On Facebook recently, somebody shared a question on the lines of:
‘If you had the choice of going back to when you were ten but with the knowledge you have now, or $50k and fifteen years into the future, what would you do?’
My reaction was: it might be interesting to see what the world’s like by 2026, but why would I want to go back to the age of ten and live through all that shit again? What use would the accumulated wisdom of half a century be to a ten-year-old girl?
Anyway, what would I do differently? Skip the first marriage, obviously – but not the second, because of the children. And it was my first husband who pointed out to me the job advert which led me to Bedford and ultimately to Hubby 2. On the other hand, if I knew then what I know now, I could look out for that job in the early summer of 1975 and apply for it anyway. I could apply for that degree course in maths and linguistics that was in the list of degrees I looked at in 1971, instead of the one in economics and statistics in Southampton. I’ve often thought that might have been an interesting path to take – I can’t remember which university it was, but I’d be in a different place, with different people, my student life could have been completely different. And I could still have applied for that job in Bedford – assuming the rest of the world was still running on more or less the same tracks.
There was a film in the 1980s, called ‘Peggy Sue got Married’ in which a suburban American housewife (played, I think, by Kathleen Turner), disappointed with her cheating husband (ditto Nicholas Cage) and teenage children, is sent back in time to her high school days. In the climactic scene (spoiler alert), when she is trying to explain to her childhood sweetheart and would-be fiancé (the aforementioned cheating husband) why she doesn’t want to marry him, and how she knows for sure that he will be unfaithful, she pulls off the locket round her neck and shows him the pictures of their son and daughter as babies to prove the truth of her time-travelling tale.
‘But they’re us’ the puzzled lad replies. ‘Our moms must’ve given you those photos of us as babies.’
Cue big moment of realisation. She looks at the babies, and looks into his eyes, and says, breathily (in a young version of Kathleen Turner’s voice):
‘You’re right, they are us, they’re you and me!’
Or words to that effect – it must be over thirty years since I watched that film. I don’t remember how it ends – probably she awakes from a coma because it was all part of a concussion dream, or whatever, with her loving husband and children around her bed, and realises how lucky she is to have them all.
But no, I couldn’t write my children’s father out of my story.