Last evening my cat and I huddled together listening to the storm, which shares its name with my eldest great-niece. This morning all is calm, and the sky, though pale, is mostly clear with patches of cloud, rather than the other way round. Whether Bella has spent her wrath on us, or is rampaging further up the country, I couldn’t say.
Worryingly, when I switched my computer on this morning, it didn’t show the Windows log on screen. I thought I was going to have to go downstairs and type this on my laptop, but after a few rounds of switching off and on again, it slowly and reluctantly opened up, though is still running more slowly than usual, so there’s a delay between my typing and its appearance on the screen.
Two days before Christmas, I finished off a crochet cardi which I’d started before my daughter’s Christmas jumper, and which had been hanging around waiting to be finished. It didn’t work out quite as well as I hoped, and I knew I was going to need a new project over Christmas, so have been thinking about it and planning, and started knitting on Christmas Eve, with a couple of false starts and re-starts since. It’s another one that I’m making up as I go along, a jumper using the same top-down techniques and mainly the same yarn as the Christmas one (I bought way too much) but I’m changing the neck and obviously won’t be doing any Christmas motifs, but a sort of fair-isle pattern, which I’m working out on squared paper, and for which I will use partly white yarn and partly a variegated yarn that I bought during the first lockdown. We’ll see how it goes. If I do finish it, I probably won’t wear it, because I don’t like jumpers, I prefer cardigans that are easy to take off and put on, but that’s not really the point anyway – the point is the process of making.
As a way of channelling creativity, it’s maybe not as highbrow as writing a novel or artistic as painting and drawing, but equally it’s not as challenging or stressful. There is of course a whole debate about the boundaries between craft and art, and the downgrading of skills which are stereotypically seen as ‘women’s work’, which I’m too weary to engage with at the moment. My discovery last week of abandoned sketch books containing my abortive and depressing attempts to produce visual art has led me once again back to wondering if I should make more efforts in that direction. I have drawers full of materials (mostly dried up and useless) and shelves full of books leftover from past attempts, and I wonder if I should try again, but I think I’ll stick to knitting.
Here’s one of the poems I found in the sketchbooks, written in coloured pencils, different colours for the different stanzas:
I draw flowers.
These are all I know.
They are not real, just sketches of shapes.And on the back, I find
the beginnings of a painting,
house roofs, sky,
the empty outlines of a tree,
I scrape the brown pencil
over the ridges of the paper,
colouring in.This is nonsense.
I channel words,
that’s all I can do.I cannot draw, I cannot paint,
Linda Rushby, date unknown, probably 2015?
I cannot love, I cannot write,
I cannot tell you how I feel.
What to think?
What to say?
What to paint?
What to write?
I too have drawers full of painting stuff, and I have created one or two passable paintings, but when I consider ‘Christina’s World’ by Andrew Wyeth, for example, I wonder, and I doubt that I could ever create something as moving as that, but I want to!
So should I try again?
The same question applies to writing. When I read (for the twentieth time) that piece by T. E. Lawrence that I posted a couple of weeks ago, I doubt that I could ever reach that level of truth and power of expression.
So what to do?
Give up and just read words written by other people? and look at pictures drawn and painted by others?