No End

Two compliments about my writing yesterday – one from an old friend on Facebook, one (actually, several) from a new one over socially-distanced coffee on the beach. As usual, I was overwhelmingly stressed and apprehensive about meeting the second, but found myself pouring out my life story and then apologising – even when I waved my arms around and knocked over my coffee, she cleaned it up before I could even think what to do next, and offered to buy me another one (I refused, naturally – it was my fault that it happened.)

I sometimes wonder why people are ever this nice to me. They learn, of course, when they get to know me better.

We first met on a writing course immediately prior to lockdown – I might have mentioned that before? I’ve got a feeling I have. I’d said something about my thirty-year-work-in-progress fantasy novel, and she said: ‘I’ll look it if you like, bring it next week and I’ll let you have feedback the week after’. I felt really embarrassed, but I printed out the beginning, past the ‘inciting incident’ (hero’s journey creative writing course BS jargon) and handed it to her at the next session. I’m not really sure why I, but I suppose I just thought: ‘oh screw it’.

At the next session – which was the last of the course – she was very complimentary and full of questions. All I could say was – well, I haven’t done anything on it for fifteen years because I don’t know how to end it, or even to get closer to the end. We all went to lunch together as a group, and I’d taken my books with me to show the tutor (it was a general invitation to anyone who’d got a book to show). She picked up ‘S2S’, started looking at it, then said: ‘Can I borrow this?’ so of course I said yes. We exchanged emails and made a semi-arrangement to meet up for coffee in a couple of weeks, but of course that didn’t happen. Since then we have exchanged irregular emails and last week finally fixed up this meeting.

I was relieved to find out that she hasn’t been doing any writing either, apart from a journal. We grinned wryly at one another about good intentions and motivation.

She writes short stories –and has sent one in to a competition since we last met. I said that I don’t do short stories because I can’t think of endings. I guess I’m basically a poet, since that’s all the muses – or the Universe, or whatever’s responsible for this stuff – ever seems to send me. And I realised – though I might have had this thought before and forgotten it – that the advantage of poems is that they don’t really need tied up endings or conclusions – they are just there, and open to whatever. Well, the ones I write are.

But the weird thing is that I’ve completed stories in the past. I guess it’s all about luck.