Category: Emily Dickinson

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Process and Outcome (and losing a poem)

It’s a cliché to say that the quest is more important than the prize, the journey matters more than the destination. This is the meaning of the story of the Crescent Moon Bear, (retold by Clarissa Pinkola Estés), with the added subtlety that it is the hardships the protagonist experiences through the journey that give her the skills she needs to keep going and deal with her challenges (which are still there when she returns home).

In the process of trying to re-evaluate my life in order to better understand who I am and how I got here, this strikes a chord. There were things I was going to say. But earlier I remembered a poem that I thought I would dig out and now I can’t find it. This is the second time this has happened to me in the last few months and it is worrying. I have so many poems and they can be anywhere – well, I think there are a certain number of places where I would have saved them, but I’ve looked in all those and still no luck. Emily Dickinson wrote hers on paper, and shoved them in a drawer where her sister found them after she’d gone, but who’s going to bother trawling through my computer for mine?

I’ve gone through my assorted ‘poetry’ or ‘poems’ folders, but no sign of it – I can’t remember a title for it, which doesn’t help. I remember that I wrote it in my flat on Beach Road, which narrows the date down to between May 2015 and October 2016. And there’s no 2016 sub-folder in my Blog folder on Google Drive, so does that mean I didn’t write any blog posts in 2016? Of course, I would have been using my old laptop then, so it could be on there. But it was unfinished at the time, and then I’m sure I’ve gone back to it in the last couple of years and tweaked the last bit, so that implies it would be somewhere I’ve accessed more recently.

Well that’s blown out of my mind what I wanted to say. Process and outcome. My PhD is a classic example of a hugely significant process with an outcome that no one was interested in – not only if we assume that the ‘outcome’ was the thesis, but if we take ‘an academic career’ as the outcome I was striving for – well, that never happened either. I used to say that the process of doing a PhD is like having your brain extracted, tied in knots, and put back again so you can never see things in the same way ever again. Maybe that was just my experience.

If I think back to the time before, from the point when one of my OU tutors asked whether I’d ever considered a career in research, my aim was always to ‘do’ a PhD, rather than to ‘have’ a PhD – which reminds me of another poem, which hopefully I can locate…

I had a dream.
And then what?
I made it real.
And then what?
Dreams in daylight
turn to dust.
And then what?
How long does it take
to make a new dream?
And then what?

Linda Rushby 22 June 2012
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Not Writing, but Blogging

Where does this stuff come from? I sit down with a vague idea and the words come out in a completely different direction – like starting from a conversation about the role of fate and chance in an individual life and going off on one about Isaac Asimov and the fates of galaxies (not to mention Planet Earth).

Lately much of my time is being taken up with obsessing over getting this jumper finished – so much so that I haven’t even touched the weather blanket for a week. And a fair amount of that time, of course, is taken up with untangling wool, although yesterday I felt as though there was a better balance, and that I made reasonable progress (admittedly it was a less complicated part of the design). In fact it even feels as though I may be approaching the end – although I still have to do the sleeves, which always take longer than expected. I’ve made a start on one of them (when the body got too stressful) and I’ve decided to incorporate small candy canes into the pattern to relieve the boredom.

I still have moments (or even hours) of panic that she’s not going to like it. But then I think – too late to go back now, I might as well just keep on the way I’m going, knowing that whatever my daughter’s opinion, I’ll be embarrassed by it when it’s done. She asked for it, I tell myself, and she knows well enough it will probably turn out to be a mess.

But I’ve decided to stop worrying about the quality of the things I make (which goes for my writing too, which is why I’m still writing this blog). Also I heard on the radio the other day that only ten of Emily Dickinson’s poems were published in her lifetime, but almost 1800 were discovered by her sister after her death. What does it matter?

This takes me back again to ‘Women Who Run With the Wolves’, and the idea of the poetic imagination, or Wild Spirit, (or whatever you want to call it) being stolen or given away or strangled at birth. Looking back over my life – which I still haven’t delved into in depth – has shown me how much I’ve repressed, denied, pushed away, belittled that side of myself, while simultaneously longing for it. So I’ve decided just to do what I can without thinking too much about it or expecting anything from it. Lockdown helps, of course – as it did in the spring: I feel a lot less stressed and more content when I don’t have to go out and interact with other people. That’s something else Dickinson is famous for – it’s said she rarely left her bedroom –at least I have a whole house to myself.

Despite longing for the life of a wild bohemian, I never had the nerve or the opportunities. I’ve always been more Emily Dickinson than Bloomsbury – and at least it requires a lot less energy.