The other evening when I was cooking dinner, Radio 4 Extra was on in the background, playing ‘Soul Music’ – a programme which you can only imagine being made by the BBC. Each episode takes a piece of music which has a ‘powerful emotional impact’, with a handful of speakers talking about it and what it means to them. It is a wonderfully eclectic programme, and the musical pieces come from everywhere: ‘Life on Mars’, ‘Once in a Lifetime’, ‘I Wonder as I Wander’, ‘Sunshine on Leith’ (I’ve never heard of that one), ‘Lean on Me’ and ‘Dock of the Bay’ plucked from a list on the website.
This week it was a classical piece which at first I didn’t recognise and wasn’t paying much attention to, when I heard a voice saying something about a hill which was supposed to be the site of the original castle, rather than the current castle further down the river on the other side, but this was just part of the foundation myth of the city… and it dawned on me that they were talking about Prague. Then it cut to a piece of music which I definitely recognised, but couldn’t have told you the name or composer, and I heard the words: ‘Vltava’ and I knew before I heard it that the site they were talking about was Vyšehrad.
Vyšehrad was one of my favourite walking places when I wanted to avoid the tourist crowds. It was directly across the river Vltava from my flat, something that I only realised when I was there and looking back to my side of the river managed to pick out the funny little church across the road from me. But to get there I had to take one tram to the interchange at Novy Smichov, near the big Tesco, and then change to get across the river bridge, get off and either catch another tram back up the river or walk along that side. Once, not so long ago, I could have told you all the tram numbers, but I don’t remember now.
But I have to tell you first that the music was by Smetana, one of the three great classical Czech composers, the other two being Dvořák and Janáček. Smetana was the only one I’d never heard of before I went to Prague. ‘Vyšehrad’ and ‘Vltava’, I learned from ‘Soul Music’, are two of six ‘symphonic poems’ that make up a patriotic symphonic cycle called ‘Má vlast’ (‘My Fatherland’), inspired by the history, legends and landscapes of Bohemia.
I have seen his grave in the cemetery on Vyšehrad, overlooking the vineyards reaching down the castle mound towards the river. I wrote at least one blog post about it, but on a blog which is now defunct (though I still have the content somewhere). I was walking there on a Sunday afternoon in February, seven years ago, when I read the text from my daughter that brought me home to England by the next Wednesday…