And another anniversary, and not just of the second day of the move, but a year later, when I got an email from my ex-husband saying that he’d had an offer on the house, which set the wheels in motion towards my finally moving into this house – with all the Stuff from the attic and both cats – but not till another six months later.

On my walk yesterday, I wrote a poem in my notebook while sitting behind the café, but didn’t post it on here, because I had to do the final NPWM as well (I’m tired of that acronym and the alternating shift-key-no-shift-key palaver). I will type it now and see what the word count is, and decide whether I need it to fill out this post or I’ve got enough to say otherwise.

Just the one poem. I mentioned in my therapy session that I came up with four poems on my walk last Saturday. The therapist didn’t respond directly, but later referred back to me casually mentioning it, as though it was nothing much, whereas to her it seemed like it was some kind of achievement. But then, what was it? It was just me going to the trouble of writing down some stuff that came into my head – that’s all my poems ever are, after all. If I’d casually mentioned that I’d hoovered my whole house, or cleaned all the windows, inside and out, now that would be a remarkable achievement.

I can’t repeat this often enough: I don’t know where my writing comes from, I have no control over it (especially poems). It’s all about this torrent of words in my head. That’s how I manage to churn out these 500 words a day – how I even once managed to produce five thousand words in thirty days (and what a massive waste of time that was). I know sometimes I say that I don’t know what to write about, but that’s usually not because there is nothing there but because what is there is stuff I’m either embarrassed to show or something which might cause trouble in some way if I did share it. Sometimes it comes in a kind of rhythm, and then it might be the start of a poem, and it might go on to be a poem.

The Square Peg

You’ll never file my edges off
to make me fit the hole
you planned for me,
however hard you try.

I tried so many years
to mould myself
into the space I thought
I ought to fill.
I always failed, and
took the failure on myself,
and blamed myself for failing
every time.

My edges are what
make me who I am;
they fuel the restless longing
for a space where I could fit;
a space I’ll never find
unless I make it for myself.

Linda Rushby 1 May 2021

I’m getting a massive sense of déjà vu now, not so much about the actual moving day but because I think I must have written about this every 30^th April for the last five years, and I’m sure I’ve read it not that long ago. I stayed overnight on a camp bed in the flat then drove back up to Bedford the next day to collect the rental van and fill it with stuff, then on the day after that I drove down in my car with my ginger cat in a basket on the seat beside me, via Guildford, where I picked up my son, while my daughter and her then partner (now husband) drove down in the van, which had to be parked at the end of the road, because there was no room outside the flat, and the furniture and other stuff carried through the drizzle and up the stairs into the flat.

Every year I feel as though I should mark this date in some way, which I’ve done today by going for a walk, retracing some of the steps of the first day – except that that was really a coincidence because I only thought about it when I was sitting on the bench behind the café drinking coffee from my flask (because the café doesn’t open till nine on week days).

What I did think about when I was walking was how my regular walking route has changed from when I lived in the flat. That first day I walked along the beach to the Coffee Cup and then turned inland, and walked past the cemetery and along the road which passes the end of the road where I live now, past all the shops and then the traffic lights where I turned back towards the sea again. That first summer, my walks were mostly in the opposite direction from where I was today, through the Rock Gardens, past the castle and across Southsea Common towards Portsmouth Harbour. Over the last year, while I haven’t even been going to the swimming pool, I’ve stopped going over that way altogether.

Maybe it’s time to start revisiting some of my old haunts again.

I did my napowrimo thing, but thought; what can I say/ it’s not even half way through the month, and if I’ve reached the darkest point already, what am I going to do for the next two and a half weeks? (Seventeen days counting today). To add to the frustration, the shift key on the right side of my keyboard has stopped working, which means it’s a pain to do the capitalisation for NaPoWriMo 9and if I don’t keep on top of it lots of other things go down the toilet, like question marks, brackets and i0.

But the keyboard thing isn’t really relevant to my general feelings of despair, and I just need to get round to ordering a new one. I came up with a Napo-etc poem yesterday, but couldn’t quite bring myself to use the word ‘hope’. That’s the problem, isn’t it? When you can’t see any hope you can’t wish it into existence from nowhere. It doesn’t matter how irrational that is, that sense of everything falling apart. What makes any one morning feel any worse than any other? All mornings are shit – if you choose to write in the morning, it’s not surprising if everything comes back to moaning.

But if I’m honest, I know exactly why yesterday was so hard – because it was the first session of tai chi in the park – as opposed to on Zoom – and I’d been dreading going out and interacting with other people – even a nice, friendly group of people whom I used to see every Tuesday morning. Did walking twenty minutes to the park make it somehow worse than three minutes to the community centre where the classes used to be? No, not particularly. Anyway, I could have driven, but that would have meant finding a parking place near the park, and another one near home when I got back, and I need the exercise. The fact that it was in a new place probably did enter into it somehow, even though it’s a place I’ve driven past many times, it’s still a new walk and a new location. But mainly it’s the experience I HAD AT THE END OF THE FIRST LOCKDOWN (not shouting, just demonstrating that because I’m trying to use the left hand shift key I keep getting caps lock instead without noticing. Also, on the sentence I started with ‘Anyway’, I accidentally hit the ctrl key, and when I glanced up everything I’d typed so far had disappeared, because it had done ‘select all’, and I carried on typing – I didn’t realise that was what had happened, but I managed to keep hitting ‘undo’ till it all came back).

I have to go out again today, for a Covid test, but at least that only requires the minimum of human interaction.

I don’t think fractals was such a great metaphor for what I was trying to say anyway, because they are identical at different levels, and what I was talking about isn’t identical, just nested, like Russian dolls (which, come to think of it, are pretty identical), or ‘worlds within worlds’, the way that our conceptions of sub-atomic particles orbiting a nucleus depict them as being like planets around stars. And if that was the metaphor, what was the subject I was trying to describe? I’m even hazier about that but… my thoughts and actions, I think. Does that make any kind of sense? No, I don’t think so either, not logically, but in the analytical part of my brain, I can sort of see it.

It’s forty years now since I started studying systems thinking, in a module from the Open University, which I’d signed up to as a one-off (or so I thought at the time) – I think I was described as an ‘Associate Student’ (something like that), and I was just doing this second-level course, partly out of curiosity and partly as a precursor to doing a third-level course on ‘Systems Modelling’, which I thought would help me with a new role I’d taken on in my job – it didn’t, not directly, but it led me, after two years, to sign up for a degree with the OU which ultimately led me to a PhD and my thwarted attempts at an academic career.

Okay, so now I’m talking about my life, which doesn’t directly get me back to the whole ‘fractal thinking’ thing. Except, in a different way, maybe it does. I look back on my life, and I see it in chunks that overlap and interact with each other – the people, the places, the activities, and the different threads of cause-and-effect that run through them. In my teens and early twenties, I had no ‘plan’ for an academic career, beyond undergraduate level – and that, as I’ve mentioned before, I saw more as a way of getting away from the constrictions of my parents and my home town – and (rather ironically as it turned out) finding a husband and/or career which would set me up for an ‘adult life’ (or whatever conception of that I had at that time). Consequently, as I’ve also mentioned before, I messed up my first degree, and was lucky to get a reasonably good job (but less lucky with my choice of husband – the first one, I mean, not the second).

I still don’t think I’ve answered the question – actually, come to think of it, I’m not sure that I’ve even asked one yet. TBC

But today is neither clear nor bright, just dull and grey with the sound of the wind between the rooftops. And there are no new adventures in the offing, nor, most likely, any new lives to be had which are substantially different from the present one.

Just to say, that first sentence popped into my head as I sat down at the computer. I know it sounds like the start of something, but I’m buggered if I know what. Except that the first phrase – up to ‘spring’ – has a nice lilt to it, as though it could be the first line of a poem. Quite clichéd though, like all those folk songs that start on the lines of ‘One morning in May…’ but which, come to think of it, descend into tales of lust and seduction (when sung by Steeleye Span), and sometimes betrayal, revenge and horrible death.

Well, that’s got those cheery thoughts out of the way.

I put my bedside clock forward last night at bedtime, and when I woke it said 5:20, which was good because I thought I could get up at my usual time and slip quite easily into the new time frame – but in reality I ended up lying in bed anyway listening to podcasts and not getting up till seven. Then I messed about with changing the central heating clock, which was easier than I expected, but as I’ve been doing it every six months for the last four years I should have got a bit more proficient by now. The thing that still bothers me though is that there are two programmes, one for Monday-to-Friday and one for weekends, and I can’t work out how to get onto the weekend programme to change it. At the moment I have it coming on at 6:30 in the week but not till 7:00 at weekends, it took me a while to realise why it was still cold when I got up on Saturdays and Sundays. The instructions I have are on the inside cover of the little box, small print and hard to see, so I have to take it off the wall and into a well-lit area in order to read them, but even then I can’t find out what I need to know. I can override it by pushing the ‘up’ or ‘down’ buttons to adjust the thermostat, so that’s what I do in the mornings if it feels too chilly, but I would like to sort it out.

Other than that – and something falling through the basket of the dishwasher and jamming the rotating arm so that everything which should have come out clean is covered with crud which has baked on during the drying part of the cycle – there aren’t enough words left to say anything else – except I had to unravel my jumper again yesterday.

I’m not going to say any more about it, and obviously I’m not in any way comparing myself to her in terms of either writing skill or inherent interest of the story, but it did set me thinking about the issues of writing about one’s own life. This is of course because I’m psyching myself up to go back to working on The Long Way Back (when I’ve finished with my current editing job, and if I don’t get caught up in anything else). Maybe when the cafés open again, and I can take my notebook style laptop (bought in late 2019 to encourage myself to go out and do just that, hah! What great timing that was!)

The thing about writing about your own life is the clash between the time it takes to write about it and the time it takes to live it- something I remember writing about at the time when I was travelling, and berating myself for not spending enough time writing. Time has this trick of passing no matter what your intentions or what you actually do (or don’t do) with it. And how do you ever stop? How do you write some kind of conclusion? You make a decision, you find a way to tie up the loose ends which are still dangling from the narrative, but if you don’t jump on it and get it done (and I am clearly not a jump-on-it-and-get-it-done kind of person), events overtake you, and how do you account for them?

I just got distracted by a van parked across the road, with the front passenger door open and covering part of the company name, so that it looks like: ‘X&Y PUG limited’ and I’ve been waiting for someone to close the door so I can see what it really is – I keep thinking ‘Pugh’ except that I can see there’s no ‘h’ on the end and there are some letters covered up, so that makes no sense. But when the full name’s revealed, it’s ‘X&Y PLASTERING’, my eyes had just conflated the beginning of the L with the end of the N to make U. How boring.

I intended to carry on what I was writing about yesterday, and not get distracted into life-writing and plasterers’ vans. I couldn’t see the connection between the former and the ideas of granularity and fractals that were rattling around my brain, but then I realised there was a connection. Writing about your own life is like having a hypothetical map of the world on a scale of 1:1 – it covers the whole world. If the grains are fine enough, doesn’t it appear continuous? So how to structure it into a narrative? TBC…

The coming of spring should be a source of joy, so why am I so grumpy? Partly because of the shambles in the garden, I guess – not that I’m ungrateful for my snazzy new shed, but it’s brought home to me the amount of work that needs to be done everywhere else. Gardening is one of those things that I have in times past been very enthusiastic about – or enthusiastic about planning, thinking and fantasising about, at least. Like most things which require sustained effort and attention, I rapidly lose interest when the results don’t live up to my hopes – or just generally lose interest when other things take over my time and attention.

A recent discussion on the dyspraxia Facebook page centred on the word ‘dyspraxia’ itself, which has been concocted from Latin or Greek (maybe both) to mean ‘bad at doing’, just as ‘dsylexia’ translates as ‘bad at reading’ or dyscalculia ‘bad at arithmetic’. (BTW, I did pick on the fact that I mistyped ‘dyslexia’, but left it because it amused me.) To me, ‘bad at doing’ sums up everything perfectly, but some contributors to the discussion found it excessively negative, and were arguing for the use of the term preferred in the US, which is ‘Developmental Co-ordination Disorder’, or DCD. I don’t like this at all, and not just because it’s American. ‘Developmental’ makes it sound as though it’s something that occurs in the developing child, and hence the implication is that you can ‘grow out of it’, which I can confirm is a long way from the truth. Then ‘Co-ordination’ puts the stress on the physical effects on gross motor skills, reminiscent of the old term: ‘clumsy child syndrome’, whereas the main impacts for me are those on brain functions: working memory, planning, organisation, absorbing and retaining information, time management, lack of concentration etc.

Not to mention, shit at gardening.  

I spent about six months, from autumn 2017 to spring 2018, trying to make something of it. It started with the ‘rump’ of around forty thousand words describing the return half of the journey from Istanbul back to England, which I’d chopped from the sixth draft of ‘Single to Sirkeci’. Prior to deciding to split the manuscript, I’d spent a couple of years on the herculean task of trying to edit the 200k word first draft down by half, and after brushing off multiple suggestions of chopping it into two books, and stalling at 140k, I gave in to the inevitable.

When I published ‘S2S’ in early 2017, the plan for ‘The Long Way Back’ was to combine the material I had on the return journey with a briefer description of what had happened after my return; my time in Prague; my moving to Southsea; and some reflections on lessons learned from the ‘life journey’ (if I could think of any) – I even wrote an introduction and blurb to that effect, which I must dig out some time when I need a good laugh at the ironies of over-ambition.

Giving myself six months to deal with cancer and chemo, I started in September 2017 to go through blog posts from the time between returning ‘home’ at the start of August 2012, and departing for Prague in May 2013. Rather than the planned précis, I found myself editing a tale of disappointment, depression and yearning, as I struggled to come to terms with life – while, in the present, also struggling to come to terms with moving on from cancer. This resulted in a further fourteen thousand words to add to the forty, and I hadn’t even started on Prague – which, when I went back to it, was also a saga of depression and disappointment, although alleviated in places just by the fact of being in Prague. Then there was the year after, living back with my ex (working title: ‘Madwoman in the Attic’), mystery illness, moving to Southsea – and then what?

For a while I toyed with the idea of turning Prague into a third volume, and spent some time trying to find three–syllable words starting with either ‘B’ or ‘R’ to make a catchy title: ‘Bohemian Something-or-other’ but with no luck.

Then I just stopped. I just stopped writing.

I have been gradually emptying out the old shed over the last two weeks. There’s not much stuff left in there, and I’m planning to get it out today or tomorrow morning before they get here. That’s the plan.

I was talking a while ago about the Madwoman in the Attic years, those times when there were issues in the future that were going to resolve everything (if positive, like getting a job, finding a new lover, travelling, publishing a book, living by the seaside) or were being ignored (if scary, like settling down and finding a home for all my Stuff). In the last few years, I have come to accept that the former group are either never going to happen (the job and the lover), or have happened without really resolving things as I’d hoped they would (the travelling, the books and living at the seaside – though I don’t regret any of them, especially the last). In fact it’s been the settling down and finally having a place that feels like ‘home’ which has been the saving grace for me, though managing the Stuff is a big issue which still needs to be resolved.

The first year and a half of living in the flat near the beach felt in many ways like a continuation of the travelling years – or maybe the first year did, because the last six months was taken up with the stress of house buying, emptying out the old house in Bedford, and arranging for all the Stuff to come to rest here. Then the next year was taken up with dealing with cancer. So I suppose I could say I’ve had three years to date of adjusting to the ways my life is now. People talk about ‘the Third Age’, but in Shakespearean terms, I see this as the Sixth Age – the penultimate one.  

Why am I thinking in these terms today? A couple of weeks ago my therapist asked me what I want to do with my future, what I would do if money was no object. But money isn’t the problem – I have enough money for anything I need, and I can’t think of anything I want that would require money I don’t have. If I came into more money unexpectedly, I would probably give it to my children, or maybe put it in trust for my grandchildren. Perhaps I’ll have some nice holidays when travel becomes a possibility again, though I’ll never be able to travel as freely as I did before.

I spoke too soon about the weather. Rain and hail are driving against the window. Shed emptying, dismantling and erecting might not be possible this weekend after all.   

Sounds quite poetic, doesn’t it? Because of the similarities of the words? It would be even better if that was ‘awake’ – how would I work that into it?

‘I lie awake, alone and aware…’ yes, that works, – or, if it’s a poem, even just : ‘Awake, alone, aware…’

What was I aware of? How did that thought continue? Aware that… this is how it is. This is life – my life. And it’s another morning.

Still in bed, I read, via a friend’s Facebook post, an article in the Guardian about women who choose to be single, to live alone and forego marriage and children, defying the outdated concept of spinsterdom. But of course, the lives of today’s single women, even those who’ve never had a live-in relationship or children, are expected to be very different from those of the stereotypical ‘spinster’ – changes in social conditions and mores have utterly transformed that. A spinster in the Victorian (and also most of the twentieth century) mode could be presumed to remain eternally virgin, whereas modern single women are assumed to have (or have had) active sex lives just as single men are.

The article was focussing on women for whom the single, childless life has been a deliberate choice – something else that has massively changed over the last fifty to sixty years, as women’s opportunities for employment and self-determination have improved out of all recognition. But I’d guess that the majority of women living alone are like me – divorced, with marriage or cohabitation in the past, and maybe grown-up children who don’t live with them anymore.

Did I choose the life I’m living now? I don’t want to revisit the territory I explored last Sunday, but – no, not really – or only in part. Fifteen ten, maybe even as recently as five years ago, this was not the kind of life I was hoping for in my sixties, but it is what it is. The longer I am alone, the more I appreciate the advantages, and given my experiences of living in relationships, I think on balance this suits me better than that did. As the song goes: ‘you can’t always get what you want/But if you try sometimes/you just might find you get what you need’.

So, what is it about waking up alone? What was/am I aware of?

That sometimes we choose our lives, and sometimes they choose us, I suppose. That life is far more complex than we like to think; the future is far more unpredictable than we like to acknowledge, and that our choices are both more circumscribed and yet at the same time more potentially disruptive than we can ever understand. The forces which constrain our choices are not just the physical laws of the universe and chance (which can’t be circumvented) or the man-made laws of behaviour (which can be, but not without consequences) and of interaction with other self-determining beings.

I’ll stop there because I’ve confused myself.