fathom which (or possibly both) of those circumstances was responsible for the stasis.

But if this daily writing doesn’t help, then what’s it for? A question without an answer.

Old songs. My pre-bedtime wind-down habit of listening to Amazon Music through the telly has led me back into the past so that now I’m returning to songs of thirty, forty, fifty years ago. Vinyl albums in tattered cardboard sleeves stand in no particular order on my IKEA cube units, a shoebox with the marker-penned legend: ‘Cassettes Study’ by my side on the floor. The USB turntable and cassette player – both presents at different times from my ex-husband, the latter, from the final, fateful Christmas – spent many years stashed away in boxes, but earlier this week I ordered a new stylus cartridge for the turntable, and finally connected the cassette player up to my PC. The sound quality is pretty uneven, especially after thirty years of listening to CDs, but the songs and lyrics are the same.

So today I’m uploading Jon and Vangelis: ‘Somehow I’ll find my way home.’

One day.

The Chain

Wrote this yesterday. Didn’t share it – chickened out. I’m sharing it now.

Rejoice, rejoice,
We have no choice
But to carry on.

Stephen Stills, 1970

Will I be doing my bit to support the economy by going shopping today? Probably not. I’ll stay at home and carry on doing what I’ve been doing for the last couple of months, thank you very much.

This morning I am lost for words, a strange experience for me. Poised on a knife edge between opening myself up and expressing my honest feelings and thinking of something else, less contentious to write about – at the same time as watching on YouTube – really watching for once, not just playing music as a background – Fleetwood Mack performing ‘The Chain’ live, witnessing the rage flashing and crackling around and between Stevie Nicks and Lindsey Buckingham, feeling it entering and reflecting my pre-existing mood of pent-up furious chaotic self-destructive energy.

Why? Why this morning, why today?

‘Where [am I] going now my love?
Where will [I] be tomorrow?
Will [it] bring me happiness?
Will [it] bring me sorrow?

Oh, the questions of a thousand dreams
What you do with what you see…

Stephen Stills

Woke up with my usual mixture of shame, self-hatred and despair, but instead of taking the path of trying to calm it down and hush it up, I decided to go the other way and face it all head on, and this is where it gets me. For once I can feel all that anger in my body, not just think it in my head.

This was happening in my therapy sessions towards the end of last year, when we were still meeting in person. Every week I would come into the room with whatever was in my mind, but before the end of the session I would be screaming and grinding my teeth and smacking my fists against the arms of the chair to stop myself from smacking them into the side of my head.

It would be easy to put this down to the repressed frustration and anger of a child whose voice was never heard; whose questions were met with impatience if not downright anger; whose feelings were never acknowledged without disapproval; who learnt that those feelings of sadness and loneliness and inability to mix with other children or interact with adults were her own fault, a wilful failure to play the ‘happy little girl’; who lived in a world of confusion, constantly trying to anticipate what was wanted of her, never knowing when she might unwittingly overstep some implicit boundary and suffer the consequences.

Maybe that is a true story, maybe not. I honestly don’t know. In last week’s therapy session, I said that I’m sure there must have been happy times in my childhood, but I can’t remember them, which to me feels very shameful, my failing that I should be so unfair on my parents, but the therapist’s reaction was that it was very sad.

After sixty years, after multiple attempts to resolve these questions, can I ever find a way out?  

The Women That I Was

When I do my morning practice, thoughts often turn up in my head, potential poems, phrases from somewhere else, or bits of songs. This morning I decided to put all my incense cones into one box and mix them up, and while looking for a box I found a tiny box of matches which I remember once set me off into reminiscence and caused me to write a poem, some time last year, I think. Memory squared. I’m going to look out that poem later.

I had the song ‘Dust in the Wind’ in my head when I woke up (a song for our times if ever there was one) and as I started on my yoga stretches, and was thinking about that and the poem inspired by the matchbox, the phrase ‘the woman that I was’ popped into my head. I knew that it, or a phrase very like it, was from a song; the word wasn’t ‘woman’, but it was sung by a woman, and it wasn’t Joni Mitchell, but if I could work out what that two-syllable word was, I’d know. Then it came to me in a flash that it was ‘Gypsy’ by Stevie Nicks. I’ll have to fish that out later as well. And ‘Dust in the Wind’ – which is by Kansas, but I always forget that, or I think it’s Toto, and when it popped up on Amazon Music the other evening I had a laugh because I saw the connection between the two and why I mix them up.

The poem was about the woman that I was, though it wasn’t so long ago, about ten years. And the woman I was in it was who I was for a very short time and I’m not her any more – all we are is dust in the wind. I liked her, I liked being her. She was a bit wild, Bohemian, a dreamer, and she called herself Melinda – she came and went – like Ruby Tuesday – and she had a Bohemian adventure in 2013, but it didn’t work out the way she was dreaming of – nothing ever did – and perhaps that was her last gasp. So who am I now? Cat-by-Herself is my current persona, she emerged from the shadows – ooh, how long ago? Somewhere on a train, between the Camargue and the Balkans, perhaps, or Sofia and Istanbul, or on the shore of the Black Sea. She was the fourth corner (according to CG Jung, all threes need a fourth for completeness) – and she was the resolution of what someone flatteringly called ‘the Lovely Triad’.

I thought I’d left them all behind – Belinda, Melinda, Cassandra – but they all pop up from time to time. Melinda is the poet, after all; and Cassandra, the gloomy prophetess, the brain-the-size-of-a-planet whom no one listens to, but who still gets excited over the flash of intellectual connection; and sad Belinda sitting in chaos with her permanently aching heart. I still need to find a way to reconcile them.

Hedgehog Song

I’ve got into the habit of ending the evening by listening to Amazon music. I try to avoid watching telly after 10 o’clock, though I’m not always very good at sticking to that. I don’t really understand how these streaming services work, obviously they go on the basis of what you’ve chosen before but the random playlists can be extremely random. It’s moved on from giving me lots of Neil Young, Joni Mitchell, Crosby Stills and Nash, Cat Stevens and Fleetwood Mack to deciding I like early 70s folk-rock, which is quite intelligent of it really, though I haven’t heard a lot of those artists for a very long time. In particular it’s picked up on the Incredible String Band, which I didn’t know much about and I find their songs pretty mixed.

Last night it flashed up ‘The Hedgehog’s Song’ (by ISB) which made me laugh, because it reminded me of Nanny Ogg’s Hedgehog Song from the Discworld books. But as soon as the music started, I knew it instantly, though I don’t think I ever knew what band it was associated with. It was just one of those songs that everybody sang in the folk clubs of fifty years ago:

‘Well, you know all the words, and you’ve sung all the notes,
but you never quite learned the song’ she sang.
‘I can tell by the sadness in your eyes
that you never quite learned the song.’

Incredible String Band

Naturally, I sang along, as I’d probably done dozens of times in my youth in smoky clubs and pubs – it had a jaunty tune, quirky rhythm, and apparently silly but actually quite thoughtful lyrics. I thought about my eighteen, nineteen, twenty year old self not giving a thought to the woman who would be singing it half a century later and ruefully reflecting how accurate it was.

Sometimes with these songs from those days I think about the fact that the people who wrote them, if I could see them now at the age they were then, would seem ridiculously young, but at the time they were so much older and more mature than me, role models I admired and hoped to emulate. But here I am with all these years, experience and supposed wisdom, still haunted by adolescent confusion and doubt. I knew all the words, and I sang all the notes, but I never quite learned the song. You can tell by the sadness in my eyes, I never quite learned the song.

No, that wasn’t going to be me. I wasn’t going to turn out to be that sort of sad old lady.

An old friend commented on yesterday’s post that maybe heartache is harder to recover from than heartbreak. I think she’s right, because a broken heart is an acute trauma, that you have to deal with and move on from, but heartache is something that lingers, a chronic condition that fluctuates but never completely goes away. Maybe that’s why my therapist used that word. Interesting.

Corrections and Clarifications

The anger came back this morning, in the I-should-get-out-of-bed-but-not-yet time. I suppose it may have been partly triggered by the new uncertainty caused by images of commuters on trains and station platforms. However, as always, it was turned against myself. How can I keep writing about my real feelings and put it on show? How can I come on here and share my true thoughts, take that risk of being seen for who I am, all that self-pity and negativity and doubt? I’ll stop, that’s what I’ll do, I’ll give up again as I always do with everything.

But I got up and did my half hour practice, and when I went downstairs and made coffee I realised how valuable that is, that it actually does help – or something does. Routine and discipline, you see – it makes life possible. Which I guess includes this as well. Here I am at my keyboard with Miko on the desk beside me, supervising the street outside, both of us listening to a sudden outburst of gulls. Blue sky and sunshine, and I can’t really tell whether there are more people and traffic, though I can see that there are at least six empty parking places across the road whereas they’ve been full for the last few weeks, but I guess the consolation is that at least six drivers aren’t taking the bus.

I didn’t speak to my daughter yesterday, but I assume she for one hasn’t gone back to work. She’s not waitressing any more, but she still works in the leisure/hospitality business, her job involves visiting pubs, so I’m guessing she’s reprieved until they reopen. Anyway, she has two children at home.

I am still in my cosy bubble, for as long as it takes. I may never come out. I still feel that life is less stressful like this, but I keep panicking that eventually I will have to engage with the world again, and wonder what exactly that will mean. It’s like when I was travelling and would every so often get a reminder that, at some point, I would have to come back and face up to life again.

Just remembered that I have some corrections and clarifications for my quote from the Joni Mitchell song yesterday (I finally looked it up). The song is Barangrill and the corrections are: it’s three waitresses (not two); they’re talking about Singapore SLINGS (which makes so much more sense than ‘sleeves’, a mistake I’ve been making for almost 50 years), and there’s ‘not one ANXIOUS voice’ (I think I said ‘angry’).

So there you go, I’m not perfect (as if I ever claimed to be).

Oh my goodness, I just glanced through the window, (checking for swifts) and saw a plane flying over – it looks like a commercial airliner, rather than anything naval/military. Strange how something so familiar can disappear without being missed until suddenly it’s there again.

Check out Barangrill, if you like Joni. I hadn’t heard it in years.