Imbolc, Candlemas, Ground Hog Day… my hatred of January used to extend to February too, but now I’m more relaxed about them both. February is the month when I: moved into my first flat (2009); ran away to Europe (2012); came back from Prague (2014); started chemo (2017)… I could go back further into previous lives and remember: broke off my engagement (1975); had a miscarriage (1985); lost my Dad (1999)… 1996 wasn’t that great either, for reasons I won’t go into, and no doubt I could dig out other disasters if I thought some more, but at least for this century 2009 and 2012 were positive, and 2017 was too, if not particularly pleasant at the time (actually 1975 was positive too, but the mistake was that I didn’t stick with that decision).

February… well we all know it’s the shortest month and the only one that has different numbers of days depending on the year (but still stays the shortest). Why, when the calendar was being designed, wasn’t it given a couple of extra days, taken from, say August and December, to make seven 30-day months and only five 31-days, or six of each in Leap Year? Even better, why not alternate them by making February, April, June, August, October and December 30 days , with the Leap Day added at the end of December? Aha, that rings a bell now, isn’t it the case that March used to be the first month, which would make February the last month, which would at least make sense of Leap Day being then?

The Celtic quarter days are at the beginnings of February, May, August and November, which are not exactly mid-way between the equinoxes and solstices, but do correspond to the beginnings of calendar months – isn’t this something to do with the adjustments that had to be made to the calendar to deal with the fact that somewhere in the middle of the last millennium it was noticed that the seasons had moved since Julius Caesar’s time because the solar year isn’t exactly 365-and-a-quarter days long, and hence we don’t need a Leap Year exactly every four years, but more like 97 years out of 400? Every time I start asking these calendar questions I know I could just look them up on Wikipedia, but I’m not Wikipedia and I like to raise the questions and make everybody else as confused as I am.

I’m also puzzled by the fact that according to some sources Imbolc/Candlemas is on the first of February, while others say it’s the second. Why worry about things which have their roots back in times when few people were literate anyway, and they were probably decided – quite arbitrarily –  by various factions of various religions, and not in some boring, rational unified way?

But why is Groundhog Day now so closely linked with time repeating itself? Is it just down to the Bill Murray film, and why did the writers decide to do that?

When I was travelling, I wrote erratically, and never felt I had very much to say. When I got back to England, and tried editing it all into a book, I realised that although I had far more material than I’d thought – more than enough for two books, even by the fourth edit – what I had wouldn’t make a coherent book. It was a series of anecdotes and reflections, some more or less interesting than others, but it had no real narrative, no dramatic tension, no resolution, no plot. It was held together only by the sequence of events and places I moved through; it was a journey, but it wasn’t a Hero’s Journey (or even a Heroine’s).

It is similar in that way to this and the other blogs and journals I’ve written down the years. I’ve wondered casually whether what I’m writing is the basis for an autobiography – or at least, memoirs – but it would be a very scrappy one, because there are large and significant portions of my life – like living in Dallas, or when I was doing my PhD – when I wrote very little, and others, like now, when little happens but I write about it quite intensively. The same happened when I was travelling – there are places I went to which, when I went through my notes and blogs, I found I’d written hardly anything about at the time, but when I was writing the first draft, it was quite recent in time, so I managed to scrape something together, often using my photos as aides memoires, and picking up additional information from the internet. Towards the end (of both the travelling and the writing) there are places (such as Kristiansund, Oslo, Hamburg and Amsterdam) that I skimmed through with very little attention and interest, but these are mainly in the still-unpublished second half, The Long Way Back.

Interestingly (perhaps), since I’ve had the selected photos rotating on my desktop, I’ve noticed there are also very few from the last weeks included in the sequence – not because I didn’t take any then, but because I never bothered to go through them, select them, edit for size and add them to the folder. On the other hand, there’s a preponderance of Brussels, Paris, Brittany and San Sebastian, the first places on the itinerary.

January comes to an end today. I used to hate this time of year, but that was when I set a lot of store by Christmas, and found the new year always an anticlimax. Now I find that this can be quite a hopeful time – even though it usually has the worst weather of the year, at least the light is slowly coming back. A daffodil opened in my forecourt a couple of days ago, but was immediately so battered and droopy it hardly deserved a photo. I can confirm that this has been the coldest and gloomiest beginning in the four years I’ve been crocheting weather blankets.

January Morning (poem)

There, I’ve written a poem. Will that do for today?

I seem to have run out of steam, at any rate.

Yesterday, talking to my therapist in our weekly Skype session, I told her about the bookshelves, and moved the laptop round a bit so she could see them. She was impressed, more impressed than I thought was necessary. It’s that thing I always have: I did it, not very well, and it took me a long time, but if I did it, it can’t be that hard, anybody could do it, and probably make a better job of it, in less time.

I told her how I’d been worrying about what books and knick-knacks to put on them, what impression would they give of me, how would people judge me, and drew attention to the fact that two of the shelves were already full of chaotic clutter.

‘What people?’ she asked.

‘Well, you I suppose’ given that no one else will be coming round any time soon.

‘What does it matter? They’re your shelves; you choose what you want to put on them.’

Put like that, it does sound a bit ridiculous that I’ve been worrying about this all week. As soon as I put something on there, I worry about what it says about me – that I have no aesthetic sense, that I can’t see what should go where, like the cross stitch and needlepoint pictures and weavings that I’ve made but never put on display, or the clothes I’ve knitted or crocheted and never wear in public.

‘And yet you write about your feelings and put them out there where anyone can read them.’

‘Well’ I said defensively, ‘I’m pretty safe in knowing that hardly anybody does’.

It’s the paradox of my life. I hide away from people because I’m afraid of being judged and laughed at or despised, and yet I put my feelings in words like this, and share them where they can (theoretically) be read by anyone. And I’m just as uncomfortable with being judged by others more positively than I judge myself as I am with those who find me wanting.

I want others to see me as I see myself – and yet still love me, when I can’t.

But in all this chaos I can still open my door – and my heart – to a new morning and think: ‘something good may happen today’ and write a little poem about it – and share that with the world.

In my study, but once again, Microsoft decided it needed to reconfigure my version of Office, so I had to wait. I spent the time picking some more books to go downstairs on the new shelves, and looking for more yarn to match the cardigan (or maybe it will be a blanket) I started crocheting two days ago, when I realised the fair isle jumper was going to be too tight, so I gave up on it till I decide whether I’m going to pull it back to the armpits and do it again, or leave it unfinished like so many other things I’ve started in my life.

Then I felt the urge to listen to Joni Mitchell’s ‘Judgement of the Moon and Stars’, which I’ve been listening to on cassette in the kitchen, and I thought I must have uploaded onto the PC when I was doing that a few months ago. I couldn’t find it, but I did find the files for her album ‘Hejira’, and played ‘Amelia’, which got me into a sad and thoughtful mood, which wasn’t necessarily where I wanted to go.

By that time, Office was reconfigured and Word was open. I suspect it’s now reconfiguring every time I restart the PC (which should be every day, but I must admit sometimes I forget to switch it off properly and it stays in hibernation till the next morning). I don’t use the PC much in the daytime after I’ve finished blogging, now that I’ve got the laptop downstairs, where the wifi’s better and it’s warmer – I don’t have the radiator switched on in here because it’s under the window, behind the desk and printer. Ironic to think that I bought the laptop at the end of 2019 so I could take it out and sit in cafes to write – one of many small ironies of the last twelve months.

Maybe what I’m doing here is reconfiguring my mind every morning. It’s a thought.

In telling the story of the Madwoman in the Attic, I flitted around quite a bit chronologically, and I think I may have missed out completely the time in Prague. I started going through the blogs from that time about three years ago, after I finished the first draft of ‘The Long Way Back’, but I gave up on it quite quickly. Maybe that should be a task for this year – or would be, if I was setting myself tasks, which I’m not.

The gist, I suppose, of the Madwoman idea, was that through those limbo years until I moved into this house in October 2016, the Stuff was always hanging around in the dusty corners of my mind, along with the knowledge that at some time the house would be sold, and it would come home to roost, but also I would be in a position to buy a permanent home for it (and me). And yet, although I’m here, and it is too, the chaos remains unresolved.

Amelia, Joni Mitchell

Am I, as was recently suggested, ‘looking for a purpose’?

First, let me freely acknowledge that I don’t feel I have ‘…a purpose…’ in any profound sense. But how much does that matter?  

This is a time of year when there can be a lot of pressure to set goals, make resolutions, plan new habits and behaviours, and generally beat yourself up and set yourself up for failure and disappointment. Well, that’s how I’ve always found it. I don’t want to detract from anyone else’s desire to do those things, but for me – hey, I’m retired, I live alone, and the joy of both those states is the peace not to feel obliged to follow anyone’s expectations but your own.

That said… my purpose last week was to complete and submit my tax return, which I did on Saturday. Now it’s to bring my accounts up to date, which I haven’t touched for the last two months, even though it’s a task I quite enjoy. Moving data between spreadsheets, checking totals and hunting for errors when things don’t tally – to me, it’s fun, it’s satisfying, there’s always a ‘right’ answer, and if it doesn’t work out, there’s always a reason which can be found – it’s like a puzzle, a more complicated version of killer su doku, but one which has a ‘purpose’ beyond just filling the time. Sometimes I think: I could have been happier as a book-keeper rather than as a failed book-writer, and maybe that’s a path I should have chosen years ago, but too late now, I don’t have the right qualifications – (and no, I have no intention of studying for the qualifications now – given my experiences of retraining in new skills during my fifties – creative writing, web design, graphic design, TEFL etc – and knowing where that got me).

Another potential ‘purpose’ would be to put together the book case which I bought from Argos in the Black Friday sales and which has now spent almost two months in two large cardboard boxes in my narrow hall. At one time I considered making it a post-Christmas project, but I decided to start knitting myself a jumper instead (which is coming along nicely, by the way). I’ve been walking past the boxes for long enough now, I don’t notice them any more, and a further disincentive from putting together the bookcase is that I might then feel obliged to put something on it, which might lead me to think about sorting out the stuff in the study, which could very well precipitate a complete emotional breakdown, so probably best not to go there.

So my plan for the day after I’ve posted this is: brush teeth; dry hair; get dressed; eat breakfast; mess around with my spreadsheets for a couple of hours (depending how much time is left after I’ve finished the aforementioned); spend the afternoon in my chair knitting and listening to the radio; get dinner; do bins (mustn’t forget); watch telly. ‘Purpose’ settled – job done.

I know today is Epiphany, but why is it called ‘Twelfth Night’? It’s the twelfth day AFTER Christmas Day – so, when did the drummers drum? Was that yesterday? Or how about the ‘First’ day of Christmas, when the partridge sat in the pear tree, was that really Boxing Day? Or does Twelfth Night literally refer to the twelfth night from Christmas Day, in which case, the Twelve Days ended at midnight last night, and did Twelfth Night end at midnight or at dawn this morning? So should I have already put my denuded (not that it was ever very well clothed) 20 centimetre fir tree in a pot out in the garden yesterday?

These questions bother me every year, yet no one else ever seems to notice. All I can say to that is: do the maths.

And why do I bother to ask, when there is now a source of answers for everything?

In most Western ecclesiastical traditions, Christmas Day is considered the “First Day of Christmas” and the Twelve Days are 25 December – 5 January, inclusive, making Twelfth Night on 5 January, which is Epiphany Eve. In older customs the Twelve Days of Christmas are counted from sundown on the evening of 25 December until the morning of 6 January, meaning that the Twelfth Night falls on the evening of 5 January and the Twelfth Day falls on 6 January. However, in some church traditions only full days are counted, so that 5 January is counted as the Eleventh Day, 6 January as the Twelfth Day, and the evening of 6 January is counted as the Twelfth Night. In these traditions, Twelfth Night is the same as Epiphany and is also known as the “Thirteenth Day”. However, some churches that fall in the latter category consider Twelfth Night to be the eve of the Twelfth Day (in the same way that Christmas Eve comes before Christmas), and thus consider Twelfth Night to be on 5 January.

Wikipedia

So why have I never bothered to check that before? I probably have, it’s just that I’d forgotten the answer.

I saw the waxing moon through the slats in the venetian blind when I was doing my morning exercises earlier. Which reminded me of another question which occurred to me during one of my beach walks a few weeks ago. The sea had clearly been high enough to throw bits of seaweed, pebbles, sand etc up to the sea wall and over onto the prom, which, due to the terracing of the beach, almost never happens. It must have been due to a storm, but it got me briefly thinking about the tides – in particular, that there must have been an exceptionally high tide – and then I remembered that the moon was in its dark phase, so how could it be high tide? Which also made me realise that the tides are not related to the phases of the moon at all, as I’d been assuming, because the moon is always there (when it’s on this side of the earth), it’s just that we can’t see the bit that is in earth’s shadow – and why would that make any difference to the gravitational pull between earth on the moon? So why do the tides change as the moon changes? This puzzled me mightily for a while, until it dawned on me that the tides must change with the distance of the moon from the earth, which I suppose interacts with the phases of the moon (in terms of how much we see) but isn’t directly linked.

I didn’t check that on Wikipedia (or anywhere else), but I was quite happy to have figured it out for myself. Welcome to the inside of my head.

If I start typing, what will come out of my fingers? What have I been thinking about in the two hours since I woke up? I don’t want to remember, and you don’t want to know. I tried to fix the motion-sensitive, darkness sensitive light on my landing by replacing the batteries and it still doesn’t work. Last time this happened, I took it down and left it on my dressing table for a couple of years, then picked it up one day and changed the batteries again, and it miraculously came on, and has been working ever since until yesterday. I don’t know if I can be bothered to leave it on my dressing table again for another couple of years.

I once tried a blog thing (I think it was a group set up by someone else) where you wrote fifty words about something positive and uplifting. I did it a few times, then gave up, and I think everyone else in the group did pretty much the same. If I have to think happy thoughts before I write, I can’t write anything at all. Don’t have that sort of imagination. It’s like the inverse of that thing the pop-psychologists say about ‘…try not to think of an elephant…’ I have heard that so many times that these days, it doesn’t immediately conjure up an image of a pachyderm so much as an infuriatingly chirpy self-help guru whose face needs a good slapping.

Wow, look at that, 250 words, half way already.

The days when I wake up without this dark cloud of gloom over my head are vanishingly rare – I think there might have been one I wrote about a couple of months ago when I’d been reading in bed and actually felt good by the time I started writing? Not sure, it was probably more recently than it feels. I do, admittedly, often feel better by the time I’ve finished writing. I really noticed this in the summer, when most days I could take my breakfast out into the garden and eat in the sunshine. Won’t be doing that today, however.

Bin day today, which means I will get as far as the front gate this evening. I actually can’t remember the last time I left the house (and garden and forecourt) – I think I had a couple of visits to the shops between Christmas and New Year, but don’t think there have been any since. All this is my choice, of course, there isn’t really anything to stop me walking to the sea front except apathy and general can’t-be-arsedness.

Yesterday I had a go at trying on my jumper, and concluded that I had separated the sleeves from the body too soon, as I suspected, so I undid all the work I’d done on it the previous day. I’m happy with that decision.

Just read a tweet which says: ‘Freedom is nothing but only a chance to be better.’ Better in what way? I wonder.

I decided this morning that if I ever publish another book, on the back cover, under the blurb, where real books have glowing reviews, I will place the following:

‘A tale told by an idiot, signifying nothing.’ W. Shakespeare.

Do I have plans to publish another book, maybe this year? Well, I might – at some indeterminate date between now and my final gasp – but I don’t have plans. Anything’s possible.

I do plan on finishing this jumper I started knitting on Christmas Day – though I’m a bit concerned at the moment about the size. Did I separate off the sleeves from the body too soon? I was aiming for the same number of stitches as the Christmas one I did for my daughter (it’s the same yarn) but stopped when the sleeves hit sixty, when the front and back for some reason were only at 112, although on the other one it was 120. I can’t really tell by looking, because of it being on circular needles, and that also makes it a pain to try on – and I’ve lost my spare circular needle, which is what I used last time (front on one and back on the other). Bigger better than smaller, surely?  Should I undo what I did yesterday, to be safe? Yesterday I undid two squares’ worth of weather-blanket backing that I’d done the day before, because I wasn’t happy with the way it was working out.

I’m thinking now about Penelope, at the end of ‘The Odyssey’, weaving by day, and in the night unravelling what she’d done the day before, waiting for her husband, Odysseus, to return from the Trojan War (spoiler alert: it took ten years, on top of another ten years for the duration of the war). The process matters more than the outcome, the journey is more significant than the destination (evidently so in Odysseus’s case, I’m not aware of any stories about what happened after he and P were reunited). The process of unravelling is a bit frustrating, and as it’s knitting, picking up the stitches is a lot more of a pain than the crochet equivalent, but as long as there is no deadline, it’s surely preferable to a finished garment that’s too small? (Or maybe not, given that I’ll probably never wear it?)

Incidentally, that last sentence was just highlighted by Word, presumably because it thought it was a double negative – not so clever, eh?

This isn’t what I was going to write about. No resolutions, no plans, no expectations – not that I was intending to write about any of those – on the contrary.

Gazing out of the window, I watch the slow procession of clouds drifting across the gap between the end terraced house across the road and the pub on the corner. A woman in black leggings, a lime green top and head phones runs past my line of sight. Will I be like the running woman or like the clouds this year? What do you think?

Cloudy’, Simon and Garfunkel