Category: self awareness

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NaPoWriMo Time Again

My heart yearns for
the Dream Place,
the Crystal Space…

Linda Rushby 5 April 2021

I was in poetic mood earlier, in my yoga/tai chi/meditation time, with one of those moments of understanding who I am, and what I should be doing, which has faded somewhat now, as they always do, before I was able to get to the computer and capture what needed to be caught, but I will try.

This is the third year I’ve attempted NaPoWriMo (National Poetry Writing Month). I started in 2018, with haikus, because that seemed like the easy way (although I know that writing a good haiku is not something to be flippant about). I was so happy with the results that I had an idea about creating a hand-made book – I’d been on a bookbinding course and bought a bookbinding kit, and was going to lino print an image for the cover – but the only image I came up with was a forlorn daffodil, and I got frustrated and disheartened and never even opened the parcel with the bookbinding kit and gave up before I got started. Maybe one day.

The next year I didn’t even attempt the poetry challenge, but then last year I did, with no plan or ideas, I managed to turn out something for every day of the month, a motley collection of uneven quality. I have always said that poems come to me or they don’t, and I can’t make them happen, but one of my favourites, ‘Beachcomber’, came out of a challenge I was set to write a poem a day for five days on Facebook in summer 2015, the first summer after I moved to Southsea.

This year I wasn’t going to bother, but on the first day I wrote a very short poem, and posted it, not here but on another blog to which I sometimes contribute. That poem, entitled ‘Web’, is about the idea of a web of connections, not the electronic ‘world wide web’ so much as an older and more general sense of interactions between events, actions and people, which relates to my interest in systems thinking, the basis of my PhD, and the idea of ‘Crystal Space’ which I have played with for some years. Writing it out gave me the idea of pulling one of the threads in a web and seeing where it led – would it just attract the attention of some monstrous spider, or might it take me somewhere interesting? So the next poem was about Ariadne’s thread, and each day since some image or reference from the day before has triggered the next poem.

So far it seems to have led me back into my lifelong interest in Greek mythology, which is of course a very fertile seam for poetry. Each day’s poem is very short, but by the second day I had the idea that they might build into something interesting. On the other hand, I might just give up one day, but how will I know unless I try?

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Ducks in a Row

I am not two different people, or three or four, or however many I might have said at different times. Just want to make that clear. I am not Linda H OR Linda R; or Belinda, Melinda, Cassandra, Cat by Herself; I am both, all of them, or possibly even none, but in the end I am still me. When I switched on my PC this morning, Microsoft welcomed me as Linda H, while my laptop knows me as Linda R, but it’s just a matter of context. To family, Facebook, Twitter, close friends and acquaintances I’ve met since I moved to Southsea, I am R, but to most of officialdom (Portsmouth City Council, HMRC, DWP, DVLA, banks etc) and most people I know from Bedford days, I am still H – there is even a very small number of people I’m still in touch with who knew me from when I was ‘R’ before, forty years ago now.

I didn’t set out to write about my identity today, in fact I was intending to pull together some threads which I was thinking and writing about last week – so here goes. I was talking about card-making, and all the different items and processes involved in it that make it so unsuitable for anyone with dyspraxia and hence so stressful. Every time, I start intending to be more organised and keep a lid on the chaos, but it never works out that way.

But I was thinking about it as a microcosm of my life. There are things that need doing, and I have to think and decide about what’s the best order to do them in, and how I’m going to do them, and what I need to do them with, and by the time I’ve made a decision on any of those things, I’ve forgotten what I decided about the previous ones, and so I go round and round in circles.

I have spent a lifetime thinking that there are answers to these questions and that I should be able to get on top of them, that if I try just a bit harder I can make everything fall into place, and my life will become so much easier. Now I’m coming to accept that all the planning and to-do lists in the world are never going to change me, or change the way things are. There’s a saying going the rounds on Facebook (is ‘meme’ the correct word for that sort of thing?) which I’ve seen a couple of times: ‘Not only are my ducks not all in a row, I don’t even know where my ducks are!’ I’m not even sure whether I’ve got any ducks in the first place.

I sit in my chaos thinking about how to resolve it, and never manage to break out of those circles. Except sometimes I get an idea about one specific thing – like my google drive – and keep looking for an answer, however many times I fall down

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Making Stuff

If you should happen to see me sitting and apparently doing nothing, I can pretty much guarantee that I won’t be ‘resting’. My mind will still be whirling around, jumping from one thought to the next and doubling back on itself without ever reaching any conclusions. I might be re-running an ancient conversation in my head, thinking of what I could have said differently to prove my point irrefutably, or composing a poem or a blog post, but most likely I will be thinking about what I should be doing instead of sitting there and thinking. This was brought home to me yesterday when I was facing the state of my kitchen table in the wake of a week spent (intermittently) making two birthday cards.

The process of making cards, while both creative and fun, is also quite stressful, and the clearing up afterwards even more so. It involves a lot of processes, with lots of bits of equipment and materials, some of them very small, others which are messy (glue and ink), and great potential for things getting lost, spilt, sticking to each other, hiding behind each other etc. As well as that, the creative process itself, the design of the thing, from sitting down with a mental connection such as: ‘Laura – tea and cakes’, ‘Chris – fishing’, ‘Simon- robots and/or dinosaurs’ (my 34 year-old son, by he way, though it could equally be my 5 year-old grandson), assembly of any materials relevant to that topic and trying to come up with something significantly different from last year’s effort is quite taxing in and of itself. Because I’m making them to give to other people – this has really only just occurred to me – it’s a lot more stressful than starting a jumper or blanket or whatever in knitting or crochet, when I know that it doesn’t matter what a pig’s ear I make of it, because no one has to see it but me.

Now, that is an interesting though. Making cards always implies the intention of creating something to give to someone else. Perhaps I should spend some time on using stamps, cutting dies and paper just for the fun of the process without producing anything which might be seen and/or judged by anyone else? When I started doing this craft, I was going to classes and workshops, where I was just making for the sake of it – I have stacks of cards made at those events hidden away in the cupboard, which I wouldn’t dream of giving to anyone else.

This is not what I started to write about – but I think it is a valuable insight, and it applies to lots of things I do – including writing this blog. I can do it because I know it is just for myself, although theoretically it could be read by anyone, very few people ever actually do read it, and so it doesn’t matter, there’s no requirement for it to reach a certain standard of quality, it is just itself.

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Life Systems

I haven’t returned to what I was saying about fractals the other day because every time I sat down to write I found other stuff to write about, and anyway, although it seemed very clear to me at the time when I had the initial thought, it had got hazy by the time I was at the keyboard..

I don’t think fractals was such a great metaphor for what I was trying to say anyway, because they are identical at different levels, and what I was talking about isn’t identical, just nested, like Russian dolls (which, come to think of it, are pretty identical), or ‘worlds within worlds’, the way that our conceptions of sub-atomic particles orbiting a nucleus depict them as being like planets around stars. And if that was the metaphor, what was the subject I was trying to describe? I’m even hazier about that but… my thoughts and actions, I think. Does that make any kind of sense? No, I don’t think so either, not logically, but in the analytical part of my brain, I can sort of see it.

It’s forty years now since I started studying systems thinking, in a module from the Open University, which I’d signed up to as a one-off (or so I thought at the time) – I think I was described as an ‘Associate Student’ (something like that), and I was just doing this second-level course, partly out of curiosity and partly as a precursor to doing a third-level course on ‘Systems Modelling’, which I thought would help me with a new role I’d taken on in my job – it didn’t, not directly, but it led me, after two years, to sign up for a degree with the OU which ultimately led me to a PhD and my thwarted attempts at an academic career.

Okay, so now I’m talking about my life, which doesn’t directly get me back to the whole ‘fractal thinking’ thing. Except, in a different way, maybe it does. I look back on my life, and I see it in chunks that overlap and interact with each other – the people, the places, the activities, and the different threads of cause-and-effect that run through them. In my teens and early twenties, I had no ‘plan’ for an academic career, beyond undergraduate level – and that, as I’ve mentioned before, I saw more as a way of getting away from the constrictions of my parents and my home town – and (rather ironically as it turned out) finding a husband and/or career which would set me up for an ‘adult life’ (or whatever conception of that I had at that time). Consequently, as I’ve also mentioned before, I messed up my first degree, and was lucky to get a reasonably good job (but less lucky with my choice of husband – the first one, I mean, not the second).

I still don’t think I’ve answered the question – actually, come to think of it, I’m not sure that I’ve even asked one yet. TBC

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Life-Writing, Fractals and Plasterers’ Vans

I’ve been listening to Maya Angelou’s autobiographies, which have been serialised on BBC Sounds, each volume in five fifteen minute episodes. I’ve just played the first episode of a new volume, I think it’s the fifth, and I’ve worked out she is about thirty when it starts.  

I’m not going to say any more about it, and obviously I’m not in any way comparing myself to her in terms of either writing skill or inherent interest of the story, but it did set me thinking about the issues of writing about one’s own life. This is of course because I’m psyching myself up to go back to working on The Long Way Back (when I’ve finished with my current editing job, and if I don’t get caught up in anything else). Maybe when the cafés open again, and I can take my notebook style laptop (bought in late 2019 to encourage myself to go out and do just that, hah! What great timing that was!)

The thing about writing about your own life is the clash between the time it takes to write about it and the time it takes to live it- something I remember writing about at the time when I was travelling, and berating myself for not spending enough time writing. Time has this trick of passing no matter what your intentions or what you actually do (or don’t do) with it. And how do you ever stop? How do you write some kind of conclusion? You make a decision, you find a way to tie up the loose ends which are still dangling from the narrative, but if you don’t jump on it and get it done (and I am clearly not a jump-on-it-and-get-it-done kind of person), events overtake you, and how do you account for them?

I just got distracted by a van parked across the road, with the front passenger door open and covering part of the company name, so that it looks like: ‘X&Y PUG limited’ and I’ve been waiting for someone to close the door so I can see what it really is – I keep thinking ‘Pugh’ except that I can see there’s no ‘h’ on the end and there are some letters covered up, so that makes no sense. But when the full name’s revealed, it’s ‘X&Y PLASTERING’, my eyes had just conflated the beginning of the L with the end of the N to make U. How boring.

I intended to carry on what I was writing about yesterday, and not get distracted into life-writing and plasterers’ vans. I couldn’t see the connection between the former and the ideas of granularity and fractals that were rattling around my brain, but then I realised there was a connection. Writing about your own life is like having a hypothetical map of the world on a scale of 1:1 – it covers the whole world. If the grains are fine enough, doesn’t it appear continuous? So how to structure it into a narrative? TBC…

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Spring Thoughts

Sun shining again this morning. There’s something sneakily deceptive about the tail end of winter and start of spring because, although it might be sunny, it’s not actually warm enough to throw off coats and jumpers, until that day when you find yourself walking down the street in your winter coat and notice that other people are out with bare arms and legs (scrub the latter because these days there are some English blokes who will go out in shorts at any time of year – very different from how it was in my childhood). Oh look, the grammar checker wants me to change ‘bare’ to ‘bear’ in that previous sentence – must be thinking about the US Constitution (or is it the Bill of Rights?) Either that, or it’s about men walking around with fat arms covered in dense fur, like bears – that’s an image that’s now lodged into my brain and won’t go away in a hurry. The explanation given is: ‘possible word choice error’ – nope, sorry mister grammar checker, I said exactly what I intended to say, and I’m right and you’re wrong, as usual.

The coming of spring should be a source of joy, so why am I so grumpy? Partly because of the shambles in the garden, I guess – not that I’m ungrateful for my snazzy new shed, but it’s brought home to me the amount of work that needs to be done everywhere else. Gardening is one of those things that I have in times past been very enthusiastic about – or enthusiastic about planning, thinking and fantasising about, at least. Like most things which require sustained effort and attention, I rapidly lose interest when the results don’t live up to my hopes – or just generally lose interest when other things take over my time and attention.

A recent discussion on the dyspraxia Facebook page centred on the word ‘dyspraxia’ itself, which has been concocted from Latin or Greek (maybe both) to mean ‘bad at doing’, just as ‘dsylexia’ translates as ‘bad at reading’ or dyscalculia ‘bad at arithmetic’. (BTW, I did pick on the fact that I mistyped ‘dyslexia’, but left it because it amused me.) To me, ‘bad at doing’ sums up everything perfectly, but some contributors to the discussion found it excessively negative, and were arguing for the use of the term preferred in the US, which is ‘Developmental Co-ordination Disorder’, or DCD. I don’t like this at all, and not just because it’s American. ‘Developmental’ makes it sound as though it’s something that occurs in the developing child, and hence the implication is that you can ‘grow out of it’, which I can confirm is a long way from the truth. Then ‘Co-ordination’ puts the stress on the physical effects on gross motor skills, reminiscent of the old term: ‘clumsy child syndrome’, whereas the main impacts for me are those on brain functions: working memory, planning, organisation, absorbing and retaining information, time management, lack of concentration etc.

Not to mention, shit at gardening.  

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Eating Elephants

This is what happened yesterday: it felt as though writing my 500 word post in the morning was the most significant thing I did all day. Some days are just like that. Around midday it got quite sunny, and I went out and pulled a few more bits off the old shed, in the process breaking the chisel for the second time, so that now there isn’t really enough of it left to get behind the planks and lever them off, which is what I’ve been doing up till now. It was an old chisel anyway, which I found in the shed when I was emptying it out, presumably left behind by the previous owner. After it broke I decided that was a sign that I could stop for the day – I’d been there for about an hour, I guess.

I keep picking away at it, not the most efficient way of doing it, I know, but I do as much as I can stand and then leave it in the hope that eventually it will get done (like the bookshelves which have, unsurprisingly, now filled up with clutter in the absence of me tackling them in an organised manner). The front and half a side (of the shed, that is) have now gone, leaving a shell which looks as though any self-respecting storm will blow it away, except that, remarkably for this time of year, we have had no strong winds for the last week. I’d quite like it if the back (left hand side in the photo above) could stay standing as there is no fence behind it, just a small wall, but that’s probably too much to hope for. Eventually, the new shed will go along that boundary, but I need to get rid of the old one first. In the mean time, half of the stuff that came out of it is still in the garden or the kitchen (depending on how hygienic I considered it to be) waiting for the new shed to be moved to its final position, along with the accumulating debris of the old one.

In the afternoon, I made some small progress on the jumper I’ve been knitting (still not sure about the design, which I keep having to re-do), then the yarn cake fell apart (as they tend to do when approaching the end) and descended into an impenetrable tangle, which I spent half the evening trying to sort out till I fell asleep over it on the sofa. I also started on a new crochet pattern for a blanket, which requires working with three cakes at once – what could possibly go wrong with that? The plan is to convert three of the many cakes I bought online last year into a blanket which will be of no use to anyone and shoved somewhere in the spare room if it ever gets completed.

Well, baby steps, hare and tortoise, eating an elephant, etc. And another 500 words bites the dust.

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The Long Way Back

Yesterday was the anniversary of one of my most vividly-remembered days described in ‘Single to Sirkeci’, when I arrived at Port Camargue. Earlier in the week I was remembering Prague, and it all set me thinking about ‘The Long Way Back’, and whether I’m ever going to finish it. I’ve been thinking about it for years – or, more accurately, I’ve been avoiding thinking about it. At first I used to start each year with the resolution that: ‘this is the year I’ll finish and publish it!’, but gradually I got over that, and recently I have been trying to learn to let it go, along with all my other failures.

I spent about six months, from autumn 2017 to spring 2018, trying to make something of it. It started with the ‘rump’ of around forty thousand words describing the return half of the journey from Istanbul back to England, which I’d chopped from the sixth draft of ‘Single to Sirkeci’. Prior to deciding to split the manuscript, I’d spent a couple of years on the herculean task of trying to edit the 200k word first draft down by half, and after brushing off multiple suggestions of chopping it into two books, and stalling at 140k, I gave in to the inevitable.

When I published ‘S2S’ in early 2017, the plan for ‘The Long Way Back’ was to combine the material I had on the return journey with a briefer description of what had happened after my return; my time in Prague; my moving to Southsea; and some reflections on lessons learned from the ‘life journey’ (if I could think of any) – I even wrote an introduction and blurb to that effect, which I must dig out some time when I need a good laugh at the ironies of over-ambition.

Giving myself six months to deal with cancer and chemo, I started in September 2017 to go through blog posts from the time between returning ‘home’ at the start of August 2012, and departing for Prague in May 2013. Rather than the planned précis, I found myself editing a tale of disappointment, depression and yearning, as I struggled to come to terms with life – while, in the present, also struggling to come to terms with moving on from cancer. This resulted in a further fourteen thousand words to add to the forty, and I hadn’t even started on Prague – which, when I went back to it, was also a saga of depression and disappointment, although alleviated in places just by the fact of being in Prague. Then there was the year after, living back with my ex (working title: ‘Madwoman in the Attic’), mystery illness, moving to Southsea – and then what?

For a while I toyed with the idea of turning Prague into a third volume, and spent some time trying to find three–syllable words starting with either ‘B’ or ‘R’ to make a catchy title: ‘Bohemian Something-or-other’ but with no luck.

Then I just stopped. I just stopped writing.

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Vyšehrad

The other evening when I was cooking dinner, Radio 4 Extra was on in the background, playing ‘Soul Music’ – a programme which you can only imagine being made by the BBC. Each episode takes a piece of music which has a ‘powerful emotional impact’, with a handful of speakers talking about it and what it means to them. It is a wonderfully eclectic programme, and the musical pieces come from everywhere: ‘Life on Mars’, ‘Once in a Lifetime’, ‘I Wonder as I Wander’, ‘Sunshine on Leith’ (I’ve never heard of that one), ‘Lean on Me’ and ‘Dock of the Bay’ plucked from a list on the website.

This week it was a classical piece which at first I didn’t recognise and wasn’t paying much attention to, when I heard a voice saying something about a hill which was supposed to be the site of the original castle, rather than the current castle further down the river on the other side, but this was just part of the foundation myth of the city… and it dawned on me that they were talking about Prague. Then it cut to a piece of music which I definitely recognised, but couldn’t have told you the name or composer, and I heard the words: ‘Vltava’ and I knew before I heard it that the site they were talking about was Vyšehrad.

Vyšehrad was one of my favourite walking places when I wanted to avoid the tourist crowds. It was directly across the river Vltava from my flat, something that I only realised when I was there and looking back to my side of the river managed to pick out the funny little church across the road from me. But to get there I had to take one tram to the interchange at Novy Smichov, near the big Tesco, and then change to get across the river bridge, get off and either catch another tram back up the river or walk along that side. Once, not so long ago, I could have told you all the tram numbers, but I don’t remember now.

But I have to tell you first that the music was by Smetana, one of the three great classical Czech composers, the other two being Dvořák and Janáček. Smetana was the only one I’d never heard of before I went to Prague. ‘Vyšehrad’ and ‘Vltava’, I learned from ‘Soul Music’, are two of six ‘symphonic poems’ that make up a patriotic symphonic cycle called ‘Má vlast’ (‘My Fatherland’), inspired by the history, legends and landscapes of Bohemia.

I have seen his grave in the cemetery on Vyšehrad, overlooking the vineyards reaching down the castle mound towards the river. I wrote at least one blog post about it, but on a blog which is now defunct (though I still have the content somewhere). I was walking there on a Sunday afternoon in February, seven years ago, when I read the text from my daughter that brought me home to England by the next Wednesday…

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Any Dream Will Do

Yesterday the high temperature in Southsea was 15°C (or 59°F if you live in the USA or the twentieth century). This makes today a doubly exciting day for the weather blanket: a new colour (green) as well as the 17th of the month, which means the beginning of a new row, an extension of the border, and a new colour (lilac) in the border. The green is slightly strange, because there’s a very limited range in the green/blue range of the new yarn I’m using this year, so that will be interesting to see.

I dreamt last night and woke up at around half past six with no recollection of what I’d been dreaming about, just the knowledge that I had been dreaming, and that it might have been quite exciting. I always hope that one day I will dream the perfect plot for a novel (or even short story) and that it will still be just as good in daylight. My unfinished novel was triggered by a dream over thirty years ago, and the (sort of) finished-but-crap one I wrote in the 1970s-90s came, as far as I can remember, from a combination of a dream and a picture of hills in the bedroom of the flat I was living in at the time. Who came over that hill? That was the start, and the answer was: men on horseback, but why were they there? It took me twenty years to finish that one.

Why can’t I finish anything? I have – I think – two unfinished cardigans and another one which didn’t fit when I finished it and I was planning to pull it down and re-use the yarn, but I don’t know where it is. There may be more – there’s a square from the back of one that I started and then abandoned – I think I decided the hook was too small, and I started again with a larger hook and different yarn and I did finish that one, then unravelled some of the first one to do the variegated fair isle pattern on the jumper which I finished last week.

This morning, I thought about this and wondered: does it matter, really, that I keep starting things and not finishing them? I picked up one of the unfinished cardis in the bedroom – I’d started one sleeve, but only did a little, and I’m wondering whether it works as a waistcoat, and if so, whether it would be better with a cap sleeve (as it has on one side) or no sleeve (as it has on the other), or should I finish both sleeves? Any way would produce a garment of sorts which I might wear one day, or possibly not.

Why do I start new things? Is it because I get bored easily? Or because starting something new is always a lot more interesting and fun than finishing something else? Because I run out of ideas – that’s what normally happens with writing – or have too many new ones?