Category: poetry

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Dream Thingy

Where did that dream come from, of travelling alone across Europe and writing as I went? I’ve thought about this a lot over the years, pulling together many threads from different parts of my life, even back as far as my Dad’s wild ‘holiday’ ideas of semi-spontaneously piling us all into the car and driving off to some remote (for us) region, finding a bed-and-breakfast when we got there. And of course there’s that recurring leitmotif, of Running Away in search of an ill-defined ‘different life’.

After I left my husband in 2009, I had equally ill-defined hopes and expectations of finding a new job/career and becoming financially self-sufficient; starting a new relationship (either with a ‘soul-mate’, or perhaps a series of lovers who would all remain good friends until the inevitable time when the ‘soul-mate’ would enter my life); and, naturally, writing novels. Travelling was bound up in that, because it was only when I was travelling on my own (which I was doing increasingly from the mid to late 1990s onwards) that any of those things began to feel remotely possible. The irony that none of them have happened, despite my efforts to create the conditions in which they might, has dominated the decade just past.

In 2010-11, in between job-hunting, temping, and part-time admin jobs, I tried to start a business selling my graphic and web design skills to other small business owners. I soon found out I was just as incapable of attracting potential clients as potential employers or lovers, but I got involved in a small business networking circuit, through which I made some contacts and met some nice people (as well as picking up a habit of getting up early and going out for delicious but dangerously unhealthy breakfasts).

One of these nice people was a lady who described herself as a life coach, who asked me what my ‘dreams’ were, to which I answered that I didn’t have ‘dreams’ any more, because experience had taught me that dreams never turn out the way you think they will. This was slightly disingenuous, because despite everything, I still had those underlying dreams of getting a decent job, finding a lover, writing a novel etc but I sensed this wasn’t the kind of dreams she could help me with. So when she’d explained to me that I needed a dream, or dreams, that that was what my life was lacking and why I felt so aimless and lost, I blurted out that I wanted to travel across Europe and live by the sea – and maybe I mentioned writing, too.

The next stage was to construct one of those dream thingies, where you cut out images from magazines and what-not and stick them onto a big sheet of paper – except that this was 2011 and I did it virtually by finding images online and downloading them into a folder. I think I’ve probably still got that folder somewhere, might even be able to find it (or not).

PS I didn’t find it, but did find a random poem from around that time (or a bit later), which is equally appropriate today, although, bizarrely, it must have been written in Bedford (I seem to remember I was walking home from the swimming baths when it came to me):

A new day, and seagulls calling,
grey-white and lost against the clouds.
Water in air, mingling elements,
and I, pedestrian, earthbound.

Linda Rushby 9 November 2011
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Dreams and Achievements

In the process of digging out the poem I shared a couple of days ago (titled ‘I Had a Dream’ and posted when I was in Berlin in 2012, about my fears and dread of having to come back to England with nothing resolved and no plans for what to do next), I read the comments in response to it from other bloggers. This was one:

hmm, sounds a bit pessimistic. Maybe it depends on how well formed our dreams are when we go after them, how high our expectations are. If we do not know why we have the dream, then when we go after it we do not know what to do when we “achieve” it, and do we even recognise achievement?

no idea really, not sure I have consciously gone after a dream.

22 June 2012

I was irritated when I read it, thinking that the poster didn’t seem to have much empathy, and wondering what kind of life it is if you never ‘… consciously go after a dream…’ I probably felt much the same at the time, because I hadn’t bothered to reply. But reading it again now, what did she say?

  1. How well formed was my dream? To go travelling across Europe, overland (no flying), visiting various places, staying with friends in some of them and ‘…hopefully making new ones along the way…’ (which, not surprisingly, never happened).
  2. Why did I have the dream? A whole complex mess of reasons I suppose, but fundamentally because I was unhappy with the person I was and the life I was living, and thought that by this massive act of ‘running away’ I would ‘…turn my life around…’ – a phrase I initially included in the blurb to Single to Sirkeci but later removed because it didn’t work out the way I hoped. And what way was that? By finding a new man, or a new place, or a new purpose in my life.
  3. Did I know what to do when I’d ‘achieved’ it? No
  4. Did I even recognise it as an achievement? No.

So, it pains me to admit it, but I can’t really argue with the things she said. I couldn’t explain why I had that particular dream; initially it wasn’t very ‘well formed’, although it became clearer once I’d started to ‘make it real’; I didn’t know what I’d achieved or what to do afterwards – although the same person later gave me a great phrase when I was closer to returning, and she said I would be ready to ‘…hit the ground running…’ and my reaction was ‘…or like a lead balloon…’ so that ‘Hitting the Ground’ became a title for the blog I wrote after my return.

But I did enjoy the experience – sometimes. And I did write the book – eventually (but only published the first part). Travelling and writing about it – or staying in the same place and writing about it. That’s what I’m still doing.

And hoping. That’s what’s important.

PS The featured image is a screenshot of what came up on Firefox when I opened it to post this. I recognised it instantly, because I’ve been there and taken multiple versions of the same view: it’s the Old Bridge (Stari Most) in Mostar, Bosnia/Herzegovina, which I would never have visited if I hadn’t followed my ‘dream’.

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Process and Outcome (and losing a poem)

It’s a cliché to say that the quest is more important than the prize, the journey matters more than the destination. This is the meaning of the story of the Crescent Moon Bear, (retold by Clarissa Pinkola Estés), with the added subtlety that it is the hardships the protagonist experiences through the journey that give her the skills she needs to keep going and deal with her challenges (which are still there when she returns home).

In the process of trying to re-evaluate my life in order to better understand who I am and how I got here, this strikes a chord. There were things I was going to say. But earlier I remembered a poem that I thought I would dig out and now I can’t find it. This is the second time this has happened to me in the last few months and it is worrying. I have so many poems and they can be anywhere – well, I think there are a certain number of places where I would have saved them, but I’ve looked in all those and still no luck. Emily Dickinson wrote hers on paper, and shoved them in a drawer where her sister found them after she’d gone, but who’s going to bother trawling through my computer for mine?

I’ve gone through my assorted ‘poetry’ or ‘poems’ folders, but no sign of it – I can’t remember a title for it, which doesn’t help. I remember that I wrote it in my flat on Beach Road, which narrows the date down to between May 2015 and October 2016. And there’s no 2016 sub-folder in my Blog folder on Google Drive, so does that mean I didn’t write any blog posts in 2016? Of course, I would have been using my old laptop then, so it could be on there. But it was unfinished at the time, and then I’m sure I’ve gone back to it in the last couple of years and tweaked the last bit, so that implies it would be somewhere I’ve accessed more recently.

Well that’s blown out of my mind what I wanted to say. Process and outcome. My PhD is a classic example of a hugely significant process with an outcome that no one was interested in – not only if we assume that the ‘outcome’ was the thesis, but if we take ‘an academic career’ as the outcome I was striving for – well, that never happened either. I used to say that the process of doing a PhD is like having your brain extracted, tied in knots, and put back again so you can never see things in the same way ever again. Maybe that was just my experience.

If I think back to the time before, from the point when one of my OU tutors asked whether I’d ever considered a career in research, my aim was always to ‘do’ a PhD, rather than to ‘have’ a PhD – which reminds me of another poem, which hopefully I can locate…

I had a dream.
And then what?
I made it real.
And then what?
Dreams in daylight
turn to dust.
And then what?
How long does it take
to make a new dream?
And then what?

Linda Rushby 22 June 2012
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Not Writing, but Blogging

Where does this stuff come from? I sit down with a vague idea and the words come out in a completely different direction – like starting from a conversation about the role of fate and chance in an individual life and going off on one about Isaac Asimov and the fates of galaxies (not to mention Planet Earth).

Lately much of my time is being taken up with obsessing over getting this jumper finished – so much so that I haven’t even touched the weather blanket for a week. And a fair amount of that time, of course, is taken up with untangling wool, although yesterday I felt as though there was a better balance, and that I made reasonable progress (admittedly it was a less complicated part of the design). In fact it even feels as though I may be approaching the end – although I still have to do the sleeves, which always take longer than expected. I’ve made a start on one of them (when the body got too stressful) and I’ve decided to incorporate small candy canes into the pattern to relieve the boredom.

I still have moments (or even hours) of panic that she’s not going to like it. But then I think – too late to go back now, I might as well just keep on the way I’m going, knowing that whatever my daughter’s opinion, I’ll be embarrassed by it when it’s done. She asked for it, I tell myself, and she knows well enough it will probably turn out to be a mess.

But I’ve decided to stop worrying about the quality of the things I make (which goes for my writing too, which is why I’m still writing this blog). Also I heard on the radio the other day that only ten of Emily Dickinson’s poems were published in her lifetime, but almost 1800 were discovered by her sister after her death. What does it matter?

This takes me back again to ‘Women Who Run With the Wolves’, and the idea of the poetic imagination, or Wild Spirit, (or whatever you want to call it) being stolen or given away or strangled at birth. Looking back over my life – which I still haven’t delved into in depth – has shown me how much I’ve repressed, denied, pushed away, belittled that side of myself, while simultaneously longing for it. So I’ve decided just to do what I can without thinking too much about it or expecting anything from it. Lockdown helps, of course – as it did in the spring: I feel a lot less stressed and more content when I don’t have to go out and interact with other people. That’s something else Dickinson is famous for – it’s said she rarely left her bedroom –at least I have a whole house to myself.

Despite longing for the life of a wild bohemian, I never had the nerve or the opportunities. I’ve always been more Emily Dickinson than Bloomsbury – and at least it requires a lot less energy.  

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Here We Go Round Again

So far this week: last yoga class before lockdown; last tai chi class before lockdown; last trip out in the van before lockdown. I mentioned last week about my yoga teacher being homeless and having to cancel classes – the next day she sent a text to say that someone had offered her a lift, then came the lockdown announcement, so there was a class on Monday evening, and ditto the tai chi yesterday morning, after which I picked up my camper van from the garage and drove to Queen Elizabeth Country Park on the A3 near Petersfield, and had a walk among the trees and a picnic. I love taking the van there, because there are car parks spread among the trees, often empty (on weekdays when I usually go), so although you can’t actually camp, you can get some of the feeling for a few hours.

The weather has turned dry and sunny but noticeably colder than it was, and today looks to be about the same, with a clear blue sky. I really should get out and do some tidying up in the garden, I tried cutting the hedge on Monday but the trimmer kept cutting out. Because it stopped and later started again, it had to be a loose wire. I took apart the connector that joins it where I cut through the cable in the spring, unscrewed the little screwy things inside, couldn’t see anything obviously loose, then got into a horrible dyspraxic muddle trying to put it back together and gave up for the day.

I read some more of ‘Women Who Run With the Wolves’, this time about creative blocks. The author suggests the usual things: keep trying, don’t self-edit, do a little every day, expect to fail, but keep going anyway. This is what I’ve been doing forever. Back to the old question of whether it matters that it never gets me anywhere? Apparently, it doesn’t. Either one day a miracle will happen and I’ll suddenly start writing something worthwhile, or I’ll be gone and someone will come along and wipe my hard drive and that will be that.

Last week I read the poem about the ‘Wild Thing’ to my therapist, and she said I should try to get it published. I haven’t done anything about it. Strictly speaking, I think posting it on here counts as publication, which disqualifies it from most competitions anyway.

I’ve been thinking about Daniel Defoe’s ‘Journal of the Plague Year’. I think this definitely counts as a ‘plague year’, but I don’t think this journal of mine is in the same class.

My current yoga teacher once said that destiny is what has to happen, but fate is what you make happen (or words to that effect). She is not having a great year, even worse than most of us. But she has faith in the fundamental goodness of the world, and I envy her for that. Today, I fear for the fate of us all.

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Wild Thing

In my therapy session yesterday I read out the post I wrote on Wednesday, about love and relationships and at the end, in answer to the question of why I’m alone, she said:

‘Because you’re not prepared to compromise on who you are.’

Of course! It came like a lightning bolt: I’d rather have my solitude than suppress the difficult part of my nature. I’m not a ‘loveable’ person – I’m really not. Turn the mirror around. Why do even I find it so hard to love myself? Why have I spent a lifetime berating myself for failing to live up to the image of a ‘good’, pretty, well-behaved girl? Why have I always been so careless of the feelings of men who wanted me (my first husband adored me, and I despised him for it) and wept over the ones who didn’t?

Writing out her comment now, I can see how it could be taken for a criticism (though I know that’s not how she meant it). ‘Compromise’, after all, is usually considered to be a Good Thing – and so it is, in most circumstances, but it can also be seen as a betrayal of a deeper integrity –  ‘You’ve got to know when to hold ‘em, and know when to fold ‘em’.

I’ve been folding for so much of my life, ‘settling for what I could get’. Striving for the rewards due to a ‘good-girldom’ that was never going to be within my grasp, however hard I tried, and hating myself for that failure.

And now I’m alone with the Wild Thing – which has just reminded me of a poem I wrote a while back.

Wild Thing

Bind my wounds.
I will rip the bandage
Roll in the dirt
Claw at the scabs
to uncover my flesh
Gleaming
Festering
Bleeding.

Full moon casts shadows
through my window.
I am a wild beast.
If you try to help me
you will suffer for kindness.
Feel my claws, teeth, scales,
Anger
Pain.

Will you leave me
or will you hold me
Feel me writhe
in your grasp?

Will you judge me?
I will show you what I am.
Ignore me
I will scream till you hear
Till I feel your contempt.
Till I see your sneers.
Then I will know.
I will test you
beyond endurance.

Are you brave enough
to hold me still?
Are you strong enough
to love me?

© Linda Rushby July 2014

No one really wants the wild thing. They might think they do, but they don’t want to live with the claws and the beak. They want to cage it with rules and take away its true nature, but when they’ve done that, they find that what is left is not worth having. There is no gold left, only dross.

Linda Rushby from the blog ‘Melinda Solo’, April 2013

I can’t change the Wild Thing into something she’s not, but there may be other ways of taming her. She needs to be recognised for herself, with compassion, not judgement.

And who will do that for her, if not me?

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Leaf Upon the Water

Poem today. Not sure why. Sometimes it happens like that. Feels like this is the first one in a while

The photo was taken in the water lily house at Kew Gardens in 2015. The flowers and small leaves in front are lotuses, the large leaves behind are from giant water lilies. I was tempted to use a photo of a water lily from my old garden pond, but thought some smart Alec might point out that it wasn’t actually a lotus (that’s the sort of thing I’d do, anyway).

Also ‘The lotus flower grows from shit’ is only one of many interpretations of the mantra ‘Om mane padme hum‘ but it was the one explained to me by my first meditation teacher, and it makes for a great metaphor.

Leaf Upon the Water

The lotus flower grows from shit,
the silt of a thousand fishes, living
and dead, their shimmering scales,
dulled and darkened,
sinking through the cloudy waters
to the home of the scuttling things,
sliding into and becoming
the black, unspeakable ooze
that clings and clods
and welcomes into its bitter embrace
the scattered seed
that cracks and bleeds
in its agony of birth,
sending its silvery roots into the darkness
to trap the rotting death-food and to grow
new life that rises,
green and fecund
to break the surface,
unfurl its leaves
and open its lovely face towards the sun.

I am the leaf upon the water,
held in the magic of the meniscus,
I will not struggle
I will trust the power of the water,
I will lie back and let it hold me
until my season is done.

Om mane padme hum.
The lotus flower grows from shit.

Linda Rushby 30 September 2020

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Spontaneity vs Inspiration

I was talking yesterday about why I write in the morning, following the advice from Dorothea Brande’s book ‘Becoming a Writer’, but how that’s also usually my unhappiest time, as I try to sort out in my head what I need to do for the day.

When I first tried to follow the advice, in the late 1970s early 80s, I was trying to write a fantasy novel, of the then conventional swords-and-sorcery genre, which was hopeless, because it inevitably had to involve a certain amount of fighting and war craft, which I couldn’t get my head round at all. In fact, I didn’t even like reading about that stuff, even though I loved the Tolkien books, I would skip all the fighting parts and just read the adventuring. This was in the days before the genre had opened up with more female characters and writers, such as Ursula le Guin, Julian May, Anne McCaffrey and Marian Zimmer Bradley. I didn’t see how it was possible to have fantasy books outside that patriarchal paradigm, or how I could write within it, so I really was on a hiding to nothing.

Be that as it may, I tried, and I tried in the mornings, and then I discovered that if I sat down to write for a specific purpose – such as to continue my novel – I was paralysed. All I could write was what was in my head – such as what I’m writing now, and write most mornings, about my life, my thoughts and feelings. I was going to say ‘write spontaneously’ but that seems odd, in that the daily writing is quite regimented – but there again, it is spontaneous in the sense that I don’t always know what I’m going to say until I start saying it.

Now I’m confusing myself. Because the other kind of writing – the way I write most of my poems – is the stuff that comes into my head at any time of day, and I need to capture it – so that by the time I sit down at the computer, it’s already there, and I’m just ‘taking dictation’ – so is that spontaneous or is it the other? Because that is what I think of as being ‘inspired’ writing, and I have no idea where that comes from or how to make it happen – it’s outside my control except… for the times when it isn’t. What about all those poems I wrote in April, for NaPoWriMo? They were ‘inspired’ somehow, so how did I make that happen?

There was also a period in 2005-6, immediately before and around the time when I started both a creative writing course and blogging, when I WAS extending my novel (not the original one from twenty years earlier, but a more feminist one) by writing 500 words daily, developing the plot in classic ‘seat of the pants’ fashion. Why did that come to an end? Because my writing energy was diverted into assignments for the course and blogging, perhaps?

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Early Years

This is the opening I’ve written for my submission to the APPG inquiry into dyspraxia. I know it will need editing – and the post is longer than usual, because I’ve included a poem.

I was born in 1954, and at the time of writing I am 66. I was diagnosed with dyspraxia less than two years ago, in October 2018, and am still coming to terms with understanding it and how it may have affected my personality and experience of life.

I am the youngest of three children, with a sister (six years older) and a brother (four). I’m sure my parents loved me and did their best for me as they saw it, I don’t think I was ever abused, physically or sexually, but I struggle to find any happy recollections of my childhood. I felt as though my parents and siblings belonged to a closed world of ‘big people’, a perfect family unit of four, but that somehow I was the odd one out, a spare part, surplus to requirements.

I was a shy and timid child, and found it hard to make friends. I was always small for my age and late in reaching puberty. All this made me ripe for bullying – not so much the physical kinds, but the verbal, psychological kind, mostly from other girls, but also from my brother and his friends (unlike me, he was charming and popular, and still is), occasionally my father, and later my brother-in-law. If I complained, I was told: ‘you’ve got no sense of humour’, ‘it’s only a bit of fun’ or ‘don’t take any notice and they’ll give up’. Somehow, it wasn’t the teasing that was a problem – it was my response to it.

Maybe none of this is directly related to dyspraxia, but it is part of the emotional landscape of my childhood. More significantly I was untidy, forgetful, clumsy, ‘cack-handed’ and constantly in trouble at home for all those reasons. I learned to be ashamed at a very early age, and it was constantly being reinforced. Sometimes it felt very unfair, and I became resentful and sulky, for which I was criticised even more. Two years ago, my brother gave me a present – a tee shirt with the slogan: ‘The third child is always the difficult one’. Oh how we laughed.

I was academically bright, always in the top stream, and in 1965 I passed the 11-plus and followed my siblings to the local grammar school. However, although I enjoyed learning, I don’t think I ever really ‘shone’ at school – maybe because due to my shyness I didn’t engage in class. I don’t remember any teachers taking a particular interest in me or encouraging me, even though (perhaps because) I rarely did anything to cause trouble. I was terrible at practical subjects and sport, but I got on with my academic work quietly, if a little slowly, and slipped under the radar. I was always a ‘good’ girl – except at home, where I was evidently nothing but a trial to my parents.

Here’s a poem about that time which I wrote a couple of years ago:

The Awkward One

I never learned to smile.
I never learned to play the happy fool,
to put them at their ease,
to read their minds.

So I became
the awkward one,
the difficult one.
I learned to be alone.
I never learned to make a friend,
I never learned the way
to make them love me.

I hated mirrors, and cameras,
I hated the plain, sulky face
they showed me.
I knew that face,
with its curtain of straggly hair,
and that skinny body,
would never be loved.

I never learned to turn on the charm.
I had no charm.
I never learned to play the game.
I turned inside myself,
became invisible,
played my own game.

© Linda Rushby 25 March 2017
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Going Through the Motions

Going Through the Motions

Get up and do what you always do,
even though your head is full
of all the times it hasn’t worked before;
of all the reasons why it doesn’t work;
of all the many ways it might go wrong;
of all the problems you can’t imagine
until they happen.

You want to run away and hide,
but you’ve tried that before,
and it never worked
so why should it now?

This is life,
this is how it works.
Stumble on,
from one day to the next
and maybe you’ll
get away with it
for one more day.

Linda Rushby 18 August 2020

There was a post on the FB dyspraxia group asking how many members write, and what we write. I started thinking about poems I’ve written down the years which relate to my dyspraxia (even when I didn’t know that’s what it was). They tend to be the ones I don’t share much, because I don’t expect people I know to understand them or like the fact that I’ve written them about myself. The two I first thought of were ‘Cahos’, from 2005 (oh, look at that typo again – I may make that the actual title of the poem from now on) and ‘The Awkward One’ (2017, I think).

I saw the post at bedtime, and started going through my Google drive from my phone looking for the two I’ve mentioned and to see how many more I could find (a very bad idea when I was supposed to be going to sleep). And then when I got up and was doing my morning routine, I came up with the one above.

I could probably fill a whole book, but I doubt it would be very popular. From one point of view, these poems are seething with self-pity, self-loathing and shame – which is why I often keep them to myself. On the other hand, they are also searingly honest, full of pain, sadness, regret, frustration and barely suppressed anger. Both of those descriptions sum up my underlying emotional landscape a lot of the time.

The anger in particular WAS COMING OUT A LOT IN MY THERAPY SESSIONS towards the end of last year (oops, must’ve hit the caps lock without noticing, but that also seems quite appropriate!) I suppose my current task is to learn how to deal with it without turning it onto myself – incredibly hard and stressful, but I am trying.

One way of doing that is to have routines and stick to them even when I really don’t feel like it. Yesterday I skipped my weekly yoga-in-the-park session because I convinced myself it would rain – but then it didn’t. And I felt bad for making that an excuse for my lack of commitment. So I’m trying to deal with that.

I heard a podcast of the TED Radio Show on BBC R4Extra yesterday, about choice and making decisions. I need to listen to it again, then maybe I’ll have something to say about it.