Category: Stevie Nicks

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The Chain

Wrote this yesterday. Didn’t share it – chickened out. I’m sharing it now.

Rejoice, rejoice,
We have no choice
But to carry on.

Stephen Stills, 1970

Will I be doing my bit to support the economy by going shopping today? Probably not. I’ll stay at home and carry on doing what I’ve been doing for the last couple of months, thank you very much.

This morning I am lost for words, a strange experience for me. Poised on a knife edge between opening myself up and expressing my honest feelings and thinking of something else, less contentious to write about – at the same time as watching on YouTube – really watching for once, not just playing music as a background – Fleetwood Mack performing ‘The Chain’ live, witnessing the rage flashing and crackling around and between Stevie Nicks and Lindsey Buckingham, feeling it entering and reflecting my pre-existing mood of pent-up furious chaotic self-destructive energy.

Why? Why this morning, why today?

‘Where [am I] going now my love?
Where will [I] be tomorrow?
Will [it] bring me happiness?
Will [it] bring me sorrow?

Oh, the questions of a thousand dreams
What you do with what you see…

Stephen Stills

Woke up with my usual mixture of shame, self-hatred and despair, but instead of taking the path of trying to calm it down and hush it up, I decided to go the other way and face it all head on, and this is where it gets me. For once I can feel all that anger in my body, not just think it in my head.

This was happening in my therapy sessions towards the end of last year, when we were still meeting in person. Every week I would come into the room with whatever was in my mind, but before the end of the session I would be screaming and grinding my teeth and smacking my fists against the arms of the chair to stop myself from smacking them into the side of my head.

It would be easy to put this down to the repressed frustration and anger of a child whose voice was never heard; whose questions were met with impatience if not downright anger; whose feelings were never acknowledged without disapproval; who learnt that those feelings of sadness and loneliness and inability to mix with other children or interact with adults were her own fault, a wilful failure to play the ‘happy little girl’; who lived in a world of confusion, constantly trying to anticipate what was wanted of her, never knowing when she might unwittingly overstep some implicit boundary and suffer the consequences.

Maybe that is a true story, maybe not. I honestly don’t know. In last week’s therapy session, I said that I’m sure there must have been happy times in my childhood, but I can’t remember them, which to me feels very shameful, my failing that I should be so unfair on my parents, but the therapist’s reaction was that it was very sad.

After sixty years, after multiple attempts to resolve these questions, can I ever find a way out?  

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The Women That I Was

When I do my morning practice, thoughts often turn up in my head, potential poems, phrases from somewhere else, or bits of songs. This morning I decided to put all my incense cones into one box and mix them up, and while looking for a box I found a tiny box of matches which I remember once set me off into reminiscence and caused me to write a poem, some time last year, I think. Memory squared. I’m going to look out that poem later.

I had the song ‘Dust in the Wind’ in my head when I woke up (a song for our times if ever there was one) and as I started on my yoga stretches, and was thinking about that and the poem inspired by the matchbox, the phrase ‘the woman that I was’ popped into my head. I knew that it, or a phrase very like it, was from a song; the word wasn’t ‘woman’, but it was sung by a woman, and it wasn’t Joni Mitchell, but if I could work out what that two-syllable word was, I’d know. Then it came to me in a flash that it was ‘Gypsy’ by Stevie Nicks. I’ll have to fish that out later as well. And ‘Dust in the Wind’ – which is by Kansas, but I always forget that, or I think it’s Toto, and when it popped up on Amazon Music the other evening I had a laugh because I saw the connection between the two and why I mix them up.

The poem was about the woman that I was, though it wasn’t so long ago, about ten years. And the woman I was in it was who I was for a very short time and I’m not her any more – all we are is dust in the wind. I liked her, I liked being her. She was a bit wild, Bohemian, a dreamer, and she called herself Melinda – she came and went – like Ruby Tuesday – and she had a Bohemian adventure in 2013, but it didn’t work out the way she was dreaming of – nothing ever did – and perhaps that was her last gasp. So who am I now? Cat-by-Herself is my current persona, she emerged from the shadows – ooh, how long ago? Somewhere on a train, between the Camargue and the Balkans, perhaps, or Sofia and Istanbul, or on the shore of the Black Sea. She was the fourth corner (according to CG Jung, all threes need a fourth for completeness) – and she was the resolution of what someone flatteringly called ‘the Lovely Triad’.

I thought I’d left them all behind – Belinda, Melinda, Cassandra – but they all pop up from time to time. Melinda is the poet, after all; and Cassandra, the gloomy prophetess, the brain-the-size-of-a-planet whom no one listens to, but who still gets excited over the flash of intellectual connection; and sad Belinda sitting in chaos with her permanently aching heart. I still need to find a way to reconcile them.