Superficial Stuff

Yesterday I received my first Christmas card of the season through the post, and it was from the friend I mentioned a couple of days ago (hers is always the first). There wasn’t a long letter this time, just a handwritten note in the card to say her Mum died in May. Luckily I hadn’t already sent my round robin letters, so I can write a personal note to her. It’s a worry when you don’t have any contact from one year’s end to the next and don’t know what might have happened in between.

I don’t have to go anywhere today, and although the sun is shining I doubt I’ll be tempted out of my burrow. Yesterday after my trip to the hospital in the morning, I made the mistake of going into the Range on the way back to see what Christmassy paper, cutting dies and stamps they had. Unfortunately, this hobby is really about buying stuff – which looks amazing and inspiring in the shop and then disappears into the cupboards when I get home. And then there was the depressing socially distanced queuing. Most of my shopping this year has been online. I had to buy a winter flowering shrub (skimmia), two boxes of coconut Lindors and a kilo of Fox’s biscuits to cheer myself up.

In the afternoon, I completed the interiors of three of the cards I made the exteriors for at the weekend (which means I now have a total of four usable cards), but got stuck on the remaining two because I thought I’d got a second sheet of the matching paper for the front, to do the internal decorations with, but couldn’t find it anywhere. After I’d spent an hour going through the mess on the table, it was getting near dinner time, so I left it, with a plan to start some new ones today with different paper in hope that the other will turn up, or if not I’ll think of something else to go on the inside.

This is why I have to allow so much time to do these things. Ten days from today to the last second-class posting date. Also I need to re-order some teas, coffees and hot chocolates from the Whittard’s website, because an order that I thought I’d sent over a week ago never turned up – when I checked, the order wasn’t registered, although I remembered doing it on the ‘Black Friday’ weekend, so I must have just put it all in the basket without confirming it.

Just had a text from someone I’d arranged to see next Monday in Bedford and hadn’t told her I won’t be going. Still haven’t rung up the steam train people to cancel the booking so I can get my money back (in the form of vouchers to go next year). At least I contacted the catsitter yesterday and rearranged that.

Not very deep today, am I? This is why my head is always in a mess.

Rabbit in the Headlights

Later this morning, I’ll be going to the hospital for my annual mammogram, postponed from last month because of the lockdown. I don’t want to go – not that it’s that painful (though it’s never comfortable), but I don’t want to go to the hospital, or anywhere really – just as I didn’t particularly want to take the van out last week, but this time I really have no choice.

The card-making didn’t go so well yesterday, partly because I was, like Friday afternoon, trying something different (for the inside of the cards), and I only completed one. So I’m still not ready to send off my letters, which feels a bit as though time’s running out.

Thinking about all this yesterday after I’d posted – and when I was getting frustrated with how I was going to do it, and panicking a little in case I did anything that would ruin anything I’d done so far – it struck me that there is a distinct ‘first world problem’ side to all this. It’s all so trivial, isn’t it, on the global scale? Yet it feels so important to me. It feels – at risk of sounding melodramatic – like an act of courage, something I’ve had to psych myself up for, and have to keep motivating myself to continue. Now, not that long ago I would have been berating myself for that, feeling stupid, frustrated and angry with myself for making such a big deal over it. I’m trying not to do that, though several times over the last few days I’ve been struck by panic about it all. I honestly know how ridiculous and irrational all this sounds. This is a side of me that nobody knows about (unless they read this blog, and even then they probably won’t take it seriously). These are the sort of battles that I have with myself all the time, to ‘get over myself’, in that weird phrase that just popped into my head.

This is the rabbit-in-the-headlights me that somehow – not sure how – I manage to hide from other people a lot of the time. Life is easier if I don’t set her challenges, and there are enough challenges in everyday life to try to protect her from (though fewer during lockdown). I can never get rid of her – I’ll never ‘grow out’ of her if it hasn’t happened by now. She is the essence of me, and I’m not sure whether referring to ‘her’ in the third person is such a good idea, but there again, it does convey the point that ‘I’ don’t have a lot of control over her – I can threaten her and bully her but doing that always has consequences for me, because I’m the one who feels the pain (even more so when I get angry with her). But there are things which she/I now can deal with and enjoy only because I/she have persisted in making her/myself do them.

Little battles can be as difficult as big ones. I have to keep trying.

Creative Chaos

My head’s a bit of a mess today. I’m trying to focus.

Prompted by my efforts with the card making (which continued yesterday) I’ve been thinking about creativity, a topic I’ve been planning to tackle for a while. In fact the post which I wrote on Monday (but didn’t share) was about how difficult it is for me to see any value in anything I make. I was coming to the end of the Christmas jumper I’ve been knitting for my daughter, when I read a Facebook post by a lady who runs a local craft shop. She’d shared some photographs from a 1980s knitting pattern magazine, showing celebrities wearing jumpers with silly slogans and daft pictures – rather like the one I’ve just made, in fact. The comments were so mocking, and in a nasty ‘What were they thinking?’ way, not a gentle way, that I immediately felt ashamed and embarrassed by my efforts. What was I thinking? More to the point, what will my daughter think? God knows. But it’s done now, I said I would make her one and I did, I made up my own pattern and didn’t consult her so that it will be a surprise. If she hates it – openly or secretly – I still enjoyed making it.

That’s why this is the first time I’ve made cards for anybody other than my nearest and dearest – because what if they think they’re just naff? (Actually, two years ago, when the lino-printing classes were still running, I made some Christmas cards, but never sent any of them for exactly that reason.) Well, I suppose with these people I never see, it doesn’t matter what they might think, because who really cares that much about Christmas cards anyway? What really matters is that I enjoy the process. And that links in with what I was saying a while back about the quest and the prize, the journey and the destination, the process and the outcome.

So yesterday, I did some more, and because the one I’d done on Friday wasn’t too bad, I stuck with the same design, finishing the exteriors of six cards, although I also need to do more inside them. I made a conscious effort not to get stressed but just to enjoy it – even when I still kept losing things and making mistakes. There are lots of little bits and things to get lost, and lots of little steps that have to be done in the right order, and that is exactly the kind of thing which does make me stressed, because it’s hard for me to hold a plan in my head and remember what I need to do next – which is why it always takes me so long. But I took my time, tried not to give myself a hard time, and got into a rhythm.

Practice, repetition and routine is good. Anything creative is risky. What I do may be crap – there again, it might get better if I keep trying.

Round Robin

I didn’t post on here yesterday, but I did write my annual letter, sent to a handful of people from years ago whom I’m still in touch with enough to send Christmas cards and write to once a year. I don’t really know if the recipients are pleased to get it or resent being sent a computer-written and printed ‘round robin’ style letter. I used to edit each one for the specific person it was going to, but as the years pass and the interval since I saw them all in person grows longer, I think – well, at least this is better than nothing. At least they know I’m still alive. One person sends me a similar letter, one sends me a handwritten letter, most just a card with maybe a few words or just the usual greetings.

The handwritten letter is from the longest-standing friendship of them all, a friend from school, who went to teacher training college in London for three years in the 1970s and returned afterwards to the village she’d left, married the brother of a girl we were at school with, and taught at the village school all her working life. The last time I saw her was at her silver wedding anniversary party in the village hall in 2004, and before that, her 21st birthday party. In the quarter-century in between, we’d lost touch, until my Mum, one day in the 1980s, had a phone call from her asking ‘are you the Mrs Rushby who used to live in…?’ and passed on my address.

The letter I wrote yesterday turned out to be a little longer (600 words) than these daily offerings, about how I’ve been, and what I’ve been up to (not a lot, apart from the wedding) and my plans for Christmas – which changed anyway in the course of writing because I got a message from my daughter saying that my granddaughter is now quarantined till the 16th because a child in her class has tested positive for Covid, so I won’t be going to see them next weekend. And as usual it’s a computer-produced letter, but I decided yesterday morning that I would make Christmas cards this year, using the vast array of card-making equipment (die-cutting machine, metal dies, stamps, inks, sheets of patterned card and paper, scissors, glue, stickers etc etc etc) which I’ve acquired over the last two years.

I won’t go into the background story of how I started that particular hobby (not today anyway), but I will say that although it’s fun some of the time, I also find it unbelievably stressful. This is partly because there is absolutely no way for me to avoid creating a massive mess with all the stuff, and also (and related) that it takes me ages to make anything because I am constantly looking for the thing that I had in my hand only ten minutes earlier.

Yesterday I started with a determination NOT to get stressed, to keep it simple, and tidy.

I will try again today.

Home Decor (continued)

Yesterday I wrote but didn’t post, because I felt it was too miserable, just read it again and it doesn’t seem so bad, should I post it instead of writing anything today? Because I don’t feel any better today than I did when I wrote that. Or should I try and write something innocuous, about bookshelves, maybe?

I said on Sunday that I’d been thinking I needed some shelves in the front room – despite the fact that only last year I finally got someone to come and take away the unit which was in there, which had shelves and cupboards at the bottom and a smoked glass fronted cupboard at the top, because I thought it was taking up too much space. But when I started thinking about shelves again, I had in mind something that could go in one of the alcoves either side of the fireplace, which would be more out of the way. The study is full of IKEA ‘Kallax’ cube units, which I bought because they’re so versatile – they’re a good size for box files, jigsaws, albums (the vinyl, musical kind and the photographic kind, both of which I’ve got lots of), and you can get extra storage things to fit in them, like soft boxes which you can stuff with knitting wool, and internal shelves, and drawers, and little doors to turn them into cupboards… except, of course, mine have just got stuff dumped indiscriminately on them. I could fit a two-by-four sized one into that alcove, but maybe something else would be better?

On our way back from the trip to IKEA, my daughter and I dropped in at her Dad’s place, to pick up the grandson whom he’d collected from school, and were talking about this dilemma, when my ex said:

‘Would the ones I got from Argos be what you’re looking for?’ So we went into his dining room and looked at two quite simple, basic, nice-looking bookcases, which is why, on Saturday when I was looking to buy them online, I looked at the Argos ones, and ordered one from there instead of IKEA – despite the fact that we bought cheap furniture from Argos years ago, and it was always a bit rubbish – but hey, I’m not anticipating a spread feature in Better Homes and Gardens, so anything I can just shove stuff onto in the corner will suit me fine.

It was delivered, in two boxes, on Sunday morning, and in a fit of enthusiasm I opened the box and read the instructions. All looks pretty straightforward, and I was tempted to launch into assembling it straight away, then thought: is it sensible to start doing this straight away when there are so many other things I’ve got to do?

So I now have two large cardboard boxes lying on the front room floor, which I ignore and step over, and the cat is slowly learning to navigate around, or stare at until I push them out of her way.

Je Ne Regrette Rien

This morning I got up and walked to the beach. I was there in time for the sunrise, but the cloud cover was solid, and there was nothing to see. I sat on my usual bench, but the wind seemed to be blowing directly at me, and I didn’t feel comfortable enough to drink my coffee, so I walked down to the tideline and tried to photograph the waves, which were pretty fearsome. They were licking at the remains of a sandcastle, which seemed bizarre – who had been there building a sandcastle at this time of year?

I left the beach to cross the esplanade and drink my coffee in the Rose Garden, which is more sheltered, and as I turned to look back, I saw the clouds moving and parting, and a brief burst of light came from the gap and shone momentarily on the sea.

I think I finished yesterday saying something about regret, and Geoff Dyer saying that whatever you do, or don’t, there are always regrets. But I part company with him there – I think I’m quite good at avoiding regrets, over the big things, anyway. Of all the major changes I’ve made over the last twelve years, I don’t think there are any which I would undo, were such a thing possible, even the ones whose consequences were painful at the time. Not that that spares me from agonies when I have to make a choice, but that’s another matter. The torments I went through before I decided to move here – which seem ludicrous looking back from this perspective – were only finally settled when I realised that if I didn’t at least try it, I would always wonder what would have happened if I had. And now I know.

I read somewhere – a few years ago now – that it is part of human psychology to see major life choices – marriage, house purchase, choice of job, divorce – in a positive light once they’ve been made and committed to. It’s the ‘it was meant to be…’ syndrome: ‘I was meant to meet you, move here, do that – because look what happened!’ I was saying this a couple of weeks ago, I think, when I talked about fate and fatalism. We know the consequences of those decisions, and can’t really imagine what the alternatives might have been like. Of course, this isn’t universal, and I can’t remember the research and references off the top of my head, but I can see how it has worked out in my life.

In the time before I left my husband, I bought a greeting card with the legend: ‘The only things I’ll regret are the things I don’t do’, and stuck it to the wall behind my computer. It also became the tagline for the new blog I started when I moved out. I’ve still got that card, in fact if I look over my left shoulder, I can see it on a shelf. I think it’s a pretty good motto.

Calling

Sunshine outside the window, and Miko has just come to join me at the computer. I thought last night that maybe I would get up and walk to the seafront for sunrise this morning, but although I was awake in plenty of time, I didn’t do it. Maybe I’ll go later, but probably I won’t.

The word ‘hibernation’ comes from the same root as the French hiver, winter, so it literally translates as ‘wintering’, but is mainly used to describe the ways in which some animals adapt to winter conditions by slowing down, conserving energy, and in some species entering an extreme state which can last several months (I’m not a zoologist, this is just my layperson’s understanding of the term). I don’t know why I just wandered into saying that, all of which I’m sure you already know, it’s just the link with hiver that I find interesting. I thought that was going to take me somewhere, but I’m not sure where – or to put it another way, I don’t have a bloody clue.

Sitting here staring past my computer and out of the window and thinking about the Purpose of Life, and wondering how to say that I don’t believe there is one – I’m pretty sure mine doesn’t have one, anyway. Last night I was listening to the Paul Simon song ‘Slip Slidin’ Away’ and thinking I’d never noticed before quite how nihilistic it is – especially the verse about the woman who ‘…became a wife…’

Like Descartes, the only thing I can say for sure is that I must exist, because I am always thinking, and something must generate those thoughts – plus I receive sensory messages which tell me I have a physical body which interacts with an external world; accumulated memories of past events; and the ability to anticipate and prepare for future ones. I have experienced joy and despair, but never anything which convinced me of the existence of any higher power or God outside of those created by human cultures or explicable by science – although I don’t think this has affected my appreciation of the beauty of the world. So I’ve never felt ‘called’ by any such higher power, and insofar as I’ve ever felt ‘called’ to anything, I suppose I could say it was to writing. It may seem a little harsh not to mention my children at this point, but although since they appeared, my commitment to them has  been total and overwhelming, they came as the result of choices made by myself and their father, and I can see alternative lives in which I didn’t have them (though of course I am eternally grateful that I did).

Back to writing then – the one thing which has always been there, the closest I’ve ever been to having a ‘calling’ or to ‘following my bliss’. And here I am, still following it, doing it every day, in however limited a fashion.

And wondering what it was that I meant to say about hibernation.  

Not Writing, but Blogging

Where does this stuff come from? I sit down with a vague idea and the words come out in a completely different direction – like starting from a conversation about the role of fate and chance in an individual life and going off on one about Isaac Asimov and the fates of galaxies (not to mention Planet Earth).

Lately much of my time is being taken up with obsessing over getting this jumper finished – so much so that I haven’t even touched the weather blanket for a week. And a fair amount of that time, of course, is taken up with untangling wool, although yesterday I felt as though there was a better balance, and that I made reasonable progress (admittedly it was a less complicated part of the design). In fact it even feels as though I may be approaching the end – although I still have to do the sleeves, which always take longer than expected. I’ve made a start on one of them (when the body got too stressful) and I’ve decided to incorporate small candy canes into the pattern to relieve the boredom.

I still have moments (or even hours) of panic that she’s not going to like it. But then I think – too late to go back now, I might as well just keep on the way I’m going, knowing that whatever my daughter’s opinion, I’ll be embarrassed by it when it’s done. She asked for it, I tell myself, and she knows well enough it will probably turn out to be a mess.

But I’ve decided to stop worrying about the quality of the things I make (which goes for my writing too, which is why I’m still writing this blog). Also I heard on the radio the other day that only ten of Emily Dickinson’s poems were published in her lifetime, but almost 1800 were discovered by her sister after her death. What does it matter?

This takes me back again to ‘Women Who Run With the Wolves’, and the idea of the poetic imagination, or Wild Spirit, (or whatever you want to call it) being stolen or given away or strangled at birth. Looking back over my life – which I still haven’t delved into in depth – has shown me how much I’ve repressed, denied, pushed away, belittled that side of myself, while simultaneously longing for it. So I’ve decided just to do what I can without thinking too much about it or expecting anything from it. Lockdown helps, of course – as it did in the spring: I feel a lot less stressed and more content when I don’t have to go out and interact with other people. That’s something else Dickinson is famous for – it’s said she rarely left her bedroom –at least I have a whole house to myself.

Despite longing for the life of a wild bohemian, I never had the nerve or the opportunities. I’ve always been more Emily Dickinson than Bloomsbury – and at least it requires a lot less energy.  

The Way It Was Then

When I was very young, all I wanted to do when I grew up was to be a writer. However, if anyone asked me, I would say I wanted to work with animals (mainly because I’d rather spend my time with them than with other people). I never told anyone about the writing idea, because I knew that writers were very special and talented, and I was far too dull and not at all special, and besides, there was another girl in my class who wanted to be a writer, and she wasn’t the sort of girl I could ever compete with. Also I knew that the main goal of a girl’s life was supposed to be to find a man, get married and have children (although I never really liked children, didn’t even play with dolls), or, if she couldn’t find a man who was interested in her (which seemed the most likely scenario for me), she had to stay at home and look after her elderly parents, and most likely become a teacher (a horrifying prospect). At least marriage and children (if achievable) offered some likelihood of financial security and time to write (when the children started school).

Before you ask, no, this wasn’t the Victorian era, it was the 1960s, but when I looked at my mother, and my aunts, and the neighbours, and my teachers, there didn’t seem much evidence of women breaking free of those stereotypes. The pattern was: you worked until you were married (or, if hubby was particularly enlightened, till the babies came along), then you gave it up, and maybe when the children were older you got a part-time job in a shop, or the Birds Eye factory, or the biscuit factory, or cleaning offices, for ‘pin money’.

As I grew older, I discovered there was a route out of this: university. If I did well enough in my exams (which I would), I could leave home and go away to a place where there would be lots of young people, in a new, exciting town, probably in the sophisticated, even decadent, South, where no one knew me as the pathetic little nobody I truly was, and even I might stand a chance of finding a boyfriend (boys outnumbered girls three to one in universities at that time), and best of all, I could go with my parents’ blessing, and as long as I kept my nose clean in the holidays, they wouldn’t have a clue what I got up to, they might even be proud of me, and at the end of three years I could get married, and maybe a job, and never have to go back again.

Funnily enough, that is more or less how the plan worked out. I met someone in the second summer vacation, when I’d managed to wangle a job in Reading so that I didn’t have to go home, he asked me to marry him, I said yes, and that was that. Sort of.

Tangled Again

I wrote yesterday, but when I tried to upload it, I found that there was no wifi. I restarted the router, tried to get on from the laptop, switched the telly on and even the Tivo wasn’t connected. Went looking for the contact details for Virgin Media, funny how they never give you a phone number, or if there’s a letter or document somewhere that has that information, I couldn’t find it. It was down all morning, came back up just before one o’clock. I’d texted a friend who lives a few streets away who also uses Virgin, he replied mid-afternoon, when mine was back, to say that it had been up and down all day.

So I never posted what I’d written, but might do later.

Horrible weather yesterday. That does sometimes seem to correspond with the wifi being crap, I don’t know if it’s related, or if so how, it’s just an anecdotal correlation.

When I wasn’t fretting about the wifi not working, I was fretting about my knitting. I have one knitting project (jumper) and one crochet project (weather blanket) and they both have multiple colours of yarn which are permanently tangled, so that it feels some days I spend more time untangling yarn than I do crafting. Sometimes it can be quite a soothing thing to do, but mostly it’s a frustrating chore. I don’t know what I do to make it happen and I don’t know what I can do to stop it happening, except not use so many different colours – and I don’t want to do that, which would be very boring.

For the Christmas jumper, I’ve currently got two additional balls of white on the back (for snowflakes), two on the one sleeve that I’ve started (for candy canes) and seven on the front. You may ask why I make it so complicated, but the point is that it’s a pictorial design, and unlike cross stitch or tapestry, where you can work on one area at a time, everything that appears on one row has to be done at the same time.

I’m also having doubts about what the recipient (my daughter) will think of it. Is what I’m doing completely bonkers? On the current bit of the front, there’s a gingerbread man flanked by two candy canes and two cup cakes – okay, I admit, that IS a bonkers idea. I’ve adapted it from a cross stitch pattern and a jumper a friend of mine had last year, with the slogan: ‘Calories don’t count at Christmas’. Over the last three years I’ve made jumpers for the grandkids, and my daughter kept saying: ‘when are you going to do one for me?’ but I do wonder how she’ll react.

I always have this when I make things for other people. Will they like it, will they wear it? Personally, I wouldn’t be seen dead in half the things I make. I’m following my creative instinct, but I do wonder about what it produces.