I sometimes wonder why people are ever this nice to me. They learn, of course, when they get to know me better.

We first met on a writing course immediately prior to lockdown – I might have mentioned that before? I’ve got a feeling I have. I’d said something about my thirty-year-work-in-progress fantasy novel, and she said: ‘I’ll look it if you like, bring it next week and I’ll let you have feedback the week after’. I felt really embarrassed, but I printed out the beginning, past the ‘inciting incident’ (hero’s journey creative writing course BS jargon) and handed it to her at the next session. I’m not really sure why I, but I suppose I just thought: ‘oh screw it’.

At the next session – which was the last of the course – she was very complimentary and full of questions. All I could say was – well, I haven’t done anything on it for fifteen years because I don’t know how to end it, or even to get closer to the end. We all went to lunch together as a group, and I’d taken my books with me to show the tutor (it was a general invitation to anyone who’d got a book to show). She picked up ‘S2S’, started looking at it, then said: ‘Can I borrow this?’ so of course I said yes. We exchanged emails and made a semi-arrangement to meet up for coffee in a couple of weeks, but of course that didn’t happen. Since then we have exchanged irregular emails and last week finally fixed up this meeting.

I was relieved to find out that she hasn’t been doing any writing either, apart from a journal. We grinned wryly at one another about good intentions and motivation.

She writes short stories –and has sent one in to a competition since we last met. I said that I don’t do short stories because I can’t think of endings. I guess I’m basically a poet, since that’s all the muses – or the Universe, or whatever’s responsible for this stuff – ever seems to send me. And I realised – though I might have had this thought before and forgotten it – that the advantage of poems is that they don’t really need tied up endings or conclusions – they are just there, and open to whatever. Well, the ones I write are.

But the weird thing is that I’ve completed stories in the past. I guess it’s all about luck.

How many times have I said that? Yeah, I know, a lot, I keep droning on about it. What am I doing wrong? I used to think that as long as I kept writing every day, something miraculous would happen , and I’d find a way of being able to write ‘properly’, to think up stories, to go back to my novel and finish it. But it doesn’t work, so why am I still doing this?

‘Oh, you have to write through all that shit’ people tell me. That’s easy for them – maybe they only have a small amount of shit to get through. For me, it seems there is no getting to the other side.

‘Write another story like that one’ someone said to me yesterday, referring to ‘Eagle Flight’, which has just gone into ‘Flights and Fancies’, the upcoming Southsea Storytellers anthology. And yes, it’s a good story, I agree, one that I wrote about twelve years ago. But how did I write it? Where did it come from?

The answer to that is that it was inspired by an object (a soapstone eagle) which was used for an exercise in a creative writing class, and worked up into a story for an end of term assessment. If I dig around I might be able to find the tutor’s comments, but obviously in those days they were all handwritten on the hard copy.

Just before the lockdown started, I went to another creative writing course, with similar exercises to stimulate writing. I went to the four sessions and brought the material home and haven’t looked at it since. A friend invited me to join a writing group on Facebook which has regular prompts, and I’ve done nothing for that either, bar sharing a couple of poems.

I don’t engage with any of this any more, and I haven’t for years. Why do I still hang on to this tiny, frayed thread of an idea that I might ever be ‘A Writer’? Why do I even want to? I am very late writing this morning, and I almost didn’t bother at all. It’s stressful. I’m stressed enough, worrying about parcel deliveries and my sick cat, how can I get medicine down her to help her appetite when she won’t eat anyway? Worrying about so many things, most of them not so important in the scheme of things but they still need to be dealt with, they require action, and action requires thought and decisions and plans and comparisons of the best way to do them and then energy to get on and do whatever it is.

And I want to run away, not necessarily to another geographical place, but into an emotional place where I can be and let other things be and not have to think about making up stories or whether I can write or not or if it’s worth trying.