Category: Stories

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Tell Me the Old, Old Story

I think I surfaced just about bang on sunrise this morning: 5:40. I went to the window and saw the pink glow creeping over the house roofs, then left the gap in the curtains and went back to bed, watching the colour briefly suffusing the wall. At least it’s sunny – well, it was for most of yesterday too – the rain didn’t last long.

Am I feeling any more sunny this morning? Maybe. Yesterday did not turn out to be a good day. I spent most of the morning digging through old laptops, archived files and a set of data CDs and DVDs which I burnt as part of a back-up system around 2005 and 2006 (amazed myself by finding them, although I knew I’d seen them somewhere recently – well, in the last three years at least). I was looking for photos – a specific photo, in fact – of my cat from October 2005, when we first got her, because yesterday was her fifteenth birthday and I wanted to make a post about it on Facebook, with then-and-now pictures. I did it partly because I suspect she won’t be around to see another birthday, and I am preparing myself for the inevitable letting go, but also because her entry into my life was such a bizarre turning point – and yesterday I not only found the background to her name, which I’d saved in one of those fifteen-year-old files, but my journal entry for the morning of the day we brought her home – before I knew what a shit-storm I was initiating. And that photograph (on one of the back-up CDs), which featured, ten days later, in the first blog post I ever wrote, on a blog called ‘Husband or Cat?’ on a platform which no longer exists.

I could tell that story again. Should I? There are people who know it already – at least one of whom might even be reading this – in essence, at least, even if not in detail. But the details are still there, still documented, still accessible. It’s an odd story, full of drama, and passion, in its way, with a beginning far too implausible for fiction, and an ending… how did it end? Well, I guess – at least, as I’ve said before about all the world-churning choices I’ve made in the last fifteen years, if I hadn’t done what I did, I would never have known how things would turn out if I did, now would I?

I suppose that’s what fiction’s for – to explore the other side of the ‘what if’ – but I don’t have the energy or inspiration for fiction. Maybe that’s why I was compelled to make the choices I did – because it was the only way of finding out? When I think of the dreams and expectations I started with, it’s true that none of them quite worked out as I thought they would, but they shaped my life nonetheless.

I was going to write about writing advice – and Taoism. Another time, maybe.

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No End

Two compliments about my writing yesterday – one from an old friend on Facebook, one (actually, several) from a new one over socially-distanced coffee on the beach. As usual, I was overwhelmingly stressed and apprehensive about meeting the second, but found myself pouring out my life story and then apologising – even when I waved my arms around and knocked over my coffee, she cleaned it up before I could even think what to do next, and offered to buy me another one (I refused, naturally – it was my fault that it happened.)

I sometimes wonder why people are ever this nice to me. They learn, of course, when they get to know me better.

We first met on a writing course immediately prior to lockdown – I might have mentioned that before? I’ve got a feeling I have. I’d said something about my thirty-year-work-in-progress fantasy novel, and she said: ‘I’ll look it if you like, bring it next week and I’ll let you have feedback the week after’. I felt really embarrassed, but I printed out the beginning, past the ‘inciting incident’ (hero’s journey creative writing course BS jargon) and handed it to her at the next session. I’m not really sure why I, but I suppose I just thought: ‘oh screw it’.

At the next session – which was the last of the course – she was very complimentary and full of questions. All I could say was – well, I haven’t done anything on it for fifteen years because I don’t know how to end it, or even to get closer to the end. We all went to lunch together as a group, and I’d taken my books with me to show the tutor (it was a general invitation to anyone who’d got a book to show). She picked up ‘S2S’, started looking at it, then said: ‘Can I borrow this?’ so of course I said yes. We exchanged emails and made a semi-arrangement to meet up for coffee in a couple of weeks, but of course that didn’t happen. Since then we have exchanged irregular emails and last week finally fixed up this meeting.

I was relieved to find out that she hasn’t been doing any writing either, apart from a journal. We grinned wryly at one another about good intentions and motivation.

She writes short stories –and has sent one in to a competition since we last met. I said that I don’t do short stories because I can’t think of endings. I guess I’m basically a poet, since that’s all the muses – or the Universe, or whatever’s responsible for this stuff – ever seems to send me. And I realised – though I might have had this thought before and forgotten it – that the advantage of poems is that they don’t really need tied up endings or conclusions – they are just there, and open to whatever. Well, the ones I write are.

But the weird thing is that I’ve completed stories in the past. I guess it’s all about luck.

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Thinking, Writing, Writing, Thinking

What I write here is whatever pops into my head, and that’s all I can write.

How many times have I said that? Yeah, I know, a lot, I keep droning on about it. What am I doing wrong? I used to think that as long as I kept writing every day, something miraculous would happen , and I’d find a way of being able to write ‘properly’, to think up stories, to go back to my novel and finish it. But it doesn’t work, so why am I still doing this?

‘Oh, you have to write through all that shit’ people tell me. That’s easy for them – maybe they only have a small amount of shit to get through. For me, it seems there is no getting to the other side.

‘Write another story like that one’ someone said to me yesterday, referring to ‘Eagle Flight’, which has just gone into ‘Flights and Fancies’, the upcoming Southsea Storytellers anthology. And yes, it’s a good story, I agree, one that I wrote about twelve years ago. But how did I write it? Where did it come from?

The answer to that is that it was inspired by an object (a soapstone eagle) which was used for an exercise in a creative writing class, and worked up into a story for an end of term assessment. If I dig around I might be able to find the tutor’s comments, but obviously in those days they were all handwritten on the hard copy.

Just before the lockdown started, I went to another creative writing course, with similar exercises to stimulate writing. I went to the four sessions and brought the material home and haven’t looked at it since. A friend invited me to join a writing group on Facebook which has regular prompts, and I’ve done nothing for that either, bar sharing a couple of poems.

I don’t engage with any of this any more, and I haven’t for years. Why do I still hang on to this tiny, frayed thread of an idea that I might ever be ‘A Writer’? Why do I even want to? I am very late writing this morning, and I almost didn’t bother at all. It’s stressful. I’m stressed enough, worrying about parcel deliveries and my sick cat, how can I get medicine down her to help her appetite when she won’t eat anyway? Worrying about so many things, most of them not so important in the scheme of things but they still need to be dealt with, they require action, and action requires thought and decisions and plans and comparisons of the best way to do them and then energy to get on and do whatever it is.

And I want to run away, not necessarily to another geographical place, but into an emotional place where I can be and let other things be and not have to think about making up stories or whether I can write or not or if it’s worth trying.

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How Not to Write a Story

‘What happened that day will stay with me all my life.’

Sounds like a good opening line for a story? It popped into my head first thing, in that limbo space between waking and sleeping, and I lay in bed for a while, thinking I was onto something. Maybe this was the trigger that would break my four year drought and get me writing creatively again?

I thought about my childhood home, and then I imagined a bright red car pulling up outside our house, and a lady getting out and coming to the door. Mid to late 1960s, so how would she be dressed? Not like my Mum, that’s for sure. Elegant or hippyish? Mum would be astonished to see her – would she hug her? I don’t remember her ever going in for that sort of thing, but maybe the other lady would do it to her before she could avoid it? The name ‘Hetty’ popped into my head.

‘This is your Aunty Hetty.’ (My real Mum didn’t have any long lost relations called Hetty – as far as I know. And isn’t ‘Hetty’ a bit American? Maybe ‘Betty’? Anyway, Mum’s old friends were often ‘Aunties’ without any blood connection.)

Then she’d probably do something awful like bending to kiss me, smelling of scent and face powder and leaving lipstick marks that I’d have to rub off quick. And she’d say something cringe-making like: ‘This can’t be your little Linda? She was a baby last time I saw her!’

Or maybe she wouldn’t, maybe she would talk to me as though I was a real person, not infantilising me in the third person. That would have made it more memorable.

She would talk ‘posh’, or relatively so, like my real aunties (Dad’s sisters) who moved to Buckinghamshire before the war and married southerners, or like people off the telly.

Lying in bed thinking, I wanted it to become magical realist, maybe a timeslip, maybe the lady was my future self? No, couldn’t be that, because I wanted her to be glamorous, not like me. And there was something in her driving a red car, because I feel that it would stand out in our street, that it was fairly unusual for a woman to be driving a car, though maybe that’s just because my Mum never did.

But where is this story going? I try to remember the stories I wrote as a child, and they were full of talking animals, toys and everyday objects coming to life, and magical worlds that could be reached through rabbit holes and wardrobes, like the ones I enjoyed reading.  

So what would Aunty Hetty say to my pre-pubescent self, what adventure would she take me on that would bring a different meaning and purpose to the subsequent fifty to sixty years? Or would I just be an observer, of the interaction between these two adult women, that would help me see the different possibilities life can hold?

Who knows? I don’t do fiction.