Tomorrow marks the end of the official first quarter of the year (91 days this time). So does that mean that I’m a quarter of the way through the work I need to do to publish my book before the end of the year, as I semi-committed myself to? Probably not – in fact, not by a long way. Since I published ‘Single to Sirkeci’ in 2017, the proposed sequel, ‘The Long Way Back’ has not so much been a work in progress as in regress – or at best, stasis

When I first envisaged turning my blog posts into a book about my travels, I massively underestimated the amount of work and time it would take. By about a year and a half after I got back from the original journey, I’d finished my third editing pass through, and began the process of laying it out as a book. That was when I realised that I still had almost 200,000 words – twice what was reasonable for a book of this type.

Around that time, I had a conversation with my artist friend Douglas Jeal about knowing when a piece of creative work is ‘finished’, and the danger of continuing to ‘tweak’ it, a topic which also came up at a meeting of writers which I went to a few days ago. To me it seems there is a difference between a painting or sculpture and a book, which needs a satisfying narrative conclusion, as well as a recognition of that ‘sweet spot’ where nothing more needs to be done.

I couldn’t help thinking that my book didn’t score well on either of those. I had just said a sad farewell to Prague, and moved back in with my ex-husband in the hope that I could nudge him into finally putting the house on the market (which was still not resolved two years after the divorce was granted), so that we could finally draw a line under our marriage, and go our separate ways for good.

While I continued to hack away at the text, I was acutely aware that life was continuing to happen to me, and that a ‘happy ending’ – or even a vaguely positive and upbeat one – still seemed out of my reach…

…to be continued (perhaps)

I was going to go to the beach, out for breakfast and then to the shop on the way home, but it was raining. I got up and went to look out of the window, and thought: ‘That’s a large cat sitting on the flat roof of the sheds behind the back wall’, then it got up and turned so I could see it sideways on, and I realised it was a fox. That’s the second time I’ve seen one in the last few months.

There was quite a storm in the night, I heard the wind at one point, it was really wild. It looked as though the rain was settling in for the day, but now the sun’s shining. Still, it will take a while before the benches dry out, and it’s not worth going out to sit on a damp bench to eat breakfast, plus the cafés will be getting pretty full by this time, so I’ll stay here and write.

I was going to write some more about planning and failing, but in the shower I started thinking about ‘The Long Way Back’ again. I said I would start work on it when I’d finished my proof reading job, then I read a few old blog posts and got very depressed remembering those times, and now it looks as though I’m going to be pretty tied up with family things until the middle of next week (or the week after next, depending on when you think ‘this week’ starts) which gives another delay to getting properly started, and when the cafes are properly open I can take my laptop somewhere to get stuck in, which is always a nice way to do it.

I have been ‘planning’ and procrastinating over this for so long now, years in fact. I came to the end of the pre-Prague section early in 2018, I remember it quite distinctly. I went to the café where I used to go for breakfast on Sunday, before the writing group meetings (not one of my usual writing cafes, but it was en route to the dentist, where I’d been for an appointment) and took with me printouts of the early Prague posts, which is when I had the idea that there was just too much, and maybe I’d write a separate book about my time in Prague. Or was that 2019?

This is the problem with writing autobiography – though ‘S2S’ and ‘TLWB’ are strictly speaking memoirs, the distinction being that an autobiography is the story of a whole life, but memoirs are just a specific part of a life, either in terms of time or of an interest which may cover different periods. But as a memoirist, I find it hard to see how an autobiography can ever be finished, unless the author is still writing it on their deathbed (which in my case might well happen).

Life feeds writing, and writing feeds life, like Ouroboros, the snake that eats its own tail.

‘Fail to plan and plan to fail’ was another piece of wisdom which I acquired from my business networking days and totally failed to learn from. I reflected on this yesterday when I was digging holes for my newly bought plants and tenderly packing the soil around them. I plan to fail, not because that’s what I want to happen, but because that’s my expectation, on the basis of past experience. It wasn’t that I had no plan at all when I was walking around B&Q on Wednesday with all the other Diamond Card holders, all waving our ten-pounds-off-when-you-spend-over-thirty coupons – there were certain things I knew I wanted to buy, like compost, basket liner, and a 40 cm diameter pot, but when it came to plants, I was mainly driven by spontaneity – well, within bounds –mostly what I bought were pretty predictable: begonia, petunias, geraniums. But I still didn’t have any specific ideas about where any of them were going, and so I was making it up as I went along.

There’s a lot to be said for spontaneity, impulse, intuition – well, I would say that, given my aversion to planning. No, that’s not right, ‘aversion’ isn’t quite the right word: it’s not that I don’t want to make plans, it’s more that from experience I know the stress that planning causes, the struggle to sort it all out, to impose order and make sense, to remember the stages, to decide on the appropriate actions, to implement them without flying off in all directions, and to judge the outcomes. All those things that make perfect sense rationally, intellectually, academically and succumb to chaos when they hit the real world, that great, spinning distributor of ordure.

Having said that, it occurs to me that the major, dramatic changes in my life, the ‘leap before you look moments’, like starting a PhD, leaving a husband (both of them), travelling, moving to Prague and Southsea etc, were all preceded by years of ‘planning’, just not in the organised, logically –sequenced, rational fashion – more on the lines of: ‘…if I could, I would… if only…’ At New Year 2015, I met a lady and told her that I was hoping to move to Southsea one day, then when I announced in March that I was moving, her comment was: ‘you’re a fast worker!’, even though the idea had been in my head for three years.

There’s more I wanted to say, but as usual I started writing and then wandered off at a tangent. But I’d like to share a quote that I heard on Thought for the Day on Radio 4 earlier while I was making coffee: “You don’t think your way into a new kind of living. You live your way into a new kind of thinking.” It was attributed to Henry Nouwen, a name which means nothing to me (apparently he was a Catholic priest, but I won’t hold that against him.)

I’ve often been told I think too much… TBC

Ten years ago, when I was going to business networking meetings, I was part of a team of three people organising meetings in a local pub on alternate Wednesday mornings. I was in charge of sending out email and text invitations, chasing up invitees to confirm numbers, collecting payments and paying the pub for breakfasts consumed, working with a woman in her forties who was an area rep, in charge of a number of fortnightly groups locally. The third member was a an older man (older than  I was then but probably younger than I am now), whom I’ll call Charles (I can’t remember whether that was actually his name) who chaired the meetings and was a general figurehead for the group.

The reason I’ve been thinking about him this morning was that he would sometimes give The Talk – there was always a ten minute talk over breakfast, usually given by a guest speaker – who, when I look back now, were probably drafted in from other groups in the region or more widely spread (it was that sort of organisation). I’m guessing that possibly part of Charles’s role was to stand in when no other speaker was available, and his talks were always on a similar theme, the gimmick being that the titles consisted of an increasing number of words beginning with P. This had obviously started long before I’d joined, and would always induce a groan (in the nicest possible way) from the assembly. Anyway, what set me on this train of thought was that a typical example would be: ‘Perfect Planning Prevents Piss-Poor Performance’ or words to that effect.

And the connection is: that as I was lying in bed this morning I was thinking about my inability to plan anything whatsoever. At five thirty I was reviewing my options: walk to beach; take van out for a picnic; stay home and start on editing of TLWB (reading Prague blog posts) etc. The conclusion was to stay home and get on with gardening, which I didn’t do a lot of yesterday, just half an hour or so’s weeding and not planting of plants purchased (I’m starting to sound like Charles), which should really be a Priority (definitely one of the words he would have used) as they will Probably die otherwise.

So I got up shortly after six, did my exercises, made coffee and here I am, doing my daily Post (Pontification? Pronouncement?) – which, incidentally, I am still doing, despite moaning last week,  because – it feels important to Persist, in fact, maybe (or even Perhaps) Persistence is Paramount. Some days I dread it, but I always feel better afterwards – no matter what it is, however trivial, or complaining, or ranting, or self-Pitying  – even Pathetic or Pointless – the results. I write every day – as long as I’m home, and sometimes even when I’m not – and I stick to my 500 words because it is a discipline, and that’s that. And I Plan to keep on doing so.

Now my proof-reading job has finished, I was planning to get on with ‘The Long Way Back’. But I’ve reached the time when I was in Prague, and even starting to read back the blog posts from that time has reminded me of how stressed I was over the teaching course, interviews, flat, etc, not to mention the accident when I fell on my face and the problems with my teeth. There’s a story there to be told, but it’s not a very cheerful one, nor is the year that followed it, and I’m back with a sense of not wanting to touch it, as I had the last time I tried, three years ago. But if I leave it like that, I guess in a way it will always haunt me, and I have to draw a line under it somehow.

Yesterday I ended by quoting from a post on a Facebook group for dyspraxics which bothered me, about how people like me should stop apologising and feeling ashamed, and sorry for ourselves. That is me in a nutshell, right there, but how do I stop? If I am to be true to my nature, that is how I have always been, and always will be. I can’t be strong and proud of myself, because this is who I am, this is my lived experience: that I try things, mess them up, break things, am constantly late, messy, chaotic, forgetful, all those things. I read other people’s posts on the group, where they talk about repeatedly failing at interviews, hopelessly looking for jobs but never being accepted for anything that matches their qualifications, getting bullied at work and at home for being slow, chaotic, etc, and so on, and so forth. Is it so surprising that we are apologetic, full of shame, sorry for ourselves? Don’t we deserve somewhere, one place at least, among our peers, where we can share these stories and feelings?

But at the same time I can see where this person is coming from. I despise myself when I feel sorry for myself – I have written about this before, the horrible vicious circle that makes it so hard to have any kind of self-love or self-belief. That’s what is so stark when I read the blog posts from Prague: how out of depth and hopeless I felt. I now know where those feelings originate from – but knowing that there’s nothing I can do to change the way I am doesn’t help.

In the ‘affirmative’ ending to my ‘Square Peg’ poem I wrote that I’ll never find a space to fit my edges unless I ‘make one for myself’. By that I am acknowledging that no one else can help me to find a way of accepting myself – I no longer fantasise about finding an ‘other half’ who will make me whole at last – but I still don’t know how to do it for myself, except, as I’ve always done, by running away and hiding .

I’ve been listening to Maya Angelou’s autobiographies, which have been serialised on BBC Sounds, each volume in five fifteen minute episodes. I’ve just played the first episode of a new volume, I think it’s the fifth, and I’ve worked out she is about thirty when it starts.  

I’m not going to say any more about it, and obviously I’m not in any way comparing myself to her in terms of either writing skill or inherent interest of the story, but it did set me thinking about the issues of writing about one’s own life. This is of course because I’m psyching myself up to go back to working on The Long Way Back (when I’ve finished with my current editing job, and if I don’t get caught up in anything else). Maybe when the cafés open again, and I can take my notebook style laptop (bought in late 2019 to encourage myself to go out and do just that, hah! What great timing that was!)

The thing about writing about your own life is the clash between the time it takes to write about it and the time it takes to live it- something I remember writing about at the time when I was travelling, and berating myself for not spending enough time writing. Time has this trick of passing no matter what your intentions or what you actually do (or don’t do) with it. And how do you ever stop? How do you write some kind of conclusion? You make a decision, you find a way to tie up the loose ends which are still dangling from the narrative, but if you don’t jump on it and get it done (and I am clearly not a jump-on-it-and-get-it-done kind of person), events overtake you, and how do you account for them?

I just got distracted by a van parked across the road, with the front passenger door open and covering part of the company name, so that it looks like: ‘X&Y PUG limited’ and I’ve been waiting for someone to close the door so I can see what it really is – I keep thinking ‘Pugh’ except that I can see there’s no ‘h’ on the end and there are some letters covered up, so that makes no sense. But when the full name’s revealed, it’s ‘X&Y PLASTERING’, my eyes had just conflated the beginning of the L with the end of the N to make U. How boring.

I intended to carry on what I was writing about yesterday, and not get distracted into life-writing and plasterers’ vans. I couldn’t see the connection between the former and the ideas of granularity and fractals that were rattling around my brain, but then I realised there was a connection. Writing about your own life is like having a hypothetical map of the world on a scale of 1:1 – it covers the whole world. If the grains are fine enough, doesn’t it appear continuous? So how to structure it into a narrative? TBC…

Yesterday was the anniversary of one of my most vividly-remembered days described in ‘Single to Sirkeci’, when I arrived at Port Camargue. Earlier in the week I was remembering Prague, and it all set me thinking about ‘The Long Way Back’, and whether I’m ever going to finish it. I’ve been thinking about it for years – or, more accurately, I’ve been avoiding thinking about it. At first I used to start each year with the resolution that: ‘this is the year I’ll finish and publish it!’, but gradually I got over that, and recently I have been trying to learn to let it go, along with all my other failures.

I spent about six months, from autumn 2017 to spring 2018, trying to make something of it. It started with the ‘rump’ of around forty thousand words describing the return half of the journey from Istanbul back to England, which I’d chopped from the sixth draft of ‘Single to Sirkeci’. Prior to deciding to split the manuscript, I’d spent a couple of years on the herculean task of trying to edit the 200k word first draft down by half, and after brushing off multiple suggestions of chopping it into two books, and stalling at 140k, I gave in to the inevitable.

When I published ‘S2S’ in early 2017, the plan for ‘The Long Way Back’ was to combine the material I had on the return journey with a briefer description of what had happened after my return; my time in Prague; my moving to Southsea; and some reflections on lessons learned from the ‘life journey’ (if I could think of any) – I even wrote an introduction and blurb to that effect, which I must dig out some time when I need a good laugh at the ironies of over-ambition.

Giving myself six months to deal with cancer and chemo, I started in September 2017 to go through blog posts from the time between returning ‘home’ at the start of August 2012, and departing for Prague in May 2013. Rather than the planned précis, I found myself editing a tale of disappointment, depression and yearning, as I struggled to come to terms with life – while, in the present, also struggling to come to terms with moving on from cancer. This resulted in a further fourteen thousand words to add to the forty, and I hadn’t even started on Prague – which, when I went back to it, was also a saga of depression and disappointment, although alleviated in places just by the fact of being in Prague. Then there was the year after, living back with my ex (working title: ‘Madwoman in the Attic’), mystery illness, moving to Southsea – and then what?

For a while I toyed with the idea of turning Prague into a third volume, and spent some time trying to find three–syllable words starting with either ‘B’ or ‘R’ to make a catchy title: ‘Bohemian Something-or-other’ but with no luck.

Then I just stopped. I just stopped writing.

Yesterday morning I took the cat to the vet’s for a ‘Senior Wellness check’. This used to be called a ‘Senior Health check’ and I couldn’t help imagining them burning aromatherapy candles, playing soothing music and maybe giving her a back massage. I had to drop her off at the surgery because of current lockdown conditions, and wait till they called me back to come and collect her. Because of the blood tests she wasn’t allowed anything to eat after ten the night before, which usually means pleading looks until it’s time to go, but in fact she just stayed out of the way, and when it was time to go allowed me to pick her up and put her in the basket with no struggles or complaints. In fact, she was unnaturally subdued, and still is this morning. When I collected her, the nurse asked if she could take her home to teach her own cat a lesson in manners, which is a far cry from this time last year when I dropped her off and went to the Co-op, then got a phone call from the vet asking for permission to sedate her because she was kicking up such a fuss.

She’s getting old. We all get old and resigned to the way things are. I guess that’s the way I’m feeling at the moment – except when I’m in a panic over something or other. Lockdown lethargy.

On my desk there’s an oyster shell. I don’t know where it came from – well, the beach, obviously, and before that in the sea, wrapped around an oyster. But how did it come to be on my desk? My house is full of oyster shells, and ‘interesting’ pebbles, picked up from beach walks. But this one in particular… I don’t know – it must have fallen out of a box of ‘stuff’ or something. I don’t know what it is about oyster shells – I used to think they were ugly, not like the pretty little scallops, rosy pink and smaller than my thumbnail, or the slipper limpets with their oddly shaped cavity. They are rough and monochrome and no two are ever alike, but if you turn them over and the light catches in just the right way, sometimes the gleam of mother-of-pearl will take you by surprise. I used that image in my poem ‘Beachcomber’. The document on my computer has it as:

The shimmer of an oyster shell,
Like tears for a lost pearl.

Linda Rushby July 2015

That’s funny – I could have sworn I used ‘gleam’. Maybe I changed it. Poems are not immutable. But when I check the book, I find that I published it as:

‘Oyster shells shimmer
Like tears for a lost pearl.

‘Beachcombing‘, Linda Rushby April 2016

Well well well. That scans better, and it has the alliteration too, but I still like ‘gleam’, it has a lovely sound.

Which reminds me, someone bought a copy of ‘Beachcombing’ from Amazon last year, the first time it’s sold other than sales I’ve made in person.

I spent my last half hour in bed this morning thinking about apostrophes, and how simple the rules are, and why do so many people have a problem with them, and how can I explain them to people? Actually, I’ve been thinking about it pretty much ever since, and still am.

Because the rules really aren’t that difficult, but I’m just terrible at explaining things, and that’s why I couldn’t be a teacher.

The first, and most common, reason for using an apostrophe is to show contraction – where some letters have been left out: aren’t, I’m, couldn’t.

The other reason (yes, there are only two), is to show possession: Fred’s brother, the cat’s whiskers. And the only part of this which is tricky is that for words that don’t end in S, you add ‘S, but for words that do end in S, it’s usual to put the apostrophe after the S. So, a maid who works for a lady is a lady’s maid, but a college for ladies is a ladies’ college. That’s it.

Most of the confusion comes from the tendency these days for people to throw an apostrophe at any word that ends in S (usually plurals) whether or not the context is to do with indicating possession. They don’t even do it consistently – like a chip shop advertising: fish, chips and pea’s. Why does peas warrant an apostrophe but not chips? They both end in S. Do they think peas is different because it has a vowel before the S? In which case, what about pies and pizza’s? Or even pie’s and pizzas?  

But oh for the days when only the signs outside fish and chip shops – or greengrocers – were affected. These days it happens everywhere – anything you read, not just on the internet but everywhere. There must have been three generations of English teachers since I learnt this 60 years ago, and somewhere down the line the transmission has broken down. And it makes me want to weep every time I see it.

I understand about language having to change, and I break ‘the rules’ in ways that would horrify my teachers, but I do it consciously, consistently, knowing the effect I want to achieve, what’s important and what isn’t. But this has no logic to it, no reason, no consistency. Why bother at all? Why not just abolish apostrophes altogether, as e e cummings did with capital letters, rather than chuck them in whenever you feel like it for no reason whatsoever?

Incidentally, a few paragraphs back, the mighty Word has inscribed a blue squiggly line under my use of it’s in it’s usual (and just did it again). It’s trying to tell me I need to use its – which I would, if I was showing possession. But I’m not. It’s is a contraction for it is, and interestingly it hasn’t underlined it that time.

Yes, I grant you that is the one time when apostrophe might become confusing. But it’s not that hard.

My routines seem to be falling apart. For example, I have only written once in the last three days. Last night I went to bed as usual at 11:30, then lay in bed awake for over an hour and a half, woke after five, stayed in bed awake thinking that I’d get up when the heating came on at 6:30, but by 6:40 I still couldn’t hear the boiler. Then I remembered that it was Saturday and the heating runs on a different programme at the weekends and doesn’t come on till seven. I looked at the clock and saw it was only ten minutes away so decided I might as well wait, then dozed off again and woke properly to find it was 7:45. I finally dragged myself out of bed at 8:30, and decided to miss out my exercise routine and first coffee, skipped straight to breakfast, ate my porridge and then made waffles afterwards (this is a good thing – for my mental health, if not my body). I decided to write my blog after all, but on the laptop downstairs rather than venturing upstairs to the PC.

The study is pretty cold. The whole house seems to be cold. Yesterday I thought about turning up the thermostat, then I realised that the radiators were already on, so they weren’t even reaching the thermostat setting as it was. In the hall, I noticed there’s a draft coming through the side door, which is at the end of the hall directly opposite the front door and opens onto the gap between the extension at the back of my house and the one next door. I realised then that the two doors line up directly east-west, so the ‘beast from the east’ type of wind is channelled between the two houses then goes straight through from back to front.

I have started doing some (paid) editing work, which is gratifying and quite fun, and at least gives me the incentive to do something. Because I’m doing it for someone else, it takes priority. Things which are solely for my own benefit, like exercising, tidying away the card-making stuff from the kitchen table (only a month to my daughter’s birthday, when I’ll need it all again) or blogging get shoved to one side in favour of… knitting and sudoku. I’ve impressed myself with how well I’m doing at writing my ‘to do’ lists in my diary every day, but I’m not making much headway with the big stuff.

Just noticed that the coffee cup I’m drinking from is a dirty one from yesterday, which I must have picked up rather than taking a clean one from the rack. ‘Run dishwasher’ is one of the items on today’s list – it really is that banal.

But, I am writing, and will soon have finished with the requisite 500 words, despite my general lethargy. Then, while the laptop is still on top of my lap, I may bring my accounts up to date.