Category: songs

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The Chain

Wrote this yesterday. Didn’t share it – chickened out. I’m sharing it now.

Rejoice, rejoice,
We have no choice
But to carry on.

Stephen Stills, 1970

Will I be doing my bit to support the economy by going shopping today? Probably not. I’ll stay at home and carry on doing what I’ve been doing for the last couple of months, thank you very much.

This morning I am lost for words, a strange experience for me. Poised on a knife edge between opening myself up and expressing my honest feelings and thinking of something else, less contentious to write about – at the same time as watching on YouTube – really watching for once, not just playing music as a background – Fleetwood Mack performing ‘The Chain’ live, witnessing the rage flashing and crackling around and between Stevie Nicks and Lindsey Buckingham, feeling it entering and reflecting my pre-existing mood of pent-up furious chaotic self-destructive energy.

Why? Why this morning, why today?

‘Where [am I] going now my love?
Where will [I] be tomorrow?
Will [it] bring me happiness?
Will [it] bring me sorrow?

Oh, the questions of a thousand dreams
What you do with what you see…

Stephen Stills

Woke up with my usual mixture of shame, self-hatred and despair, but instead of taking the path of trying to calm it down and hush it up, I decided to go the other way and face it all head on, and this is where it gets me. For once I can feel all that anger in my body, not just think it in my head.

This was happening in my therapy sessions towards the end of last year, when we were still meeting in person. Every week I would come into the room with whatever was in my mind, but before the end of the session I would be screaming and grinding my teeth and smacking my fists against the arms of the chair to stop myself from smacking them into the side of my head.

It would be easy to put this down to the repressed frustration and anger of a child whose voice was never heard; whose questions were met with impatience if not downright anger; whose feelings were never acknowledged without disapproval; who learnt that those feelings of sadness and loneliness and inability to mix with other children or interact with adults were her own fault, a wilful failure to play the ‘happy little girl’; who lived in a world of confusion, constantly trying to anticipate what was wanted of her, never knowing when she might unwittingly overstep some implicit boundary and suffer the consequences.

Maybe that is a true story, maybe not. I honestly don’t know. In last week’s therapy session, I said that I’m sure there must have been happy times in my childhood, but I can’t remember them, which to me feels very shameful, my failing that I should be so unfair on my parents, but the therapist’s reaction was that it was very sad.

After sixty years, after multiple attempts to resolve these questions, can I ever find a way out?  

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Routines and Decisions

Structure and chaos. Rules and freedom. Dyspraxia and social inadequacy – nature and nurture. Cats and husbands. This and that. Writing and not-writing.

I’ve been awake for two hours already, but I observe my routines. Time is open-ended – until 1pm, when the afternoon’s radio marathon begins (though I can delay that by setting the TiVo to Radio 4 Extra so that it can be paused and rewound if I miss anything). Little happens in the mornings beyond the routine of: feed cat; half hour yoga, tai chi and meditation; shower; coffee; blogging; breakfast (which can end up being at 11, or even later). Except for shopping days, of course, but that was yesterday. There are other day-related things, apart from shopping (which isn’t strictly day-related, but has fallen into that pattern because it takes me exactly a week to use up two litres of milk), like putting the bins out (Tuesday), Zoom tai chi (Wednesday), Skype therapy (Thursday), but they all happen in the afternoon or early evening.

This is very different from pre-lockdown routine, when on most days I needed to be up and ready to go out by a certain time. Which may mean – if those activities eventually resume in a similar format to before – that post-lockdown life (which, may I say, I’m not anticipating any time soon), will be different again.

None of which is what I was thinking about in those two hours before I sat down at the keyboard.

By the way, the Joni Mitchell song I quoted from the other day wasn’t ‘The Blonde in the Bleachers’, as I said, but the one that begins:

‘Two waitresses both wearing black diamond earrings
talking about zombies and Singapore sleeves.
No trouble in their faces, not one angry voice,
none of the crazy you get from too much choice,
the thumb and the satchel or the rented Rolls-Royce…’

Joni Mitchell

But surprisingly, even though I can now hear it clearly in my head, I can’t get as far as the refrain to remember what it’s actually called (nor do I have a clue what ‘Singapore sleeves’ are) – and I still haven’t got round to looking it up.

Choice as tyranny, that’s what I was going to write about. The comfort of routines versus the horror of being forced to make a decision. That’s why I cling to them in the mornings; though I don’t always wake – or get up – at the same time, the sequence of activities is quite consistent. Otherwise I lie in bed and do nothing – which is not, repeat NOT healthy for my emotional wellbeing.

I still have to make decisions, of course, and I find the two most terrifying are: what to wear, and what to have for dinner; terrifying because they are relentless. And every decision (however trivial) entails judgement: options must be evaluated, probabilities and utilities assigned; projected outcomes considered (especially unanticipated ones) in order to identify and attain an optimal solution.

It’s exhausting. Better to sit in the sun and drink coffee.

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A Poem That I Meant to Write

‘The net that links us

Is not the web that binds us’

Linda Rushby (unfinished)

I thought that was going to be the start of a poem, but after an hour of rattling around, nothing else has appeared. So now I’m sitting at the keyboard, and – I don’t think this has struck me before – although I usually write as I go directly on the computer (which is why my posts ramble quite as much as they do), it doesn’t work that way with  poems. Mostly they come into my head fully formed, and then I have to write them down before I forget them – like a line from a Paul Simon song of 50-odd years ago :

‘I was twenty one years when I wrote this song.

I’m twenty two now, but I won’t be for long…’

Paul Simon, ‘The Leaves That Are Green’

You said it, Paul. And the first time I heard it I was even younger – sixteen, I believe – though the song had already been around for a few years. I think it was the first time I grasped – or at least caught a glimpse of – an adult understanding of the passing of time. That and Neil Young’s ‘Old Man’ from about the same: ‘I’m twenty four and there’s so much more’. (To me at that time, even twenty seemed impossibly mature).

How did I get here from there? Oh yes, ‘The Leaves That are Green’:

‘Once my heart was filled with the love of a girl.

I held her close, but she faded in the night

Like a poem I meant to write

And the leaves that are green turn to brown.’

That one: ‘Like a poem I meant to write.’ Exactly. If you don’t grab them while they’re there, they get away from you – Poems, I mean, not girls (or boys). I wrote once about ‘catching the words in flight’. It may be in ‘Single to Sirkeci’ or it may just have been a blog post. It might be the one I wrote in Tulcea, on the Danube Delta – which would have gone into ‘The Long Way Back’ – if I’d ever got round to finishing it. Or maybe it was just a random, throw away blog post that at most a handful of people might have read.

Do poems matter more than people? That’s a bit contentious – though once out they’re out there, they can live forever – I’m not claiming this for mine, I hasten to add, but I was thinking of the likes of Wordsworth (whose birthday is next Tuesday – I have a reason for knowing that which some of you might work out), Ovid (who was exiled to and died on the Black Sea Coast at Constanta, from where I went to Tulcea) or even poor Sylvia Plath (enough said).  Even mine will still hang around for a while after I’ve gone, out on the internet and in unsold copies of ‘Beachcombing’. Some have already lasted far longer than the relationships that provoked them – but that’s another matter.

Of course – a haiku!

‘When we are ourselves.’

Linda Rushby