Category: poetry

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Seeds

Ennui

Today I feel nothing.
no words in my head,
no thoughts worth sharing
just a dull emptiness.

Why am I here,
staring at this screen?
The keys touch my fingers
but they won’t help,
they are mocking me.   

Why am I writing
staccato rhythm?
Short lines?
Empty words?

Yesterday the spinner
rolled out her thread
into this future,
which became
just a day,
like any other.

Linda Rushby 10 April 2021

On my desk I just noticed a seed pod. This must sound bizarre. How can there be a seed pod on my desk and me be surprised to see it there? Believe me, there could be anything on this desk and I wouldn’t know where it came from. But thinking back through the last few days, I remember emptying out a drawer from a cheap plastic chest of drawers, one of three which I bought in B&M the first summer I moved here, to store stuff in my flat, things which were in boxes which I was going to ‘sort out’ into these drawers, but in the event they just moved from one chaotic mess into another. And this week I decided I would empty one of the chests and put it out in my new shed, for storing shed stuff, with the vague sense that this would somehow make the chaos more manageable. Each chest had four drawers, some of them only contained things which were already in boxes which could be moved and put on top of the IKEA shelves. Another was mostly full of cassettes and CDs, a staple gun and various other junk which I piled up on the desk, including, apparently a seed pod, like an elongated, thin brown pea pod. Before I moved here, I collected all sorts of seeds from the garden of the old house, and put them all in envelopes with the names written on the front, but I have no idea what happened to any of them – I didn’t plant them, that’s for sure.

This long, thin brown pod looks vaguely familiar, as though I should know where it’s from. I might even have taken it from a plant in a park. There were still seeds inside it, I popped them out while I was thinking about what to write, and they are sitting in a cluster on my phone, about eight or ten of them at a guess, papery round the edges with a brown centre about a millimetre across. I could try planting them and see what happens, though after all these years it’s unlikely that anything will grow.

But I need to find a seed and make it grow, and this morning that feels really hard. I pick up the staple gun – I bought it over thirty years ago, when we were living in the USA, and I’m not sure whether I still have staples to fit it, and if so where they are. I probably can’t get any more now.

But I haven’t used it in thirty years anyway.

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Birthday Poem

Red light on the horizon
and the sound of birdsong
and a light, white, rime
on the cars and the low roofs
and the fence posts,
like cold glass
beneath my fingertips.

New morning, in a new place,
turning a new year in my life.
What can I say to the world, but
‘Here I am’?

Sometimes I think:
‘I would give the whole world
to be other than this.’
but that’s not a choice
which is given to me.

So I stand here,
and listen to the birds
and watch the changing sky
and lean on the fence
and stroke the smooth ice.

To welcome another day,
another year,
another chance for hope.

Linda Rushby 7 April 2021
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NaPoWriMo Time Again

My heart yearns for
the Dream Place,
the Crystal Space…

Linda Rushby 5 April 2021

I was in poetic mood earlier, in my yoga/tai chi/meditation time, with one of those moments of understanding who I am, and what I should be doing, which has faded somewhat now, as they always do, before I was able to get to the computer and capture what needed to be caught, but I will try.

This is the third year I’ve attempted NaPoWriMo (National Poetry Writing Month). I started in 2018, with haikus, because that seemed like the easy way (although I know that writing a good haiku is not something to be flippant about). I was so happy with the results that I had an idea about creating a hand-made book – I’d been on a bookbinding course and bought a bookbinding kit, and was going to lino print an image for the cover – but the only image I came up with was a forlorn daffodil, and I got frustrated and disheartened and never even opened the parcel with the bookbinding kit and gave up before I got started. Maybe one day.

The next year I didn’t even attempt the poetry challenge, but then last year I did, with no plan or ideas, I managed to turn out something for every day of the month, a motley collection of uneven quality. I have always said that poems come to me or they don’t, and I can’t make them happen, but one of my favourites, ‘Beachcomber’, came out of a challenge I was set to write a poem a day for five days on Facebook in summer 2015, the first summer after I moved to Southsea.

This year I wasn’t going to bother, but on the first day I wrote a very short poem, and posted it, not here but on another blog to which I sometimes contribute. That poem, entitled ‘Web’, is about the idea of a web of connections, not the electronic ‘world wide web’ so much as an older and more general sense of interactions between events, actions and people, which relates to my interest in systems thinking, the basis of my PhD, and the idea of ‘Crystal Space’ which I have played with for some years. Writing it out gave me the idea of pulling one of the threads in a web and seeing where it led – would it just attract the attention of some monstrous spider, or might it take me somewhere interesting? So the next poem was about Ariadne’s thread, and each day since some image or reference from the day before has triggered the next poem.

So far it seems to have led me back into my lifelong interest in Greek mythology, which is of course a very fertile seam for poetry. Each day’s poem is very short, but by the second day I had the idea that they might build into something interesting. On the other hand, I might just give up one day, but how will I know unless I try?

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Lost Hour

On a clear, bright morning in spring, it would be good to set out on a new adventure, in search of a new life.

But today is neither clear nor bright, just dull and grey with the sound of the wind between the rooftops. And there are no new adventures in the offing, nor, most likely, any new lives to be had which are substantially different from the present one.

Just to say, that first sentence popped into my head as I sat down at the computer. I know it sounds like the start of something, but I’m buggered if I know what. Except that the first phrase – up to ‘spring’ – has a nice lilt to it, as though it could be the first line of a poem. Quite clichéd though, like all those folk songs that start on the lines of ‘One morning in May…’ but which, come to think of it, descend into tales of lust and seduction (when sung by Steeleye Span), and sometimes betrayal, revenge and horrible death.

Well, that’s got those cheery thoughts out of the way.

I put my bedside clock forward last night at bedtime, and when I woke it said 5:20, which was good because I thought I could get up at my usual time and slip quite easily into the new time frame – but in reality I ended up lying in bed anyway listening to podcasts and not getting up till seven. Then I messed about with changing the central heating clock, which was easier than I expected, but as I’ve been doing it every six months for the last four years I should have got a bit more proficient by now. The thing that still bothers me though is that there are two programmes, one for Monday-to-Friday and one for weekends, and I can’t work out how to get onto the weekend programme to change it. At the moment I have it coming on at 6:30 in the week but not till 7:00 at weekends, it took me a while to realise why it was still cold when I got up on Saturdays and Sundays. The instructions I have are on the inside cover of the little box, small print and hard to see, so I have to take it off the wall and into a well-lit area in order to read them, but even then I can’t find out what I need to know. I can override it by pushing the ‘up’ or ‘down’ buttons to adjust the thermostat, so that’s what I do in the mornings if it feels too chilly, but I would like to sort it out.

Other than that – and something falling through the basket of the dishwasher and jamming the rotating arm so that everything which should have come out clean is covered with crud which has baked on during the drying part of the cycle – there aren’t enough words left to say anything else – except I had to unravel my jumper again yesterday.

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Oyster Shell

Yesterday morning I took the cat to the vet’s for a ‘Senior Wellness check’. This used to be called a ‘Senior Health check’ and I couldn’t help imagining them burning aromatherapy candles, playing soothing music and maybe giving her a back massage. I had to drop her off at the surgery because of current lockdown conditions, and wait till they called me back to come and collect her. Because of the blood tests she wasn’t allowed anything to eat after ten the night before, which usually means pleading looks until it’s time to go, but in fact she just stayed out of the way, and when it was time to go allowed me to pick her up and put her in the basket with no struggles or complaints. In fact, she was unnaturally subdued, and still is this morning. When I collected her, the nurse asked if she could take her home to teach her own cat a lesson in manners, which is a far cry from this time last year when I dropped her off and went to the Co-op, then got a phone call from the vet asking for permission to sedate her because she was kicking up such a fuss.

She’s getting old. We all get old and resigned to the way things are. I guess that’s the way I’m feeling at the moment – except when I’m in a panic over something or other. Lockdown lethargy.

On my desk there’s an oyster shell. I don’t know where it came from – well, the beach, obviously, and before that in the sea, wrapped around an oyster. But how did it come to be on my desk? My house is full of oyster shells, and ‘interesting’ pebbles, picked up from beach walks. But this one in particular… I don’t know – it must have fallen out of a box of ‘stuff’ or something. I don’t know what it is about oyster shells – I used to think they were ugly, not like the pretty little scallops, rosy pink and smaller than my thumbnail, or the slipper limpets with their oddly shaped cavity. They are rough and monochrome and no two are ever alike, but if you turn them over and the light catches in just the right way, sometimes the gleam of mother-of-pearl will take you by surprise. I used that image in my poem ‘Beachcomber’. The document on my computer has it as:

The shimmer of an oyster shell,
Like tears for a lost pearl.

Linda Rushby July 2015

That’s funny – I could have sworn I used ‘gleam’. Maybe I changed it. Poems are not immutable. But when I check the book, I find that I published it as:

‘Oyster shells shimmer
Like tears for a lost pearl.

‘Beachcombing‘, Linda Rushby April 2016

Well well well. That scans better, and it has the alliteration too, but I still like ‘gleam’, it has a lovely sound.

Which reminds me, someone bought a copy of ‘Beachcombing’ from Amazon last year, the first time it’s sold other than sales I’ve made in person.

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Poetic Rage

Maybe I won’t write today, not let it out of my head.

There’s a nice rhythm to that, I thought, as I was getting out of the shower (and thinking: I can’t be arsed, why do I even bother?) Two lines, seven syllables each. Where are the stresses? First, fourth and last syllable of the first line: MAYbe I WON’T write toDAY – Tum, ta, ta, tum ta, ta, like a waltz, three-four time, then a final TUM and a pause for breath.

What about the second line? I fiddled with that a bit as I repeated it in my head. It had started as ‘I’ll not’ or maybe ‘I won’t’ (I can’t exactly remember), but I didn’t like the unstressed first syllable, and I counted syllables on my fingers and realised that if I dropped it, the rhythm was exactly the same again: ‘NOT let it OUT of my HEAD’, but I didn’t like the ‘not’ at the start of the line, it seemed clumsy like that, but how about ‘won’t’ again? ‘WON’T let it OUT of my HEAD’? Now I have repetition of the second stressed syllable of the first line as the first word of the second line, and I like that, I like it a lot.

I am thinking like a poet, and when asked, as I have been in the past ‘What makes it a poem rather than anything else?’ I can say: the rhythm, of course, but also the brevity, because it expresses something in a very short space – I hope so, anyway, I hope it gives you a flavour of how I’m feeling this morning, even if I don’t write another word all day.

I notice that all the words are monosyllabic, except for the first and last words of the first line, and the stresses are at the start and end of each line, with another one bang in the middle. They’re not iambic stresses, not alternating, they have those two quick syllables in between, which is what creates the three-four rhythm, and somehow makes the stressed words harder and the whole thing more staccato, full of pent-up energy, rage, frustration and… another word which flashed into my head and has now gone – resentment, yes, I think that’s it. Resentment that I have set myself this task of writing every day and I can’t be arsed, I really can’t, I have nothing to say, nothing to write about except all this… rage, frustration and resentment.

I don’t want to let it out of my head – or rather, I want it all gone, but I don’t want to have to sit in front of the computer and let it out, because I don’t want to do anything any more, I can’t find the enthusiasm and motivation to carry on doing the things I do every day. But do I want to share it? What else is there in my head right now? What am I going to do with the rest of my life?

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January Morning

January Morning (poem)

There, I’ve written a poem. Will that do for today?

I seem to have run out of steam, at any rate.

Yesterday, talking to my therapist in our weekly Skype session, I told her about the bookshelves, and moved the laptop round a bit so she could see them. She was impressed, more impressed than I thought was necessary. It’s that thing I always have: I did it, not very well, and it took me a long time, but if I did it, it can’t be that hard, anybody could do it, and probably make a better job of it, in less time.

I told her how I’d been worrying about what books and knick-knacks to put on them, what impression would they give of me, how would people judge me, and drew attention to the fact that two of the shelves were already full of chaotic clutter.

‘What people?’ she asked.

‘Well, you I suppose’ given that no one else will be coming round any time soon.

‘What does it matter? They’re your shelves; you choose what you want to put on them.’

Put like that, it does sound a bit ridiculous that I’ve been worrying about this all week. As soon as I put something on there, I worry about what it says about me – that I have no aesthetic sense, that I can’t see what should go where, like the cross stitch and needlepoint pictures and weavings that I’ve made but never put on display, or the clothes I’ve knitted or crocheted and never wear in public.

‘And yet you write about your feelings and put them out there where anyone can read them.’

‘Well’ I said defensively, ‘I’m pretty safe in knowing that hardly anybody does’.

It’s the paradox of my life. I hide away from people because I’m afraid of being judged and laughed at or despised, and yet I put my feelings in words like this, and share them where they can (theoretically) be read by anyone. And I’m just as uncomfortable with being judged by others more positively than I judge myself as I am with those who find me wanting.

I want others to see me as I see myself – and yet still love me, when I can’t.

But in all this chaos I can still open my door – and my heart – to a new morning and think: ‘something good may happen today’ and write a little poem about it – and share that with the world.

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Monday Mouse Mayhem

‘This is the way the world turns…’

There was a line to go after that, it came into my head while I was making coffee, and went on for a little way, and I thought: this could be going somewhere, let’s follow it for a bit… But by the time I was sitting at the keyboard, I’d forgotten what I’d done with that second line, and so it’s gone, another aborted poem, and my head throws me a line: ‘…every song in my heart dies a bornin’.., not one of mine but from a song I knew fifty-odd years ago, and I have to sing it in my head till I get to the refrain and remember it’s ‘The Last Thing on my Mind’, by Tom somebody (not Lehrer) a sad little heart-brakey song which I always thought fitted will with Dylan’s ‘Don’t Think Twice, it’s Alright’, and if I was a singer I would sing them both at tonce, one after the other, two siodes of the same coin, but I never did because I’m not a singer.

Now something has happened to the mouse, it’s not working and it’s so long since I used the touch pad on this keyboard (even though I use the one on the laptop every time and don’t even know where the laptop mouse is), I just can’t seem to get it, and so everything since ‘…every…’ is now in italics and I can’t work out how to change it back.

Also did I mention that the top toolbar keeps disappearing, unless I move the cursor up there, which given what I just said about the mouse and not knowing how to use the touchpad, is tricky. But at least you can see that I’ve now rectified the italics, and also went back and corrected a lot of the typoes, but left just a few in to keep you on your toes, and also as a general illustration of my dyspraxia-fuelled nonsense, which I usually manage to cover up quite easily.

What an odd, yet oddly typical, start to the day. Also when I started the computer, my desktop was showing the image I was talking about a few weeks ago, the one of a harbour that I couldn’t place, but thought was either Italy or the south of France, and then couldn’t find and spent ages scrolling through the folder. This time I did identify it, checked the properties and found out it was taken on 10 March 2012, which I thought meant San Sebastian or Barcelona. Then I started looking for drafts of Single to Sirkeci  and couldn’t find where the files were, which is worrying. I found a very early version on the external hard drive, which I couldn’t open because it’s a different version of In Design, then I found a pdf of that draft, but that didn’t have the dates on each section, which I did in the later drafts…

Just realised I’ve written way over 500 words. Stopping now.

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Christmas at Home

Well here it is…

First time I’ve had Christmas in my own home for ten years. Not the first time I’ve blogged on Christmas Day but I can’t really think of what to say. Earlier I could, but now I’m not so sure. I think I’ll just go and get breakfast.

I feel I should write something to explain how I feel, except that… I don’t think I can express it very well. I can say I’m fine, and really I think I am, and the more I say on that theme, probably the less convincing it will seem, so maybe it’s best to say nothing.

I’m expecting Skype calls with both families today, and I got a turkey crown yesterday in the Co-op – not the same Co-op that had the sign saying none of their stores were selling turkeys, but my usual one. So I bought it though it will serve six, and the steak is consigned to the freezer!

I decided I needed some lights for my tiny little tree (which is about as long as between my elbow and hand), so on Tuesday I had a look for the box with all the Christmas stuff in the cupboard under the stairs – it wasn’t there, but I did find a large plastic folder with some of my artistic efforts from a few years back, lino prints and drink-and-draw sessions and some feeble attempts at watercolour from years earlier. I found a couple of poems scribbled on pages in sketchbooks too, neither of which I think had ever been typed up or turned into anything. I was going to blog one of them with the awful picture it came with, but didn’t get round to it.

As I couldn’t find the box, on Wednesday I ventured up into the loft. Getting the ladder down is enough of a challenge, but I did that and got my head into the loft, where I could see the box I wanted without going through the hatch, so pulled it towards me, then had to turn it end on to get it through, then tried to go down the steps, but couldn’t hold the box, thought I was going to trap my arm, then that I would trap my fingers, then let the box fall, then lost my balance and fell myself (from about halfway up the ladder). Plastic box shattered with a mighty crash, shards of red plastic (and glitter) everywhere, but miraculously, a set of four glass tumblers in a cardboard carton were intact, as were two boxes of glass baubles from Prague. The only casualty seemed (at first sight) to be a tree topper star which lost one of its arms, and was no great loss, but later I discovered that one of the banister posts had broken in the middle, which I guess must have been caused by my body rolling into it – I don’t remember that happening, but nothing else heavy enough got that close.

But my tree has lights.

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Choices

For the second day running I have not gone to the beach for sunrise and then wished I had when it was too late. I was awake in plenty of time, then just lay there, and then read for a bit, and I had an idea for a poem, and when I got up I wrote it on the laptop (but don’t feel like I want to share it at the moment). I did it in Open Office, which reminded me that there are many features from Word which are missing from OO, but at least it works and I’ll be able to write in cafes or other places – come such time as I can do that again, which hopefully will return.

I should go out. I mean, I really should go out somewhere, the sun is shining today, I could walk to the beach and maybe get a take-away bacon butty somewhere. Yesterday I didn’t go out at all, or Sunday, only Saturday when I went to the shop. I know it’s not healthy to sit indoors all the time, and the weather is no excuse at the moment, but somehow… In normal times I would go out for breakfast just as motivation to get myself out of the door. In the summer I ate my breakfast in the garden most days, and stayed sitting out there with my crochet, which is better than never leaving the house.

I’ve been reading two books in parallel, one on the Kindle and one in print. After my conversation with the lady in the local bookshop just before lockdown, I felt quite ashamed of myself for continuing to support Amazon by having everything on Kindle, but it is so much more convenient. I’ve now compromised by deciding I will read from the Kindle in bed and proper books when I’m sitting. One of the big advantages of the Kindle is being able to adjust the size of the font. I have so many books that I’ve never read – mostly picked up second-hand – and I worry that my eyesight will go before I’ve read most of them. And of course I spend a lot of time listening to readings and dramas on the radio, so that I can knit or crochet at the same time.

The two books I’m currently reading both have subjects that sound quite dry – one about the history of the Hapsburg Empire (‘Danubia’ by Simon Winder – paperback) and one about DH Lawrence (‘Out of Sheer Rage’ by Geoff Dyer – Kindle) but they’re both written with such wit and humour that they’re great fun  – I think so, anyway. I’ve mentioned the Dyer one before, about how he keeps writing about how he can’t write this book. The bit I was reading this morning was about regret, and how he shares with Lawrence the knowledge that whatever choices he makes, he knows he will regret not doing the opposite. I don’t think I’m that bad.