Category: Single to Sirkeci

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Remembering Torino

View from the Basilica Of Superga over Turin and the Alps beyond

Sunshine on the Po – Sunday 22 April 2012

Walking through a shower of blossom.
Sitting on planks over the river drinking a coffee.
Sunday morning market along the Murrazzi.
Two sparrows squabbling, making enough noise for an army.
White lion guarding the base of Garibaldi’s statue.
Light glinting off the river.
Car horns on the bridge, boats on the river.
Ducks swimming and a bloom of brown blossom petals on the surface.
A couple slow dancing under the arches of a bridge, the woman softly crooning.
A black crow perches on a white log in the river, pecking at something invisible.
Everything is good. Sun on my face. The river, purposeful yet calm, unhurried.

Cafe tables on a terrace by the River Po, Turin, Italy

I cross the river, and catch the bus to Sassi, then the old rack railway up the mountain. On the train from Florence, before we reached the city, I noticed this white Baroque church, perched on the top of a mountain, with no apparent reason for being there. When the train reaches the top of the hill, I can do nothing but marvel and point my camera. Round central tower in yellow stucco, surrounded by classical white pillars and porticoes, topped with a grey dome housing the bell. However high I am, I’m always driven to go higher, so in the yellow church I climb the steps up to the top of the tower and look down on the terracotta roof of the nave. The white peaks of the mountains surround and mesmerise me.

Notes from a mountain – Monday 23 April 2012

Ilze’s back at work today.

‘Why not take the train into the mountains? she suggests. ‘It takes 29 minutes to get to Avigliana and 1 hour 22 minutes to Bandonecchia’.

I get out at Avigliana and walk around the town. There doesn’t seem much to see and I’m not sure what I’m looking for. I walk towards a church, past some pretty old buildings, along a road out of the town and up a hill. Along a path through woods to a spot by a small stone tower with a view out over the valley and towards the bigger mountains. I’ve brought a picnic of bits and pieces, a salad of cherry tomatoes and mozzarella left over from last night’s dinner, a packet of Tuc biscuits bought from the trolley-man on a train somewhere (Rome to Florence, I think, or Florence to Turin), a Bounty, an apple and a Ritter sport with nuts. A feast. This seems like a good place to eat it.

Sometimes I find myself in a place, and I don’t really know why I’m there or what I should be doing or where I am exactly. Most often, it’s in a city. Today it’s on the side of a mountain. Not a big, glamorous mountain, I don’t know its name, maybe it doesn’t have one. It’s just part of the great chain of mountains, I guess, a fractal part of something bigger, where does it end and where does the something else begin?

In the valley below me is a house with a balcony and steps up to a terrace above part of the ground floor. Earlier I saw a person moving and then an animal, I think a cat, though it could have been a dog (hard to judge size from here) walking across the terrace. On the walk up here from the station I was thinking about the similarity of the Latin words for the cat family, Felis, and for happiness or good fortune, felicitas. And it seems appropriate, so I wonder if it’s coincidence or if there is some deep connection in the roots of language.

There seems to be someone on the balcony, leaning on the rail, but they haven’t moved for a while, so maybe it’s not a person at all. Or maybe they’re looking and thinking: ‘there’s a person up there, sitting on a rock up on the side of the mountain’.

Now there’s a car, or a white van, moving away from the house. I can hear birds all around, and distant traffic, an intermittent sound that could be humming if it was more regular, maybe someone chopping logs. A plane. Sounds that could be thunder in the mountains but hopefully is just more planes.

Into the soundscape comes a train. I wonder if it’s going towards Bardonecchia or back to Turin. Whichever, I’ve missed it now.

from Single to Sirkeci, by Linda Rushby

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Work In…

Tomorrow marks the end of the official first quarter of the year (91 days this time). So does that mean that I’m a quarter of the way through the work I need to do to publish my book before the end of the year, as I semi-committed myself to? Probably not – in fact, not by a long way. Since I published ‘Single to Sirkeci’ in 2017, the proposed sequel, ‘The Long Way Back’ has not so much been a work in progress as in regress – or at best, stasis

When I first envisaged turning my blog posts into a book about my travels, I massively underestimated the amount of work and time it would take. By about a year and a half after I got back from the original journey, I’d finished my third editing pass through, and began the process of laying it out as a book. That was when I realised that I still had almost 200,000 words – twice what was reasonable for a book of this type.

Around that time, I had a conversation with my artist friend Douglas Jeal about knowing when a piece of creative work is ‘finished’, and the danger of continuing to ‘tweak’ it, a topic which also came up at a meeting of writers which I went to a few days ago. To me it seems there is a difference between a painting or sculpture and a book, which needs a satisfying narrative conclusion, as well as a recognition of that ‘sweet spot’ where nothing more needs to be done.

I couldn’t help thinking that my book didn’t score well on either of those. I had just said a sad farewell to Prague, and moved back in with my ex-husband in the hope that I could nudge him into finally putting the house on the market (which was still not resolved two years after the divorce was granted), so that we could finally draw a line under our marriage, and go our separate ways for good.

While I continued to hack away at the text, I was acutely aware that life was continuing to happen to me, and that a ‘happy ending’ – or even a vaguely positive and upbeat one – still seemed out of my reach…

…to be continued (perhaps)

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Carcassonne, Saturday 17 March 2012

Bienvenue à Carcassonne

There’s something raucous going on further down the platform, maybe the French version of a hen party, people in brightly coloured curly wigs making loud screechy noises. Outside the station, entrance roads are cordoned off, lots of police standing around, and police cars. Then I see a banner with the word ‘Carnaval’ on it, and today’s date.
I dodge out of the way of the reversing police van, and realise I’m standing at the taxi rank – exactly what I want. After the farce in Sète I’m not taking any more chances with buses.
A taxi pulls up and I show the driver my notebook with the address, neatly written in block capitals. He frowns and shakes his head. Pulls out a map and starts opening it, folding it, unfolding it, studying it. Takes my notebook and stares hard at it, then throws it down on the passenger seat, shaking his head some more. Turns the map upside down and looks at it again. Speaks into his radio mic, then puts it back.
‘They’ll call me in 5 minutes.’
‘You’re a taxi driver, for goodness sake!’ I want to shout at him. ‘Don’t
you know your own city?’
He picks up the notebook again and holds it against the map, then takes the mic and speaks into it some more. At last he nods, smiles, hangs up, passes me back my notebook.
‘It’s okay! It’s okay! We go!’
On the radio someone is talking in excited tones, it sounds like a sports commentary, and I hear the word ‘Angleterre’, then voices singing the Marseillaise. Can’t help humming along – wait a minute, maybe it’s a rugby match, England versus France. Mid-March, time for the Six Nations. From the singing, it doesn’t sound too good for our lads.


Within 10 minutes we’ve reached the mediaeval city walls. There’s a barrier across the road, the sort that lifts up to let the traffic through. We stop.
‘It’s in there’ he gestures through the gate. ‘Place de Saint-Jean.‘
‘What?’ That’s as far as he’s taking me?
He points up the cobbled street, then at the meter.
I walk past the barrier, through the crowds of tourists around the gate. What if it’s like Mont Saint-Michel, all those steps? My heart sinks.
I pass a one-man band, in cod-mediaeval costume and with his nose painted red, sitting in an alcove. Narrow cobbled streets, the Wardrobe bumping and grumbling behind me. Alleys lead off in all directions, no signposts, I just keep going, with no idea where to. Past cafés and tourist-tat shops, a set of stocks with a dummy in a shabby wig, a well, a haunted house. Looking for Le Logis des Remperts, 3, rue du Moulin D’Avar.

At the Place de Saint-Jean, I can’t see any signs. I double back on myself, and in the next street, outside the Haunted House, there’s a map. The Rue du Moulin is in the opposite corner of the square, a narrow alleyway, and on the left, a sign reading ‘Le Logis des Remperts’. A gate leads into a small courtyard, with loungers, plant pots, table and chairs, and a door in the wall. I knock, but there’s no response.
I get the laptop out of the bag and set it up on the table, looking for the details. No luck. I must not have saved it. And I can’t get online to recheck the email. But there’s a phone number.

‘There should be somebody there but maybe they didn’t hear you.’ The nice lady gives me the security code for the key pad. ‘I think you’re in room 1.’
I tap in the code, and open the door. Inside, Room 1 is to my left, on the ground floor mercifully, and the key is in the lock. I open the door and let myself in.
Bare stone walls, a double bed, sofa, table, microwave, fridge and sink in the corner. Tea, coffee and instant hot chocolate. Milk, butter and orange juice in the fridge.
Outside, I take a few steps down the street, turn left and find myself out on the city walls. A chilly wind blows over my face in the drizzly afternoon, up here on the hillside. Past the cream stone blocks and crenellations, I look down on the red-roofed white apartment blocks and churches of the modern town, dotted with bare winter trees and dark evergreens, the river snaking through its valley, and in the distance the white-speckled pyramids of the mountains, under low grey clouds.


Wandering around the old town, it’s hard to keep my bearings – too many little winding streets, full of cafes, restaurants, crêperies, shops selling jewellery, wine, local delicacies, post cards, arts and crafts, toys, books and so on and on. That looks like a good café, must pop back later for a hot chocolate. Which way now? What’s round this corner? Oh – I’m pretty sure I saw that shop window with the twee fairy figurines half an hour ago – how did I get back here? And where’s that café?


I’m back at the Rue du Moulin again. Might as well pop in and see if someone’s turned up.
They didn’t say I was supposed to wait for them, did they? I used my credit card to book the room online, I guess that’s good enough.
There’s a leaflet of events on the hall table, with a list of amazing acts performing in the Carnaval. Never mind the mediaeval city, I really must have fallen into a time-warp: Johnny Halliday (is he really still alive? Or is it some kind of character franchise, like Dr Who or James Bond?); The Alan Parsons Project; Duran Duran.


The crowds are thinning out now, but I’m still walking. Back at the drawbridge the one-man-band is still in his niche. There’s something particularly tuneless and irritating about his efforts, but he seems happy enough.
I follow the sound of much more tuneful and interesting music. A group in mediaeval costumes are performing, dancing, juggling, all very festive, but no sign of Johnny Halliday.
The crêperies and shops are starting to close, outside displays being taken in, shutters closing over windows. I get my chocolat chaud, but almost have the table cleared away under me.


I walk onto the ramparts and watch the changing colours of the clouds, from grey to pink, purple and red. As the sun sinks the world turns chilly, but somewhere a blackbird is singing. My phone has run out of battery, but after all, no camera can really capture that feeling of watching a beautiful sunset.

From ‘Single to Sirkeci‘, Linda Rushby

Le Logis des Remperts – my home for two nights, under cloud and sunshine.

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Life and Writing

I was going to go to the beach, out for breakfast and then to the shop on the way home, but it was raining. I got up and went to look out of the window, and thought: ‘That’s a large cat sitting on the flat roof of the sheds behind the back wall’, then it got up and turned so I could see it sideways on, and I realised it was a fox. That’s the second time I’ve seen one in the last few months.

There was quite a storm in the night, I heard the wind at one point, it was really wild. It looked as though the rain was settling in for the day, but now the sun’s shining. Still, it will take a while before the benches dry out, and it’s not worth going out to sit on a damp bench to eat breakfast, plus the cafés will be getting pretty full by this time, so I’ll stay here and write.

I was going to write some more about planning and failing, but in the shower I started thinking about ‘The Long Way Back’ again. I said I would start work on it when I’d finished my proof reading job, then I read a few old blog posts and got very depressed remembering those times, and now it looks as though I’m going to be pretty tied up with family things until the middle of next week (or the week after next, depending on when you think ‘this week’ starts) which gives another delay to getting properly started, and when the cafes are properly open I can take my laptop somewhere to get stuck in, which is always a nice way to do it.

I have been ‘planning’ and procrastinating over this for so long now, years in fact. I came to the end of the pre-Prague section early in 2018, I remember it quite distinctly. I went to the café where I used to go for breakfast on Sunday, before the writing group meetings (not one of my usual writing cafes, but it was en route to the dentist, where I’d been for an appointment) and took with me printouts of the early Prague posts, which is when I had the idea that there was just too much, and maybe I’d write a separate book about my time in Prague. Or was that 2019?

This is the problem with writing autobiography – though ‘S2S’ and ‘TLWB’ are strictly speaking memoirs, the distinction being that an autobiography is the story of a whole life, but memoirs are just a specific part of a life, either in terms of time or of an interest which may cover different periods. But as a memoirist, I find it hard to see how an autobiography can ever be finished, unless the author is still writing it on their deathbed (which in my case might well happen).

Life feeds writing, and writing feeds life, like Ouroboros, the snake that eats its own tail.

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The Long Way Back

Yesterday was the anniversary of one of my most vividly-remembered days described in ‘Single to Sirkeci’, when I arrived at Port Camargue. Earlier in the week I was remembering Prague, and it all set me thinking about ‘The Long Way Back’, and whether I’m ever going to finish it. I’ve been thinking about it for years – or, more accurately, I’ve been avoiding thinking about it. At first I used to start each year with the resolution that: ‘this is the year I’ll finish and publish it!’, but gradually I got over that, and recently I have been trying to learn to let it go, along with all my other failures.

I spent about six months, from autumn 2017 to spring 2018, trying to make something of it. It started with the ‘rump’ of around forty thousand words describing the return half of the journey from Istanbul back to England, which I’d chopped from the sixth draft of ‘Single to Sirkeci’. Prior to deciding to split the manuscript, I’d spent a couple of years on the herculean task of trying to edit the 200k word first draft down by half, and after brushing off multiple suggestions of chopping it into two books, and stalling at 140k, I gave in to the inevitable.

When I published ‘S2S’ in early 2017, the plan for ‘The Long Way Back’ was to combine the material I had on the return journey with a briefer description of what had happened after my return; my time in Prague; my moving to Southsea; and some reflections on lessons learned from the ‘life journey’ (if I could think of any) – I even wrote an introduction and blurb to that effect, which I must dig out some time when I need a good laugh at the ironies of over-ambition.

Giving myself six months to deal with cancer and chemo, I started in September 2017 to go through blog posts from the time between returning ‘home’ at the start of August 2012, and departing for Prague in May 2013. Rather than the planned précis, I found myself editing a tale of disappointment, depression and yearning, as I struggled to come to terms with life – while, in the present, also struggling to come to terms with moving on from cancer. This resulted in a further fourteen thousand words to add to the forty, and I hadn’t even started on Prague – which, when I went back to it, was also a saga of depression and disappointment, although alleviated in places just by the fact of being in Prague. Then there was the year after, living back with my ex (working title: ‘Madwoman in the Attic’), mystery illness, moving to Southsea – and then what?

For a while I toyed with the idea of turning Prague into a third volume, and spent some time trying to find three–syllable words starting with either ‘B’ or ‘R’ to make a catchy title: ‘Bohemian Something-or-other’ but with no luck.

Then I just stopped. I just stopped writing.

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Tackling the Chaos: Memories Lost and Overwhelmed

Clicking through photos again to track down another one which came up on my desktop recently, I thought it was from Sête in Provence, but it was a little further east along the coast, at Le Grau du Roi in the Camargue, taken on a very grey and damp Spring Equinox in 2012 (of course). Which reminds me of my late friend Douglas Jeal, who, after hearing my tales, went to the south of France at around the same time the following year, then grumbled at me because the weather was horrible. What did he expect? Well, he had lived in Barcelona for a while, which has its own microclimate, so I suppose he can’t be blamed for thinking it might be similar  a few hundred miles along the Mediterranean coast.

What else does that remind me of? A few days ago the image on my desktop was of a map of that corner of the Med, a mural on the wall of Bordeaux station, where I was stranded for a couple of hours or so during a train strike when I was en route from Brittany to northern Spain. Something piqued my interest when I saw it again, but I couldn’t remember what it was, so I opened the file in Photoshop to check, and still can’t see why. It’s quite a poor quality photo – from an old, pre-Smart Nokia phone – so zooming in hasn’t helped. Maybe it will come to me.

I’ve mentioned before about the Magic Refilling Data pot, and how my efforts at clearing space on my google Drive by downloading photos from Google photos to my hard drive and then deleting them from Google photos were being thwarted because every morning my phone was being backed up to another file on Google Drive. Over several days (because it takes a long time to select and delete that many photos and my PC is four years old and quite creaky – and also it was refilling again every morning with the ones I hadn’t backed up and removed from my phone) I managed to get all the photos up to the end of 2020 from my phone, onto my hard drive, and removed from the backup file on Google drive. The day came when I logged on to my computer, opened my Gmail, and was informed that I had used 11 Gb of my 15Gb allocation. That lasted a couple of hours before the messages started to appear telling me that my Google Drive was full again.

I listed all files in descending file-size, and found that the photos I’d already deleted were still appearing on the list. By clicking on each file, I was given a side panel with details, including the folder where the file was located. Clicking on the name of the folder led me up the tree to the folder where it was, and so on until I reached a folder called ‘Desktop’, and above that, another one called ‘Computers’… tbc

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Looking for Love

Recently I realised that this year marks ten years since the last time I fell ‘in lurve’. It started in February, and was finished at the end of July, when the other party’s (supposedly) estranged wife decided she wanted him back, and he went.

A friend had tried to warn me quite early on (towards the end of April, when I was beginning to believe I’d finally met a man who genuinely cared about me) not to ‘…get involved in someone else’s train wreck…’, but of course, I was the fool who went rushing in. I’d been on my own for two years, I was tired of chatting to men online, meeting them once and convincing myself that they were really nice, interesting guys who were worth getting to know, only to find that they disappeared without a word or made it obvious that all they wanted from me was sex. Yes, I knew that he was jumping straight into a new relationship, and that that was dangerous, but I’d had my time in the wilderness, and I was sure that if I just gave him time and space to see how well we fitted together…

Well, if I ever meet that woman, I will thank her from the bottom of my heart, because if we’d stayed together, I wouldn’t have caught the Eurostar nine years ago today and gone travelling, never have lived in Prague, never have moved to Southsea… Of course, at that time, I wasn’t expecting it to be the last romantic relationship of my life. I thought maybe I’d been trying too hard, I should stop looking for love, I should just give up and wait for it to happen naturally – I was a free spirit, I would take my pleasure wherever it came my way, I would live the Bohemian life I’d always dreamt of, and some day, I’d fall in love again.

I won’t say I can count the number of times men have ‘come on’ to me in those years on the fingers of one hand – I can count them on my thumbs. The first was the old boy on the bus in Rome (‘Single to Sirkeci’, p165). The other was in my first summer in Southsea, one Friday afternoon in a pub overlooking the harbour, as I was settling myself with a pint of cider, and waiting for my fish and chips, when a creepy middle-aged man plonked himself down at my table with the words: ‘I don’t mind sharing if you don’t!’. (In case you’re wondering, there were plenty of empty tables, and I removed myself to one straight away).

For a few years, I still hankered after the fantasy of finding love – or at least, occasional male company. I used to wonder: what’s so awful about me that no one wants me? Is it my looks, personality, intellect, expectations too high, or too low? Is it just bad luck – or maybe good luck – that I’m the way I am?

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Life Writing

When I was travelling, I wrote erratically, and never felt I had very much to say. When I got back to England, and tried editing it all into a book, I realised that although I had far more material than I’d thought – more than enough for two books, even by the fourth edit – what I had wouldn’t make a coherent book. It was a series of anecdotes and reflections, some more or less interesting than others, but it had no real narrative, no dramatic tension, no resolution, no plot. It was held together only by the sequence of events and places I moved through; it was a journey, but it wasn’t a Hero’s Journey (or even a Heroine’s).

It is similar in that way to this and the other blogs and journals I’ve written down the years. I’ve wondered casually whether what I’m writing is the basis for an autobiography – or at least, memoirs – but it would be a very scrappy one, because there are large and significant portions of my life – like living in Dallas, or when I was doing my PhD – when I wrote very little, and others, like now, when little happens but I write about it quite intensively. The same happened when I was travelling – there are places I went to which, when I went through my notes and blogs, I found I’d written hardly anything about at the time, but when I was writing the first draft, it was quite recent in time, so I managed to scrape something together, often using my photos as aides memoires, and picking up additional information from the internet. Towards the end (of both the travelling and the writing) there are places (such as Kristiansund, Oslo, Hamburg and Amsterdam) that I skimmed through with very little attention and interest, but these are mainly in the still-unpublished second half, The Long Way Back.

Interestingly (perhaps), since I’ve had the selected photos rotating on my desktop, I’ve noticed there are also very few from the last weeks included in the sequence – not because I didn’t take any then, but because I never bothered to go through them, select them, edit for size and add them to the folder. On the other hand, there’s a preponderance of Brussels, Paris, Brittany and San Sebastian, the first places on the itinerary.

January comes to an end today. I used to hate this time of year, but that was when I set a lot of store by Christmas, and found the new year always an anticlimax. Now I find that this can be quite a hopeful time – even though it usually has the worst weather of the year, at least the light is slowly coming back. A daffodil opened in my forecourt a couple of days ago, but was immediately so battered and droopy it hardly deserved a photo. I can confirm that this has been the coldest and gloomiest beginning in the four years I’ve been crocheting weather blankets.

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What Changed?

When I returned to England at the end of July 2012, I found that not only had Ex-Hubby not put the house on the market, he wasn’t in any great hurry to do so. With a sigh of relief, I made plans to return to Central Europe the following year, not to Budapest, but Prague, where I’d found I could do a crash course in TEFL with a (potential, but at the time I thought it was definite) six month placement to follow. Neither of us knew then that it would be a further four years before things were finally settled. Looking back, I can see that he was procrastinating no less than I was, each in our respective Limbo, his of denial and inertia and mine of footloose running away. During those four years I was to live in five different locations: with our daughter; in the attic flat in the Fens; in Prague; sharing with him in the old house and finally renting a flat in Southsea.

Going through those old blog posts from 2008, I found one in which I shared an old fantasy about travelling across Europe until my savings ran out, in the hope that something would turn up before I had to come back. The same person who commented about me undervaluing myself had this to say:

I would guess that if you did take off and travel on your savings for 3, 6, 12 months or whatever it took to exhaust the piggy bank, at the end of it your circumstances would be vastly different. Your experiences during those months would have inevitably changed your outlook. Maybe for better, possibly for worse but I am willing to bet you would have found the time has led to any number of possible situations.

Maybe sitting in a cheap hotel on a Greek island, lap top at your side and your new found male friend opposite? Surrounded by people you have met during your travels who have altered your perceptions of who you are, what you want out of life and where you are going.

All I can say is – your state of mind would not be as it is now.

Comment on Husband or Cat, 17 October 2008

Well, although I stayed with existing friends in some places, I didn’t make any new ones, male or otherwise, or even have any racy encounters. On the contrary, rather than ‘possible situations’ and any alterations in my ‘state of mind’ or ‘perceptions of who I am’, what I discovered was that travelling is a great way of avoiding contact with other people. I became the Invisible Woman, anonymous and solitary, sitting on trains or in cafés, reading, writing, or doing killer su doku, living in cheap hotel rooms, behind whose doors I was safely insulated from the world. Now I have my own door to hide behind, complete with cat, and other hobbies to pass my time with, and the sense of isolation is not so different, except that the view doesn’t change.   

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Existential Choices

…I wanted stay in the flat in the Art Nouveau building with its courtyard and rickety lift, stroll to the café for breakfast every morning, and then along the river to the tram stop and ride somewhere, maybe across the bridge and up the hill to Buda Castle, and look down on the city. Walk down through the gardens of Gellért Hill, maybe go to the baths (I never did that) or walk back into Pest across the Elisabeth Bridge, rummage through the flea market and find a café to sip coffee Viennoise or hot chocolate, maybe even a glass of sweet white wine with my cake…

After I started that sentence yesterday, I kept thinking of the lines from Joni Mitchell’s  ‘A Free Man in Paris’:

‘…If I had my way, I’d walk out that door and
wander down the Champs Elysée,
going from café to cabaret…’

From ‘A Free Man in Paris’ by Joni Mitchell

Then I had to play the song, and after rummaging through the box of cassettes in the study, I found it in the sideboard drawer, right under the music centre, first place I should have looked.

Ah well. I never went to any cabarets, but I did sit in a lot of cafes.

Three weeks after leaving Budapest, I walked up the complex of white ramps to the roof of the Opera House overlooking Oslo harbour, thinking again about the future, and ‘home’, about the need to make a living, and the responsibilities of selling and buying houses – and about the weight of the past, the ‘stuff’ still waiting for me in the old house, which would need to be sorted out and disposed of and/or moved to… some indeterminate future place. In another three weeks I would be back in England, and then what? I was going back to live with my daughter, and I knew there was £20k waiting for me in the bank from the balance of what I’d had from Ex-Hubby before I left England, that should keep me for a while, until the house was sold, and/or I could find (against all past experience) a job, and in the meantime I could write, and one day maybe start to make a living from that? But buying a house would mean committing to one place, and the thought of all the stuff from the attic and elsewhere banged around in my head, a burden dragged around behind me like Mother Courage’s cart.  What about going back to Budapest and living and writing there, then what would happen to the stuff, I couldn’t take it with me, so where would it go? If the house sale went through in the next twelve months, say, it would all have to be resolved

Once again, there were existential choices to be made, and the whole point of running away was to escape them and come back with new ideas and fresh opportunities, a new path to follow, but inside nothing had changed, and I felt no closer to finding my future.