Spontaneity vs Inspiration

I was talking yesterday about why I write in the morning, following the advice from Dorothea Brande’s book ‘Becoming a Writer’, but how that’s also usually my unhappiest time, as I try to sort out in my head what I need to do for the day.

When I first tried to follow the advice, in the late 1970s early 80s, I was trying to write a fantasy novel, of the then conventional swords-and-sorcery genre, which was hopeless, because it inevitably had to involve a certain amount of fighting and war craft, which I couldn’t get my head round at all. In fact, I didn’t even like reading about that stuff, even though I loved the Tolkien books, I would skip all the fighting parts and just read the adventuring. This was in the days before the genre had opened up with more female characters and writers, such as Ursula le Guin, Julian May, Anne McCaffrey and Marian Zimmer Bradley. I didn’t see how it was possible to have fantasy books outside that patriarchal paradigm, or how I could write within it, so I really was on a hiding to nothing.

Be that as it may, I tried, and I tried in the mornings, and then I discovered that if I sat down to write for a specific purpose – such as to continue my novel – I was paralysed. All I could write was what was in my head – such as what I’m writing now, and write most mornings, about my life, my thoughts and feelings. I was going to say ‘write spontaneously’ but that seems odd, in that the daily writing is quite regimented – but there again, it is spontaneous in the sense that I don’t always know what I’m going to say until I start saying it.

Now I’m confusing myself. Because the other kind of writing – the way I write most of my poems – is the stuff that comes into my head at any time of day, and I need to capture it – so that by the time I sit down at the computer, it’s already there, and I’m just ‘taking dictation’ – so is that spontaneous or is it the other? Because that is what I think of as being ‘inspired’ writing, and I have no idea where that comes from or how to make it happen – it’s outside my control except… for the times when it isn’t. What about all those poems I wrote in April, for NaPoWriMo? They were ‘inspired’ somehow, so how did I make that happen?

There was also a period in 2005-6, immediately before and around the time when I started both a creative writing course and blogging, when I WAS extending my novel (not the original one from twenty years earlier, but a more feminist one) by writing 500 words daily, developing the plot in classic ‘seat of the pants’ fashion. Why did that come to an end? Because my writing energy was diverted into assignments for the course and blogging, perhaps?

#amnotwriting

Awake at four thirty, I thought I would listen to a radio play, because that sometimes sends me back to sleep, or at least passes the time. I picked ‘Marian and George’, about how Mary Anne Evans in her mid-30s met the love of her life, ran away with him to Europe, and started writing novels as George Eliot.

And that kicked me in the teeth in two ways, because her lover, George Henry Lewes, was a writer whose work I came across when I was doing my PhD, at roughly the age she was when she met him, a philosopher whose words clicked something open in my brain and showed me a little of the pattern of the universe, and now after thirty years I can’t even remember what it was that he said that was so inspirational.

I sat on the bed and screamed at myself in the mirror, because wasn’t I going to write something wonderful that would inspire people, or at least entertain them, and whatever happened to that? Whose fault was it? And why? It wasn’t the brain or the intelligence or the thirst for knowledge or even the writing ability that was lacking, it was, and is, the guts, the determination, the ideas, the twin abilities to sit down and start and to sit down and finish. Not only can I not start that work of genius that will make readers gasp in awe, I can’t finish a silly little fantasy novel that I’ve been picking over for thirty years. Not only can I not be George Eliot or Virginia Woolf, I can’t even be Barbara Cartland or JK Rowling.

This is what tears me apart and makes me hate myself with such deep loathing that I want to smash my skull into that mirror and shatter them both. And now I’m 66 and what chance is there that I will ever rise above, get beyond that failure? To write something and know it was good but for it never to be recognised by the world would be bad enough, but not even to write anything that I can look at with pride, or to finish anything at all, that is not just disappointing it’s deeply shameful, a betrayal of myself and the dreams I’ve had for sixty years, from the moment I knew what books were, and realised that they were made by people, that there were people who could bring these wonderful objects into the world, and wouldn’t it be exciting to be one of those people?

But if I could wind back time for sixty years – or thirty – how would things turn out differently? How could they? Because I would still be me – all the chaotic, lazy, self-doubting aspects of my personality would be there in me, just as they are now, waiting to trip me up. A lifetime of trying to correct them has been as much of a failure as my intellectual and literary pursuits. How could it not?

Old Songs

Can’t find my reading glasses. I had them in bed, because I was reading for a while, I remember that. Now I can’t find them anywhere around the bed, or in the kitchen, or the spare room where I did my exercise. Not even in my dressing gown pocket, because I didn’t wear my dressing gown this morning. I can write okay with my varifocals as long as I don’t have to look at the screen – I just stare down at the keyboard.

I’ve thought once or twice recently about writing – proper writing, not this daily drivel. If nothing else, I suppose, I should finish off ‘The Long Way Back’. The first part – the return journey from Istanbul – is written and edited, and it feels as though I’ve cheated those kind people who have gone to the trouble of reading ‘Single to Sirkeci’ to leave it all dangling. My idea was to pad that out with an account of trying to piece my life together afterwards, hopefully coming to a positive conclusion and some lessons learnt. And so far I’ve edited enough material together to get me to May 2013, when I left for Prague. At one point I even thought I might turn it into three books, with a Prague instalment as well. But so many years have passed now – another three even since I published S2S – and so little changes, I’ve ‘learned’ so few life lessons from those experiences, my heart sinks at the thought. When I tried reading the blog posts from the Prague times, and realised how depressing that all was, it wasn’t something I wanted to revisit.

What about the famous thirty-years-in-progress fantasy novel? Or rather, fifteen years, from 1990 to 2005, because I haven’t touched it since then. It ground to a halt in October 2005, when I started a creative writing course and, coincidentally, started blogging, though I’ve never been able to fathom which (or possibly both) of those circumstances was responsible for the stasis.

But if this daily writing doesn’t help, then what’s it for? A question without an answer.

Old songs. My pre-bedtime wind-down habit of listening to Amazon Music through the telly has led me back into the past so that now I’m returning to songs of thirty, forty, fifty years ago. Vinyl albums in tattered cardboard sleeves stand in no particular order on my IKEA cube units, a shoebox with the marker-penned legend: ‘Cassettes Study’ by my side on the floor. The USB turntable and cassette player – both presents at different times from my ex-husband, the latter, from the final, fateful Christmas – spent many years stashed away in boxes, but earlier this week I ordered a new stylus cartridge for the turntable, and finally connected the cassette player up to my PC. The sound quality is pretty uneven, especially after thirty years of listening to CDs, but the songs and lyrics are the same.

So today I’m uploading Jon and Vangelis: ‘Somehow I’ll find my way home.’

One day.